High-Resolution Music Production with
Classic Analog Sound.
Built upon UA’s 60-year heritage of audio craftsmanship, Apollo FireWire distinguishes itself with onboard UAD-2 QUAD Core processing and an included bundle of award-winning UAD plug-ins — which you can track through with near-zero latency, shaping sounds like a classic analog studio — without taxing your host Mac or PC.
Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records
Use alongside UAD-2 PCIe DSP Accelerator cards and UAD-2 Satellite FireWire for truly scalable mixing power
Produce music with UAD plug-ins like the included Teletronix® LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, and 610-B Preamp
Track with near-zero latency through preamp emulations from Neve,® API,® Manley,® and more
Unison Technology: The Genuine Sound of Neve, API & Manley Preamps
Apollo FireWire features four Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 QUAD or DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out (hardware vs. software) video
A Full Suite of Classic
Analog Processing Onboard
Right out of the box, Apollo FireWire provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the legendary Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classic plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, or the pump of a genuine Fairchild 670 compressor on drums, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, you can tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, in a single rack space. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
Apolloは、Kendrick Lamar（To Pimp A Butterfly）、Coldplay（A Head Full of Dreams）、Dr. Dre（Compton）、Brad Paisley（Wheelhouse）など多くのレコードを制作するために使用され、ヒットメイカー達の確かな選択肢となっています。Apolloシリーズのインターフェイスは、Sound on Sound、Future Music、Electronic Musician誌などから数々の賞を受賞しています。またコンピューターオーディオ・ハードウエアの2016 TEC Awardも受賞しています。
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“UAD plug-ins are amazing...
I’ve used them on all my projects
for the last few years.”
– Dan Auerbach The Black Keys
“Using my Apollos and Console 2.0, I was able to front a live mix, create a monitor mix, and record to Pro Tools, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“The Apollo is a powerhouse and a game changer for my studio.”
Connect Two Apollos Over FireWire
Now you can seamlessly combine two Apollo FireWire or two Apollo 16 FireWire units together for additional I/O and DSP as your studio grows, enabling you to tackle larger projects.
A Sleek, Low-latency App
With Apollo’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more.
Apollo Artist Sessions
Jacknife Lee w/ Two Door Cinema Club
and the London Metropolitan Orchestra
Solidly built, sounds great. Plugins are great too. Mostly used for recording drums with an Audient ASP 880.続きを読む
Just what I needed
I was pretty dead set on the Apogee Symphony due to the reputation of the converters and the expansion options. However after A/B'ing the two, I decided to pick up an Apollo Duo (slightly...続きを読む
Apollo - Em Portugues - Brazil
Infelizmente tenho que usar o delay compensation do protools com os plugs da UAD para compensar os muitos atrasos dos plugins,e não estar conseguindo usar minha project mix como...続きを読む
Yes, it's all true
The Universal Audio Apollo is everything the buzz has promised - powerful processing, pristine audio, straight forward operation. Easily configures with DAW (I'm running Nuendo 5), and the...続きを読む
The best recording unit ever!!!
It has it all. I was surprised as soon i heard the sound quality. Open, clear and I can hear where everything is placed in the sound field. The mic pres are excellent. They sound...続きを読む
This piece of gear has revitalised everything in the studio. It just makes all recording session fluent and efficient. The pre-amps are ultra clean and make everything sparkle and that...続きを読む
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
18 x 24 FireWire audio interface for Mac and Windows
4 Unison™-enabled mic preamps for recording through exacting preamp emulations from Neve, API, Manley, and Universal Audio
Built-in UAD-2 QUAD Core allows Realtime UAD Processing — tracking through DSP-assisted UAD plug-ins with near-zero latency, without draining CPU
Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately.
Two FireWire 800 ports for daisy-chaining other FireWire devices
World-class UA analog design, superior components, and premium build quality
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
FireWire System Requirements
- (Win) Windows 7, 8.1, or 10 (64-Bit Editions)
- (Mac) macOS 10.11 El Capitan, 10.12 Sierra, 10.13 High Sierra, or 10.14 Mojave
- Available FireWire 800 port*
*On Windows systems, a qualified PCIe-to-FireWire adapter card is required
- 6 gigabytes available storage
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
- For additional compatibility information, visit help.uaudio.com
Apollo FireWire Audio Interface
Solidly built, sounds great. Plugins are great too.
Mostly used for recording drums with an Audient ASP 880.
Just what I needed
I was pretty dead set on the Apogee Symphony due to the reputation of the converters and the expansion options. However after A/B'ing the two, I decided to pick up an Apollo Duo (slightly more "open" field of depth IMO). The I/O options are just enough and if I ever need more in the future, the daisy chain option is available. The onboard pre's are very transparent and provide a ton of headroom. I rate 4/5 because of my issue with UAD-2 (running on MacBook Pro with Retina 2.8 GHz i7 quad, 16 GB RAM, 512 SSD). Everyday I get a popup (from Console) that tells me that plugins have been disabled. Always remedied by a quick restart, but is not ideal in the middle of a session! Overall, it was a major improvement!
From Motu to Apollo
I have been a Digital Performer and Motu hardware user for 8 years. Motu are making solid products.
In April last year I run into a promotion by UA for the Apollo hardware plus $1000 plug-ins. I decided to take my chance and move into the UA platform.
I have to say that sound quality is absolutely a giant step forward.
1. Great preamps.
2. Great plug ins.
3. Free plug ins....Stuter, SR88, Lexicon, Pultec Pro, Little labs voice of god.
1. Some firewire issues when running plug ins at times.
2. bandwidth adjustment can be tricky.
3. no MIDI
4. Some instability of the audio hardware to drop once and a while when a session is loading. Again I am not sure if this is something to do more with my studio setup or not.
The last two stars UA could get with an update
As often read... there are many good reasons to work with this Interface.
BUT two things annoy me every day. If UA could solve this with updates the Apollo would be perfect.
First problem: even with the (expensive) Thunderbolt card installed, the audio I/O speed is same as FireWire already offers. When I bought the Apollo UA told the press that you can get PCIe speeds with this interface. It was not true... but this was my main reason to buy the Apollo. The TB option card brings more speed only to the UAD PlugIn section.
Second problem: the "UA mixer engine" is' extremely CPU hungry. It is still in 32bit... maybe Mac OS has problems translating it to the 64bit OS at the system level.
Please solve this via update!!! If you do so: 5 stars
Apollo - Em Portugues - Brazil
Infelizmente tenho que usar o delay compensation do protools com os plugs da UAD para compensar os muitos atrasos dos plugins,e não estar conseguindo usar minha project mix como controladora por estar conflitando com a Apollo quad... mas do resto achei a melhor compra minha dos ultimos tempos e creio que irei adquirir muitas outras coisas da UA em breve... Pena a apollo quad não vir com mais plugins já na compra. Mas de qualquer forma estou muito satisfeito. Bruno Brito.
Yes, it's all true
The Universal Audio Apollo is everything the buzz has promised - powerful processing, pristine audio, straight forward operation. Easily configures with DAW (I'm running Nuendo 5), and the dual headphone outputs coupled with the Console app, make it a breeze to move from tracking to editing and mixing with a quick turn of a dial. For the first time, I find the DAW recording process flowing uninhibited from idea to execution. And of course the plug-ins. Yes, yes, and yes. I have encountered some recurrent issues with taxing the FW800 bus, even after adjusting the bandwidth much lower. I'm sure when I move to a Thunderbolt hard drive, or perhaps the card for the Apollo, this issue will evaporate.
Powerful. Quality. A Bargain.
The best recording unit ever!!!
It has it all.
I was surprised as soon i heard the sound quality.
Open, clear and I can hear where everything is placed in the sound field.
The mic pres are excellent.
They sound comparable to a lot more expensive pres out there on the market.
The fact that I can record direct with a plugin on it without latency thats revolutionary.
UAD plugins are top notch and creating music have been so much easier now and faster.
I can use the monitor our direct the my speakers and thats convenient.
No need for an extra monitor unit
Its like UAD have taken the best of everything and put it in one box.
Need to say no more and now i can sell hardware i no longer use and buy plugins
for that money instead.
It cant be better
This piece of gear has revitalised everything in the studio. It just makes all recording session fluent and efficient. The pre-amps are ultra clean and make everything sparkle and that combined with the UAD plugin DSP processing and the console gives super control of the sessions. I look forward to the thunderbolt card release as this will undoubtably change everything even further.
Thank you Universal Audio.
The Apollo is the new heart of the studio.
I Love it from the moment i heard it.
It is clear! and that is perfect for use with the uad plugs!
no problems with installing.
looking great easy to use.
what can i say more.
i'm very exited about it.
eric van de bovenkamp
piano player from the netherlands
I'm most impressed so far, especially with the DSP and the plug ins. I only wish I could afford to buy more! It seems like a solid piece of kit, and I'm pleased with the audio quality.
This is the best single purchase I have ever made, turns out my hard earned money has been very wisely spent because the quality of my recordings have finally arrived in the pro domain which is really good news as I have struggled for years to get the sound I so desired. I recently recorded a solo classical piano album with DPA mics and my new Apollo and the results are astounding. My only grumble is how few plug ins were included as standard for my £2k plus which is the only reason I can't give it the full 5 stars, and y'know if plug ins weren't so prohibitively expensive for us small guys we would all buy and use them more, anyway enough of the politics overall absolutely thrilled with my new Apollo.
Thanks UA 4*
I just purchased a UA Apollo. Of course the first thing we do when we get a new interface is listen to all our mixes done with the old hardware. Well, I was blown away at the clarity & detail the Apollo brought to my system & I was coming from an RME Fireface 400 that I was really happy with. But the Apollo just really opened up the top end, added an extra level or definition to the midrange (for the first time my dynaudio BM5s are not sounding boxy in the mids!) & opened the soundfield's width & depth.
I just just completed my first album mix through the Apollo & the UAD plugins included & I must say the mixes are sounding great. They're translating better & faster. Less mix corrections are needed as making better choices right off!
The UA Team has done a great job with the overall appearance and feel of the new Apollo. The front panel is very clean and organized well.
The 1U model is held together with steel and aluminum plates. You can toss this thing around. Guaranteed it will still hold together.
The unit works seamlessly with the very popular "console" app provided. The routing that can be done in the back end and integrated with your DAW is amazing.
Whether you're running old or new mixes, or even songs from your itunes library this unit does a great job at clearing things up and making your music come to life.
Would have loved to have seen more "Free" UAD plugins, considering the price.
A beuatifully made piece of kit, solid and sounds gorgeous with that indefinable quality of "air". The operating method of the apollo takes a bit of getting used to, but works seamlessly... though an amp modeller is now a real "hole" in the UAD library. Adding Mackie/Euphonix hardware control surface support would also be a major leap in creating a complete system for those of us who cant mix with a mouse
With this unit I am able to make better mixing decisions. I love the sound to the point that I don't believe I need to purchase a summing box. The only issue is I have to bypass the headphones 1 & 2 because I get a scratchy sound when I adjust the volume on both HP jacks. I've, tried it in different outlets, different headphones (3 different) but the scratch is still there when adjusting the volume knob. I've even returned the unit and got another unit and same thing. I thought I was going crazy so I let other people listen to see if they've heard and they've also heard the sound. UA is awsome and offered to fix the issue. I appreciate that but I just can't ship my unit out and wait a week to get it back. too busy.
When I set out looking for a new audio interface I wanted something that had mic pres, top notch converters, thunderbolt compatibility, two sets of headphones and the incredible UAD processing. The Apollo is all of these things and more. Its effortlessly easy to use and sounds absolutely incredible. I would have liked it to have midi I/O as well as a dim switch on the unit itself, but these are minor things. One thing I didn't know until I got the unit however, is that the ADAT ports are not two separate ports. At 44.1 and 48 kHz port 2 mirrors port 1, at high sample rates using both ports allows more channels. Apart from that it was everything UA says it is. All in all its a fantastic box that lives up to the UA name, and I'm very pleased.
The Apollo is pretty much what I wanted. I mainly record acoustic instruments and vocals, but need the flexibility to do drum kits from time to time. The Mic preamps do what I want - provide incredible fidelity of the boosted signal so all the richness of an acoustic guitar remains after the considerable gain increase. Monitoring live with an 1176, a 1073 and an EMT Plate is wonderful. As a player it really gives you confidence to play expressively. I don't like to commit to a sound on recording so I love the flexibility of just monitoring with the plug-ins and fine tuning from within Logic later. All the analogue warmth (of which I'm a massive fan) can be added with the plug-ins and they do this very well indeed.
I do mainly overdub recording at my home studio, and had been using MOTU hardware for years -- very reliable stuff, but then one of my clients brought over his $5000 Prism Orpheus that blew me away. I decided it was time to upgrade, but didn't want to spend that amount, so I started checking things out in the $2000 range -- Apogee Ensemble sounded very nice, but then I heard news about the Apollo, and, already being a satisfied UA customer with a 6176 and a UAD-2 Quad, I decided to wait for the Apollo to arrive at my local dealer. Long story short, I LOVE IT !! And I'm glad I waited !!
What can I say?
I bought apollo with a lynx aurora 8, and a UA 2/610, together with other things. A HUGE upgrade on my studio.
Best thing I could ever do. Apollo is awesome. Good preamps, superb conversion and huge processing power.
Don't think apollo as a "interface to record with plugins". I think this is the main "marketing" of UA... But you can buy apollo even if you are not planning to record with plugs. All the rest are superb.
Get an apollo and a good AD-DA (like lynx) and you have 16 professional channels. 18 if you have a good 2ch AD Endless possibilities.
My last audio interface was the 'flagship' of a big name UK based brand.
It had trouble talking with Pro Tools & Logic, I/O operating level issues with my large format console, and several strange sonic issues. it's control software was the most ridiculous user unfriendly creation I have ever tried to use in my career.
I decided to upgrade and was advised to consider the brand new UA Apollo. I'd read about it, it seemed very pro and impressive, but I'd been sucked in before.
I took a chance with the Apollo, and I must say it's so good, it's the single most significant piece of new gear I now own. The sound is surely as good as it gets, the software is superbly designed, and my mixing console loves it. No more issues.