Fairchild® Tube Limiter Collection
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The gold standard in vintage tube limiters — captured for UAD and Apollo.
The Fairchild 670 and 660 are the most coveted vintage compressor/limiters in the world, with good reason. These 20-tube tone titans — which now fetch upwards of $50,000 — impart an unmistakable silky warmth heard on hundreds of hit records from the Beatles and Pink Floyd to countless Motown classics.
Now your vocal tracks, drum bus, and entire mix can benefit from the world’s most accurate plug-in recreations of these one-of-a-kind compressors, with the Fairchild Tube Limiter Plug-In Collection for UAD-2 hardware and Apollo interfaces.Now You Can:
Give your tracks and mixes classic Fairchild tube warmth and character
Harness the Fairchild’s tube-driven gain control, compression curves, and tube amp and transformer sections
Duplicate the famed Ocean Way Studios' compression sound with circuit-modeled recreations of their golden reference units
Complete your “Big Three” compressor arsenal, alongside the LA-2A and 1176 plug-ins
Use “plug-in only” features like Wet/Dry, Sidechain Filters, and Headroom Control
Mix with presets from Darrell Thorp (Beck, Radiohead), Ryan West (Jay-Z, Kid Cudi), and Peter Mokran (The Flaming Lips, Mary J. Blige)
Take A Listen
5 Minute Tip
The Fairchild Tube Limiter Collection
The World’s Most Coveted Compressor
The first Fairchild limiter that audio genius Rein Narma created on Les Paul’s kitchen table transformed recording forever. Soon, these 20-tube, 14-transformer, 67-pound behemoths resided in world-class studios, many of which still employ their vintage Fairchilds. For a half-century, the Fairchild 670 — and its aggressive little brother, the Fairchild 660 — have defined popular music’s most revered vocal and drum sounds. In fact, the world’s elite mixers often employ a 670 simply for the “glow” it brings to their final mixes, even without compression happening.
The Closest You Can Get to
Vintage Fairchilds in a Plug-InIn 2004, Universal Audio released the Fairchild 670 Legacy plug-in, which was quickly heralded as the best 670 emulation available. Today, UA’s team of DSP experts have improved the original Time Constants and gain reduction curves, while modeling — for the first time ever — the complete tube-powered amplifier and transformer sections of their hardware counterparts. Far beyond other Fairchild emulations, only the new UAD Fairchild Collection is based on an accurate circuit models of Ocean Way Studios' “golden-reference” units.
New Features — Classic Tones
Although the Fairchild Tube Limiter Plug-In Collection nails the classic sonics of yesteryear, it also sports useful new features for modern workflows.
Blend Sounds with the Wet/Dry Mix Control
A Parallel Mix control lets you blend your unprocessed signal with the compressed signal, opening worlds of textural possibilities on everything from a drum bus to a mix bus.
Enhance Drums with Sidechain Filters
By using the Fairchild’s Sidechain Filtering, you gain another level of control over your tracks. Use it to punch up the drum bus to enhance its impact without triggering the threshold of the compressor with the kick drum.
Add Grit with the Headroom Control
The Headroom (HR) control can be increased to make mastering applications a breeze, raising the gain reduction threshold and lowering distortion. Conversely, you can decrease headroom, lowering the gain reduction threshold and raising distortion for grittier textures that work on everything from vocals and drums to guitar and bass.
The Ultimate Companion to the LA-2A & 1176 Collections
Combined with the Electro-Optical (LA-2A) and FET-based (1176) compressor plug-ins, the Fairchild’s unique tube-driven sound completes the compression “Triple Crown.” Renowned for its aggressive power on piano, bass, and guitar, the 660 is a stereo/mono version of the original mono compressor, while the flagship 670 is a full stereo compressor that can inject vibe and color into tracks or add the final touch to mixes.
“If your drums, bass or vocals are lacking a little vibe, just grab the new UAD Fairchild 660 or 670, turn the input knob up, and listen to how much life your song has now.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“The much sought after Fairchild 660 and 670 are now accessible to UAD/Apollo users, allowing them to enjoy an audio treat that had previously only been available to a select few.”
– Steve Levine (Culture Club, Beach Boys, Ziggy Marley)
“I use the Fairchild 670 plug-in on parallel drum buses in lat/vert mode to enhance the tone, add depth, and control the stereo image in ways that no other plug-in can.”
– Ryan West (Eminem, Kanye West, Kid Cudi)
“The UAD Fairchild 670 compressor is beautiful on drum subs, the mix bus, and pretty much anything else. It has a smoothness that's hard to beat.”
– Jacknife Lee (R.E.M, The Cars, Snow Patrol)
“The UAD Fairchild compressor is an absolute winner, just like the original hardware.”
– Henry Jackman (The Da Vinci Code)Watch The Reviews
レビュー
B. Gibbons
2019年12月13日
Best limiter
There are allot of limiter out there, but this one can beat any one of them. My go to plug in now
続きを読むP. FRATTINI
2019年12月11日
A classy classic.
So versatile and so useful, this collection is fire. So warm, so smooth, both transparent and colored. Try it once, and you’ll never part ways with it. The big plus : it sounds...
続きを読む -
Key Features
Includes the mono 660 and stereo 670, each with their own sonic attributes and feature sets
Models entire electronic path, including tube amplifiers and transformers for complete analog color and behavior
Modeled after Ocean Way’s famous, meticulously maintained golden Fairchild channels
Lateral-Vertical mode for stereo imaging and balance control
Includes custom hardware Stereo Sidechain Link mod
Six attack and release Time Constants (plus additional Time Constant variations with Sidechain Link)
Includes all-new “digital only” features: Sidechain filtering, Dry/Wet parallel blend and Headroom
Includes artist presets from Darrell Thorp, Michael Brauer, Ryan West, and more
Requires a UAD-2 DSP Accelerator or Apollo Interface available from authorized dealers worldwide
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レビュー
Fairchild Tube Limiter プラグイン・コレクション
B. Gibbons
Best limiter
There are allot of limiter out there, but this one can beat any one of them. My go to plug in now
P. FRATTINI
A classy classic.
So versatile and so useful, this collection is fire.
So warm, so smooth, both transparent and colored.
Try it once, and you’ll never part ways with it.
The big plus : it sounds great on any sources, from input sources to full mixes. You gotta try it for various situations, in a slot of a chain. It can go a long way to tranform track or pulse life in a track. Love it.A. Paulos
Great for drums and master!!!
The sound is amazing!!!
h. rowland
Mmmmm tasty
Great bit of kit
S. Mclellan
It’s Fantastic
So good
A. KULIKOV
Good job
Very useful plug-in, beautiful and incredible sound. Good job!
张. 张永
Best Emulation by far.....
Best Emulation by far.....
Thanks UAD for extending the promotion to my purchase; Software is the best emulation to date. I have Been recording for almost 20 years and I’m not usually impressed by a company but UAD is exceptional with this new technology.M. Konneh
Best Emulation by far.....
Thanks UAD for extending the promotion to my purchase; Software is the best emulation to date. I have Been recording for almost 20 years and I’m not usually impressed by a company but UAD is exceptional with this new technology.
d. erdem
best of best
best of best
Very good plug-ins are useful and glossy from the sound.d. erdem
best of best
best of best
Very good plug-ins are useful and glossy from the sound.M. Guichard
La classe !
La classe !
D. Lawrence
yeah its really good....
its 'that' sound. unbelievable. top marks
L. Zamponi
Fairchild
Wonderfull!
T. Zaporozhets
Fairchild 670
Very cool compressor! Works on everything - vocal, bass, drums, piano etc.
g. mwamlenga
Real Deal
When I started I was just recording and I didn’t know how to use, but recently I started using this plugin and I been using everyday!
p. Fivet
si vous vous voulez parler d'une couleur sonore
ce plugin très puissant change totalement la physionomie d'un mix par sa "couleur" et son relief, sans même changer quoique ce soit aux différent potentiomètres. Mais à manier avec précaution...comme toujours
p. Fivet
si vous vous voulez parler d'une couleur sonore
ce plugin très puissant change totalement la physionomie d'un mix par sa "couleur" et son relief, sans même changer quoique ce soit aux différent potentiomètres. Mais à manier avec précaution...comme toujours
D. Mcnulty
Spoilt for choice
Short of spending 50k on a Fairchild, this is the best emulation I have heard to date, truly refined and a joy to play with, I have to hold short of just putting it on everything, Top stuff UAD and thanks
T. Berger
Well… What can i say… !
Universel Audio makes life worth living even for a poor musician.
A man can dream… And I dream to have them as original hardware in the studio.
But they just works brillant in digital form !
It's amazing what technology can do now a days…E. Blake
Compression King
Only the finest all around compressor we’ve used.Have used the hardware version & was an awesome machine.I thought,did George Harrison use this very one.My Son’s favourite compressor as well and it will be used on most off his songs on his soon to be released debut album.Stewart Pierson Blake.Real music IS back Neil.Cheers
