Fairchild® Tube Limiter Collection
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The gold standard in vintage tube limiters — captured for UAD and Apollo.
The Fairchild 670 and 660 are the most coveted vintage compressor/limiters in the world, with good reason. These 20-tube tone titans — which now fetch upwards of $50,000 — impart an unmistakable silky warmth heard on hundreds of hit records from the Beatles and Pink Floyd to countless Motown classics.
Now your vocal tracks, drum bus, and entire mix can benefit from the world’s most accurate plug-in recreations of these one-of-a-kind compressors, with the Fairchild Tube Limiter Plug-In Collection for UAD-2 hardware and Apollo interfaces.Now You Can:
Give your tracks and mixes classic Fairchild tube warmth and character
Harness the Fairchild’s tube-driven gain control, compression curves, and tube amp and transformer sections
Duplicate the famed Ocean Way Studios' compression sound with circuit-modeled recreations of their golden reference units
Complete your “Big Three” compressor arsenal, alongside the LA-2A and 1176 plug-ins
Use “plug-in only” features like Wet/Dry, Sidechain Filters, and Headroom Control
Mix with presets from Darrell Thorp (Beck, Radiohead), Ryan West (Jay-Z, Kid Cudi), and Peter Mokran (The Flaming Lips, Mary J. Blige)
Take A Listen
5 Minute Tip
The Fairchild Tube Limiter Collection
The World’s Most Coveted Compressor
The first Fairchild limiter that audio genius Rein Narma created on Les Paul’s kitchen table transformed recording forever. Soon, these 20-tube, 14-transformer, 67-pound behemoths resided in world-class studios, many of which still employ their vintage Fairchilds. For a half-century, the Fairchild 670 — and its aggressive little brother, the Fairchild 660 — have defined popular music’s most revered vocal and drum sounds. In fact, the world’s elite mixers often employ a 670 simply for the “glow” it brings to their final mixes, even without compression happening.
The Closest You Can Get to
Vintage Fairchilds in a Plug-InIn 2004, Universal Audio released the Fairchild 670 Legacy plug-in, which was quickly heralded as the best 670 emulation available. Today, UA’s team of DSP experts have improved the original Time Constants and gain reduction curves, while modeling — for the first time ever — the complete tube-powered amplifier and transformer sections of their hardware counterparts. Far beyond other Fairchild emulations, only the new UAD Fairchild Collection is based on an accurate circuit models of Ocean Way Studios' “golden-reference” units.
New Features — Classic Tones
Although the Fairchild Tube Limiter Plug-In Collection nails the classic sonics of yesteryear, it also sports useful new features for modern workflows.
Blend Sounds with the Wet/Dry Mix Control
A Parallel Mix control lets you blend your unprocessed signal with the compressed signal, opening worlds of textural possibilities on everything from a drum bus to a mix bus.
Enhance Drums with Sidechain Filters
By using the Fairchild’s Sidechain Filtering, you gain another level of control over your tracks. Use it to punch up the drum bus to enhance its impact without triggering the threshold of the compressor with the kick drum.
Add Grit with the Headroom Control
The Headroom (HR) control can be increased to make mastering applications a breeze, raising the gain reduction threshold and lowering distortion. Conversely, you can decrease headroom, lowering the gain reduction threshold and raising distortion for grittier textures that work on everything from vocals and drums to guitar and bass.
The Ultimate Companion to the LA-2A & 1176 Collections
Combined with the Electro-Optical (LA-2A) and FET-based (1176) compressor plug-ins, the Fairchild’s unique tube-driven sound completes the compression “Triple Crown.” Renowned for its aggressive power on piano, bass, and guitar, the 660 is a stereo/mono version of the original mono compressor, while the flagship 670 is a full stereo compressor that can inject vibe and color into tracks or add the final touch to mixes.
“If your drums, bass or vocals are lacking a little vibe, just grab the new UAD Fairchild 660 or 670, turn the input knob up, and listen to how much life your song has now.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“The much sought after Fairchild 660 and 670 are now accessible to UAD/Apollo users, allowing them to enjoy an audio treat that had previously only been available to a select few.”
– Steve Levine (Culture Club, Beach Boys, Ziggy Marley)
“I use the Fairchild 670 plug-in on parallel drum buses in lat/vert mode to enhance the tone, add depth, and control the stereo image in ways that no other plug-in can.”
– Ryan West (Eminem, Kanye West, Kid Cudi)
“The UAD Fairchild 670 compressor is beautiful on drum subs, the mix bus, and pretty much anything else. It has a smoothness that's hard to beat.”
– Jacknife Lee (R.E.M, The Cars, Snow Patrol)
“The UAD Fairchild compressor is an absolute winner, just like the original hardware.”
– Henry Jackman (The Da Vinci Code)Watch The Reviews
レビュー
D. Louisin
2020年7月22日
An essential classic !!!!
I use it on almost everything when the need arises !!! I use it on my master bus in my template totally oriented abbey road !!! A wonder !!! well done the...
続きを読むJ. Lipton
2020年7月21日
Only one problem
This thing sounds great and is so easy to use. Only problem is avoiding the temptation to use it on everything. When they say there are some things you can only really get from UAD,...
続きを読むs. donat
2020年7月18日
favorite drum bus compressor
my favorite drum bus compressor or maybe on the mix bus. lots of control and features. best Fairchild plug in
続きを読むF. Ramirez Rios
2020年7月13日
A MOST in every production!!
The level and compression on the voice has a magical effect in my final mixes, i'm very happy with this plugin, you must have this on your UAD plugin library.
続きを読むP. Hoier
2020年7月13日
The Special One
Fairchild is a special compressor. It kind of have more of everything. More color, more presence; more sound. In cases of what I call "dead source material", typically due to bad...
続きを読む -
Key Features
Includes the mono 660 and stereo 670, each with their own sonic attributes and feature sets
Models entire electronic path, including tube amplifiers and transformers for complete analog color and behavior
Modeled after Ocean Way’s famous, meticulously maintained golden Fairchild channels
Lateral-Vertical mode for stereo imaging and balance control
Includes custom hardware Stereo Sidechain Link mod
Six attack and release Time Constants (plus additional Time Constant variations with Sidechain Link)
Includes all-new “digital only” features: Sidechain filtering, Dry/Wet parallel blend and Headroom
Includes artist presets from Darrell Thorp, Michael Brauer, Ryan West, and more
Requires a UAD-2 DSP Accelerator or Apollo Interface available from authorized dealers worldwide
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レビュー
Fairchild Tube Limiter プラグイン・コレクション
D. Louisin
An essential classic !!!!
I use it on almost everything when the need arises !!!
I use it on my master bus in my template totally oriented abbey road !!!
A wonder !!!
well done the team !!!
Donat.L ( for produce in the box.fr )J. Lipton
Only one problem
This thing sounds great and is so easy to use. Only problem is avoiding the temptation to use it on everything.
When they say there are some things you can only really get from UAD, this is what they mean.M. Lopez
Smooth and Silky
I love this clean and also when I over saturate it.
s. donat
favorite drum bus compressor
my favorite drum bus compressor or maybe on the mix bus. lots of control and features. best Fairchild plug in
F. Ramirez Rios
A MOST in every production!!
The level and compression on the voice has a magical effect in my final mixes, i'm very happy with this plugin, you must have this on your UAD plugin library.
P. Hoier
The Special One
Fairchild is a special compressor. It kind of have more of everything. More color, more presence; more sound. In cases of what I call "dead source material", typically due to bad digital recordings and/or the sound of early softsynths with obvious weak algorithms, the Fairchild can bring such things to life. Thicken things up, but at the same time it can knock dynamic inconsistencies, as well as inappropriate resonant frequency responses, into place, in just the right way. In other words, this is not an invisible compressor. There's lots of color. Still it's got depth and transparency. But where the LA-2A is more sweet, the Fairchild is more agressive. Especially in the mid-range. And even more the 660. But all in a good and warm way. We're talking the old-school rock'n roll vibe. :)
As I've never tried the original hardware, I can only compare to the competition of other software models. Still I feel enough like a nerd on the Fairchild subject (as I almost have all of the other emu's, and I certainly sense a thin red line between all of them) to conclude the above; the very fairchild sound! I was therefore very excited to try out the UAD models. (I'm fairly new to the UAD game. (What took me so long? :))
Needless to say the UAD Fairchild package, beats the competition on fairly all the above parameters. And where the competition lacks, the UAD kicks in.
If one thing comes to mind, I was quite suprised that the UAD models seem slower in the Time Constants? Not that it sounds that much slower. Maybe just a bit? Maybe it's the metering that differs? Well, if the modelling of the tube technology is done right, such possible real world fluctuations should transfer right over. And as we're talking tubes, they oughta be slower than FET's anyway. So this makes me even more convinced this is the most precise modelling of real world. And it's prefectly convincing on real music. ;-)G. Fata
Love it!
Exactly what I was hoping to get from this plugin. Simply putting on an insert gives the audio that warm coloration. From there, adding in compression it can be very transparent or really squash the transients. Look forward to using this on all of my tracks.
N. Pinto
Best 670 plugin out there!
By far ;-)
S. van Servellen
My favourite compressor
This Fairchild really adds a unique sound to my mixes I so far was not able to achieve with other plugins. Boosting input adds a subtle warm distortion that gives character to certain instruments. Love that this unit allows parallel compression and side-chain making it versatile as well as awesome sounding.
J. Lee
GOOD
SOUND GOOD
o. romer
I just like it.
It make sounds alive in a sweet way.
C. Einhorn
Great compressor!
Great compressor! I especially like the pre sets which get me close to what I need depending on the instrument I'm compressing. Easy to use despite its intimidating facade.
Q. Griecken
Wow.. just Wow..
Demo it and compare it to other companies versions of this plugin and you wont be able to live with yourself if you dont buy this one because simply, it is just better. I have been critical about UAD before and how SOME of their plugins are on par with other brands or maybe 2-3% better and 3x-5x more expensive and dont run on your computer DSP but THIS is just amazing. It's a good 10%+ better than other versions and 10% is a sh*^ ton in audio. It handles the low end better, it sounds wider, the clarity of each instrument is better and the Mid/Side is something else! If you're not using Mid/Side you're missing out, and its so easy to understand on this Plugin. You also get the Legacy version for free so if you wanna run the legacy version on a Drum Bus to save some DSP and use the New Version on your mix bus you're set! This is gold. Hoping for a SSL 9000 plugin in the future but the Avalon is a great start for Pop/Hip Hop & RnB!
R. Pressman
Bus and mix enhancer
Love using these as gluing tools. I mainly use these on drum busses, vocal tracks, and stereo bus. Hard-pressed to find a mix where I don't use one of these nowadays.
B. Senter
Sound great!
Adds warmth!
L. Liu
warm tubey sound
this compressor really adds a warmth and shine to any track. love it!
D. Godleman
Tube limiter
Tube based warm limiter
R. Gun
special thing
It behaves like expected. The newer Version sounds even more expressive, makes the snare come out, does compress the lower frequencies.
The upgrade now has a sidechain filter, but still no real sidechain in the DAW.
The GUI is ugly as before, now even larger and some useless graphics show a PCB.
The Power i requires is not so high as other new incarnations have on this platform.
In general i would say a nice compressor not for every signal but when it matches then it sounds incredible dense, it was a finalizer for records and thats what its specs are.D. Scheffler
It's like hugging a hot girl
I use my 670 subtlety on my main mix bus giving only .5 to 1db of compression and the only way I can describe it is like hugging a beautiful woman. It just gives that something extra to the sound that is uplifting, cohesive and gives you a sense of "mmmmm"
R. Maynard
Terrific
Another wonderful collection from your good friends at Universal Audio. If you don't have these ,do yourself a favor ,and get this.
