
Fairchild® Tube Limiter Collection
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世界で最も有名なコンプレッサーの豊かなサウンドをゲット。
Fairchild Tube Limiter Collectionは、The BeatlesやPink Floydから無数のMotownクラシックまで、何百枚ものヒットレコードで聴かれたシルクのように暖かいコンプレッションを提供します*。このユニークなチューブコンプレッサーをもっとも正確にエミュレーションしたプラグインを使えば、あなたのボーカル、ドラム、そしてミックスに同じアナログの「輝き」を加えられます。
含まれるバージョン
UAD Native
UAハードウェアを使用せずに、MacやPCで動作します。Apollo リアルタイムとUAD-2
ApolloインターフェイスとUAD-2ハードウェアで高速に動作します。システム要件:UAD Native プラグインは、macOS 10.15 Catalina 以降と Windows 10 と 11 の両方で動作します。システム要件は UAサポートページでご確認ください。
- Fairchildチューブならではの暖かさと個性を、あなたのトラックやミックスに
- Fairchildのチューブドライブゲインコントロールとトランスセクションを使用して、ボーカルやドラムなどにハーモニクスとパンチを加えます。
- ウェット/ドライ、サイドチェインフィルター、ヘッドルームのシンプルなコントロールで、コンプレッションを簡単にコントロールできます。
- Ocean Way Studiosによる、「ゴールデンリファレンス」ヴィンテージFairchildの唯一の正確なエミュレーションをお楽しみください。
聴いてみてください
5-Minute Tip: Joel Hamilton
(Pretty Lights, Highly Suspect)
Add presence and texture to lead vocals with the Fairchild Tube Limiter Collection.2つのコンプレッサーの象徴的な音色を加える
Fairchild 670とその仲間であるFairchild 660は、ポピュラーミュージックでもっとも尊敬されるサウンドのいくつかを定義してきました。アグレッシブさで知られる660はピアノ、ベース、ギターのトラックにパンチを加え、フラッグシップの670はチャンネル、ファイナルミックス、マスターにまでバイブとカラーを注入するフルステレオコンプレッサーです。
プラグインでヴィンテージのFairchildにもっとも近づく。
他のFairchildエミュレーションをはるかに凌ぐ、UAD Fairchild Collectionだけが、伝説のOcean Way Studiosの「ゴールデンリファレンス」ユニットの正確な回路モデルに基づいており、到達不可能な象徴的ハードウェアのリッチなチューブトーンをすべて提供します。
ウェット/ドライミックスコントロールで音をブレンドする
ミックスコントロールは、未処理の信号とコンプレッションされた信号をブレンドすることができ、ドラムバスからミックスバスまで、質感の世界を広げることができます。
サイドチェインフィルターでドラムを強化
キックドラムでコンプレッサーのスレッショルドをトリガーすることなくドラムバスを強化し、Fairchildのサイドチェインフィルターを使用して最大限のインパクトを与えるドラムを実現します。
ヘッドルームコントロールでグリットを加える
ヘッドルーム(HR)コントロールは、ゲインリダクションのスレッショルドを上げ、ディストーションを下げることで、マスタリング用途での使用を容易にするために増やすことができます。逆にヘッドルームを下げてゲインリダクションスレッショルドを下げ、ディストーションを上げると、ボーカルやドラムからギターやベースまで、よりザラついた質感に仕上げることが可能です。
“If your drums, bass or vocals are lacking a little vibe, just grab the new UAD Fairchild 660 or 670, turn the input knob up, and listen to how much life your song has now.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)“The much sought after Fairchild 660 and 670 are now accessible to UAD/Apollo users, allowing them to enjoy an audio treat that had previously only been available to a select few.”
– Steve Levine (Culture Club, Beach Boys, Ziggy Marley)“The UAD Fairchild 670 compressor is beautiful on drum subs, the mix bus, and pretty much anything else. It has a smoothness that's hard to beat.”
– Jacknife Lee (R.E.M, The Cars, Snow Patrol)Watch The Reviews
*アーティスト名の使用はFairchild Tube Limiter Collectionのソフトウェアを公式に推奨するものではありません。レビュー
E. Lopes
2023年11月9日
Fairchild é incrivel nos grupos de voz
Uso o Fairchild 670 e Fairchild 660 principalmente na voz, o primeiro geralmente nos grupos e o segundo no processamento pesado paralelo da voz, ele faz a voz ficar atuante, bem definida...
続きを読むm. lane
2023年11月7日
Great but..
its awesome and everything but gives some kind of color sound a bit but yeah this one is probably specific one and should be used on instruments that...
続きを読むJ. SANMARTI
2023年10月30日
Wonderful sound!
Love this, simply great and natural sounding for recording! Amazing!
続きを読むJ. SANMARTI
2023年10月30日
Wonderful sound!
Love this, simply great and natural sounding for recording! Amazing!
続きを読むT. Poe
2023年10月26日
Truthfully… you need this if you want a professional studio setup
Are you a solo artist just starting out and want to know if this is the secret sauce? It might be, but I’d steer you towards the 1073 style color options first. This is a different color...
続きを読む -
Key Features
Includes the mono 660 and stereo 670, each with their own sonic attributes and feature sets
Models entire electronic path, including tube amplifiers and transformers for complete analog color and behavior
Modeled after Ocean Way’s famous, meticulously maintained golden Fairchild channels
Lateral-Vertical mode for stereo imaging and balance control
Includes custom hardware Stereo Sidechain Link mod
Six attack and release Time Constants (plus additional Time Constant variations with Sidechain Link)
Includes all-new “digital only” features: Sidechain filtering, Dry/Wet parallel blend and Headroom
Includes artist presets from Darrell Thorp, Michael Brauer, Ryan West, and more
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レビュー
Fairchild Tube Limiter Collection
E. Lopes
Fairchild é incrivel nos grupos de voz
Uso o Fairchild 670 e Fairchild 660 principalmente na voz, o primeiro geralmente nos grupos e o segundo no processamento pesado paralelo da voz, ele faz a voz ficar atuante, bem definida mas ao mesmo tempo, macia. Suas características de tubo permite uma compressão pesadíssima sem fazer a track parecer dura.
F. Hasan
best compressor
you need it!
m. lane
Great but..
its awesome and everything but gives some kind of color sound a bit but yeah this one is probably specific one and should be used on instruments that need color or warmth.
J. SANMARTI
Wonderful sound!
Love this, simply great and natural sounding for recording! Amazing!
J. SANMARTI
Wonderful sound!
Love this, simply great and natural sounding for recording! Amazing!
T. Poe
Truthfully… you need this if you want a professional studio setup
Are you a solo artist just starting out and want to know if this is the secret sauce? It might be, but I’d steer you towards the 1073 style color options first. This is a different color and if the 1073 isn’t your thing - this is a really nice alternative and widely applicable across various instruments and vocals
J. Romero
¡Great Sound!
A must-have complement for the music producer.
M. Schisler
Sounds great
Like most everything UAD, this sounds great with very little effort. And when you run it thru a battery of technical tests it confirms on graphs the same high quality already heard by the ears.
G. N
Fairchild Tube
Awesome plugins, the analog world on my laptop!
T. Valosek
Malý zázrak
Zatím ještě objevuji všechny možnosti, ale už teď jsem nadšený :)
G. Corben
I have 5 other Fairchilds but only use this one
Have a whole bunch of these, one of them is very good, but this one is awesome, plus like most of the other plugins comes with a lesser modelled bonus in this case the mono 660.
I hate the iLok but this review is for the plugins themselves and these are fantasticN. Jeremic
Vintage vibes FTW!!!
I love it on my orchestral bus, also great on percussion.
660 version is great for solo stringed instruments, and mono bass synths.D. Vazquez
A must have!
Great product, fell in love with the sound and it doesn't disappoint. Gives that instant color with vintage vibes. Love it!!
R. Studio
Muy buen compresor
perfecto compresor
T. Kottis
Awesome
Amazing
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Incredible Additions to Anyone's Collection
The Fairchild Tube Limiter is an amazing emulator of the hardware, already highly renowned in the music industry. These plugins with their full mono/stereo features makes them seem a bit better than the hardware. The ability to mix between wet and dry signals is also a plus, as well as the ability to link the left/right channels. I know this is not something new, but certainly nice to have. The results of this incredible plugin speak for themselves. Ever tried pricing the actual hardware versions? Combined with the pure quality of these plugins, the price is just a very special bonus.
J. Hallstrom
UA Fairchild
The Fairchild 660 and 670 operate in a much more realistic and natural way, to my tastes, than other emulations. I really enjoy how they work and the finished results I’m getting. I hope that UA will bring the rest of their catalog as well to native platforms: I’ll happily snap them up.
L. KYRON
Cool
Je n'ai pa s de quoi le comparer vraiment mais j'aime le grain qu'il apporte.
T. Don
Power & Color Full
It's really a nice Plugin even when u don't set up, it make a nice warm color on the the channel
M. Rafael
670 or 660 reasons why you should buy the Fairchild Tube Limiter Collection.
Reason No. 660 - Smooth response at a controlled pace.
Reason NO. 670 - Clibration to fit any instance.
Now I fell in love with this compressor back in the day (not that far back) when I got another companies version of the Fairchild, this made everything sound MASSIVE (T Rex big), but there was a layer of mud I didn't like once I got the hang of mixing. Also, without that added calibration control, I could never get that needle to move ( I thought I needed a doctorate) That being said (like spoken word) this version of that tube compressor from Universal (not the film studio) Audio is actually the best rendition I have used to date.