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Fairchild® Tube Limiter Collection

Fairchild® Tube Limiter Collection

通常価格: $299.00


You'll Save 50%


通常価格: $299.00


You'll Save 50%


The gold standard in vintage tube limiters — captured for UAD and Apollo.

The Fairchild 670 and 660 are the most coveted vintage compressor/limiters in the world, with good reason. These 20-tube tone titans — which now fetch upwards of $50,000 — impart an unmistakable silky warmth heard on hundreds of hit records from the Beatles and Pink Floyd to countless Motown classics.

Now your vocal tracks, drum bus, and entire mix can benefit from the world’s most accurate plug-in recreations of these one-of-a-kind compressors, with the Fairchild Tube Limiter Plug-In Collection for UAD-2 hardware and Apollo interfaces.

Now You Can:

Give your tracks and mixes classic Fairchild tube warmth and character

Harness the Fairchild’s tube-driven gain control, compression curves, and tube amp and transformer sections

Duplicate the famed Ocean Way Studios' compression sound with circuit-modeled recreations of their golden reference units

Complete your “Big Three” compressor arsenal, alongside the LA-2A and 1176 plug-ins

Use “plug-in only” features like Wet/Dry, Sidechain Filters, and Headroom Control

Mix with presets from Darrell Thorp (Beck, Radiohead), Ryan West (Jay-Z, Kid Cudi), and Peter Mokran (The Flaming Lips, Mary J. Blige)

Take A Listen

Take A Listen
5 Minute Tip
5 Minute Tip

5 Minute Tip

The Fairchild Tube Limiter Collection

The World’s Most Coveted Compressor

The World’s Most Coveted Compressor

The first Fairchild limiter that audio genius Rein Narma created on Les Paul’s kitchen table transformed recording forever. Soon, these 20-tube, 14-transformer, 67-pound behemoths resided in world-class studios, many of which still employ their vintage Fairchilds. For a half-century, the Fairchild 670 — and its aggressive little brother, the Fairchild 660 — have defined popular music’s most revered vocal and drum sounds. In fact, the world’s elite mixers often employ a 670 simply for the “glow” it brings to their final mixes, even without compression happening.

The Closest You Can Get to<br>Vintage Fairchilds in a Plug-In

The Closest You Can Get to
Vintage Fairchilds in a Plug-In

In 2004, Universal Audio released the Fairchild 670 Legacy plug-in, which was quickly heralded as the best 670 emulation available. Today, UA’s team of DSP experts have improved the original Time Constants and gain reduction curves, while modeling — for the first time ever — the complete tube-powered amplifier and transformer sections of their hardware counterparts. Far beyond other Fairchild emulations, only the new UAD Fairchild Collection is based on an accurate circuit models of Ocean Way Studios' “golden-reference” units.

New Features — Classic Tones

New Features — Classic Tones

Although the Fairchild Tube Limiter Plug-In Collection nails the classic sonics of yesteryear, it also sports useful new features for modern workflows.

Blend Sounds with the Wet/Dry Mix Control

Blend Sounds with the Wet/Dry Mix Control

A Parallel Mix control lets you blend your unprocessed signal with the compressed signal, opening worlds of textural possibilities on everything from a drum bus to a mix bus.

Enhance Drums with Sidechain Filters

Enhance Drums with Sidechain Filters

By using the Fairchild’s Sidechain Filtering, you gain another level of control over your tracks. Use it to punch up the drum bus to enhance its impact without triggering the threshold of the compressor with the kick drum.

Add Grit with the Headroom Control

Add Grit with the Headroom Control

The Headroom (HR) control can be increased to make mastering applications a breeze, raising the gain reduction threshold and lowering distortion. Conversely, you can decrease headroom, lowering the gain reduction threshold and raising distortion for grittier textures that work on everything from vocals and drums to guitar and bass.

The Ultimate Companion to the LA-2A & 1176 Collections

The Ultimate Companion to the LA-2A & 1176 Collections

Combined with the Electro-Optical (LA-2A) and FET-based (1176) compressor plug-ins, the Fairchild’s unique tube-driven sound completes the compression “Triple Crown.” Renowned for its aggressive power on piano, bass, and guitar, the 660 is a stereo/mono version of the original mono compressor, while the flagship 670 is a full stereo compressor that can inject vibe and color into tracks or add the final touch to mixes.

Watch The Reviews

      Key Features

      Includes the mono 660 and stereo 670, each with their own sonic attributes and feature sets
      Models entire electronic path, including tube amplifiers and transformers for complete analog color and behavior
      Modeled after Ocean Way’s famous, meticulously maintained golden Fairchild channels
      Lateral-Vertical mode for stereo imaging and balance control
      Includes custom hardware Stereo Sidechain Link mod
      Six attack and release Time Constants (plus additional Time Constant variations with Sidechain Link)
      Includes all-new “digital only” features: Sidechain filtering, Dry/Wet parallel blend and Headroom
      Includes artist presets from Darrell Thorp, Michael Brauer, Ryan West, and more
      Requires a UAD-2 DSP Accelerator or Apollo Interface available from authorized dealers worldwide


      Fairchild Tube Limiter プラグイン・コレクション

      M. Moreau


      Très bon !

      Il est vraiment excellent comme dit certain sur des drums il fait un très bon boulot.
      Par contre un seul bémol ça manque de visibilité en terme de fréquences sidechain exemple ou autre, quand on souhaite viser une fréquence spécifique c'est du plouf plouf c'est valable pour tout les plugins c'est le seul point noir à mon sens

      f. leprettre


      que du bonheur

      utilisé sur des drums simplement fantastique

      S. Morales



      I love this plugin. I demo'ed it, on my beats, for Master buss and drum buss and vocals. Had to have it .... !

      S. Morales



      I love this plugin. I demo'ed it, on my beats, for Master buss and drum buss and vocals. Had to have it .... !

      r. wills



      The legacy version gave me a taste but previewing the full version really shows off what it can do , the upgrade is worth it

      S. May


      I forgot I owned this. Its blown my mind.

      I tried it today for the first time it blew my mind.
      Been trying it on everything its now another level of different sounds

      E. Grebeznieks



      Fairchild my favorite instrument is the drum bus, which takes part in all my sessions

      P. Maier


      Favorite on Vocals!

      Love the Fairchild to start with a vocal. Even on a drum bus - the dry-wet option is very helpful. Great Plugin!

      A. Russell


      Perfect On The Mix Bus!

      Let me preface this by saying I'm a songwriter that needs to create reasonable work tapes for my publisher to review prior to an official demo recording. I am not an engineer and prefer easy to use plugins with great presets to get the sound I need. i.e. live recording either guitar or keyboard with vocals, presets to get the sound I'm after without too much tweaking, then a quick master with BX Masterdesk Classic. I do own quite a few UA plugins but only write a glowing review about a few of them...this is one...

      I use this on every final mix. There's a preset called 'Kiss The Mix' and it just adds something great to the overall sound. I like the LA2A Gray to use on my vocals, guitars or piano, but for the mix, this is amazing!

      m. jackson



      One of my most used plugins. Might be UAD's best.

      M. Wurzbacher


      Tube .. ist Röhre .. ist seidiger Sound

      echt klasse diese Emulation.. man kann von Seidig bis Grob alles sehr gut kontrollieren, Stimmen wirken viel weicher aber trotzdem sehr dirket und wieder natürlich im Klang.

      Danke dafür!!

      น. ห้องแซง



      Great Sound

      r. kakkar


      Smoothness, silk, beauty

      Just a kiss of Fairchild makes my tracks have a feel, a vibe, color. Its uncomparable. I use this on every mix and masters.

      F. fournot


      A la hauteur de la réputation

      J'avais hâte de vérifier par moi-même si la réputation se vérifiait concrètement sur mon propre matériel analogique raccordé à mon I.Mac pro boosté comme il se doit (Raindirk Concord 32 voies, Tannoy classic monitor (actif 2voies) plus une ribambelle d'effets et d'auxiliaires d'un autre âge dans une mix-cabin parfaitement équilibrée...C'est imparable: Le grain produit par ces 'Bécanes' saute aux oreilles.Un plus justifié qui sonne du feu de Dieu...Essayez vous-même!

      J. Geary



      I adore this plugin, its such a pleasure to use. It works great on just about everything and I often grab it just to add its unique flavor of saturation even when I dont desire any dynamic processing. As with a few others, it sometimes reports incorrect delay times thus pushing the processed material out of time

      T. Lippai


      Gentle touch

      It’s good almost for everything, but I really like to use it on master buss of hip-hop tracks. Just a gentle kiss, and the track is almost ready. :) Very good plugin!

      E. Koch


      Way! ( part two )

      my first review was sort of a series of blanket statements, applicable for Some people making compressor purchase decisions..
      i have softube's drawmer and weiss, so this is a tracking go to for me...if you want this for tracking, or your drum bus, look also and the Bx_Masterdeck...but if you do more cleen open mixes, this might be a mastering go to...

      E. Koch


      no way...no, Way!

      it's a little slow,( even in 1 ), but anything i would use it on wouldn't have it as it's only dynamics processor anyway....it gets a little muddy heavy into the "big soft knee" but backing it off clears it up, and it absolutely sings at minimal knee settings..
      basically, the lower your threshold the sharper you want to run the knee...conversely, the higher your threshold, the more room you have to soften up the knee....but if more knee starts getting dark on you, and your trying to keep your threshold low, back off on the knee, and it brightens up..

      D. Louisin


      An essential classic !!!!

      I use it on almost everything when the need arises !!!
      I use it on my master bus in my template totally oriented abbey road !!!
      A wonder !!!
      well done the team !!!
      Donat.L ( for produce in the box.fr )

      J. Lipton


      Only one problem

      This thing sounds great and is so easy to use. Only problem is avoiding the temptation to use it on everything.

      When they say there are some things you can only really get from UAD, this is what they mean.