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4.9 5つ星中

by M. Hill (8/17/2016):

After many years still a fantastic sounding plate reverb. Maybe not as authentic as… Read more

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概要

EMT® 140 Classic Plate Reverberator プラグイン

3つのユニークなプレート・リバーブを一台にキャプチャーしたパワフルなプラグイン。

Universal Audio は“プレートへのステップアップ”としてもう一つのクラシックなツールをDAWに再現しました。 ― EMT 140 プラグインを紹介します。ドイツのEMT社は1957年にEMT 140(アンビエンス効果を生成するため金属板を用いた)の開発・販売に着手します。プレート・リバーブのなめらかで腰のあるサウンドは、現代音楽の構成要素の一つとして今なお受け継がれています。EMT Studiotechnik GmbHによってエンドースされ、カリフォルニア州の Sausalito にあるPlant Studio で使用されている 3 台の異なる EMT 140 を使用し、Universal Audio によってモデリングされました。以前では不可能かつ夢の夢だったミックス用機材が、ユーザーであれば誰でも、手の届くところへやってきたのです。

EMT 140のインターフェイスはプレートアンプ自体とリモートダンパーコントロールの組み合わせで成り立っており、プレート・リバーブを使用する場合の一般的なアプリケーションに必要になる便利な機能拡張を提供しています。オリジナルのEMT 80Hzシェルフ・フィルター・エレクトロニクスや人気のアフターマーケット 12dBカットフィルターが信号経路の最初に位置しているMartechエレクトロニクスの両方をエミュレーションしています。その後、プレートのディケイタイムを減少させるためのメカニカル・ダンパーを再現する3スイッチャブル・プレートコントローラー(A、B、C)があり、それぞれキャラクターの違うサウンドを持っています。プレートAとBは、プレート自体が調整されていないオリジナルのEMT electronics システムを使用しています。プレート C は、完璧にサービスを受けた最新の Martech electronics 製を使用しています。

$199.00

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  • Frederick Norén

    Sound On Sound

    "The EMT 140 [plug-in] is held by many — including me — to be the best-sounding digital plate reverb on the market."

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    "Having the EMT 140 plug-in, it’s beautiful, I don’t have to commit to printing the plate."

    Christopher "Stone" Garrett

    (Thievery Corporation)

    “The EMT® 140 Classic Plate Reverberator Plug-In is incredible. I don't even know what to say about it, it sounds so good it makes you almost want to cry."

    Joe Chiccarelli

    (The White Stripes, My Morning Jacket, The Killers

    "The [UAD] EMT 140 is classic. It can be perfect to add some warmth and size to a lead vocal. I will set up a subgroup as if I were using it on an analog console with an echo send."

    Fab Dupont

    (Shakira, Santigold)

    “The UAD Pultec Pro, along with the Plate 140, are the two main reasons why I can't work without a UAD card in my system.”

  • Vaughan Merrick

    (Amy Winehouse, Jason Mraz)

    "The [UAD] EMT 140 has that classic smooth character of the real thing but with added conveniences like predelay and mod to give the plate a little 'shimmy, shimmy'."

    Hank Shocklee

    (Public Enemy)

    "I need the EMT 140 Classic Plate Reverberator for creating bigger-than-life snare and clap sounds."

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

    Hans Zimmer

    (Dark Knight, Gladiator)

    "The EMT 140 Plate Reverb plugs are on everything ... It's great, that feeling of not having to run out of plates."

    Frank Filipetti

    (James Taylor, Rod Stewart)

    "The EMT 140 Classic Plate Reverberator plug-in — not a mix goes by without it."

  • Vance Powell

    (The Raconteurs)

    "[The EMT 140 plug-in is] Unbelievable. Love it. Use it all the time."

    David Issac

    (Marcus Miller)

    "When I heard the [UAD] EMT 140 ... I instantly remembered standing in a chamber in Detroit. It was that close."

    Dweezil Zappa

    (Zappa Plays Zappa)

    "The [UAD] EMT 140 reverb I use on everything. It's my favorite reverb of anything I have."

    John Cuniberti

    (Joe Satriani, The Meters)

    "UA successfully modeled our three EMTs so well that in a blindfold test we could not tell the difference!"

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

  • Ed MacFarlane

    (Friendly Fires)

    "We record toms separately, and to get that big washy Serge Gainsbourg sound we've used the UAD EMT 140 reverb on them."

    Eli Crews

    (Electronic Musician)

    "The [UAD] EMT 140 blew the plate presets of my standard reverb plug-in out of the water."

    Jonathan Wilson

    (Future Music UK)

    "[The EMT 140 is] possibly the world’s finest software plate reverb emulation."

    John Baccigaluppi

    (TapeOp Magazine)

    "Well, consider me won over… The EMT 140 [plug-in] was used extensively on a record I recently mixed."

    Jason Scott Alexander

    (Remix Magazine)

    "The [UAD] EMT 140 added unmistakable character to everything I threw at it ... it consistently tickled the ear."

  • Paul White

    (Sound on Sound)

    "The [UAD] EMT 140 is the nearest thing I've heard yet to a real plate reverb."

    Paul White

    (Sound On Sound)

    "You owe it to yourself to check this [EMT 140 plug-in] out, even if you're not a vintage gear freak."

    Jeff Balding

    (Amy Grant, Faith Hill)

    "[The EMT 140 plug-in] is great on snare to put a little space around it, I use it as a general plate."

    Gavin Monaghan

    (The Twang)

    "The [UAD] EMT 140 is pure Motown, better than my real one! Stunning!"

ユーザーの評価

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平均評価 (560 レビュー)
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    Fantastic sounding plate reverb
    by M. Hill(Wednesday 17 August, 2016)

    After many years still a fantastic sounding plate reverb. Maybe not as authentic as some other of UAD's emulations in terms of the late decay and analogue modelling of the drivers/pickups, but it's a very usable reverb and worth owning. ǶÁÂȪむ

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    Amazing
    by P. Degen(Monday 15 August, 2016)

    I thought, "I'll give this reverb a shot". Normally I'm not a reverb kind of guy. Everything must be stonedead or have a little bit of echo on it. But this changes it all, I've been using this reverb not only on vocals (which makes them sit better in the mix), but also on various… ǶÁÂȪむ

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    Amazing
    by v. cañas couturier (Friday 12 August, 2016)

    On first sight i was deep in love with the Lexicon Reverb who's really versatile, but as i'm mixing mostly Hop Hop music (Standart, discret 1-2s reverb) this EMT is just a MUST HAVE. Using it in 90% of my mixes. Amazing results on short verbs and a wonderfully beautiful tail on long ones. ǶÁÂȪむ

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    EMT 140 Reverb Plate with class
    by L. Mendoza(Monday 8 August, 2016)

    This plug in has a special thing going! On almost everything this baby touches it brings that special wetness you need to bring your source to life, bring it out front, or wet it down. Of course it does magic for certain vox. It will give that classic reverb that you hear on countless hit… ǶÁÂȪむ

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    So Shiny
    by A. Auinger(Thursday 4 August, 2016)

    Sounds Beautiful, wanted it for years, now I finally got it. Doesn't sound good on all sources for me, but sometimes it just fits surprisingly well and creates a dreamy ambience. ǶÁÂȪむ

$199.00

アーティスト
  • Emily Lazar

    As the founder and chief mastering engineer of The Lodge in New York City, Lazar has played a key role in crafting some of the biggest albums of the 2000s. 続きを読む

    Jacquire King

    Jacquire King is a three-time Grammy winning producer, engineer and mixer with credits that include Of Monsters and Men, Norah Jones, Modest Mouse, and more. 続きを読む

    Dave Tozer

    Here, Dave Tozer details how you can synthesize a powerful UAD/Logic Pro X production workflow. 続きを読む

  • Buddy Miller

    Grammy-award winning producer, player, and artist Buddy Miller details his workflow with Apollo and UAD-2 plug-ins. 続きを読む

    Mixing Bronze Radio Return’s “Melting in My Icebo

    Engineer F. Reid Shippen breaks down how he employed UAD plug-ins to mix the Bronze Radio Return track, “Melting in My Icebox.”… 続きを読む

    The Black Keys

    The Black Keys' Dan Auerbach and Patrick Carney detail their recording process and how UAD Powered Plug-Ins are essential to their careful balance of raunch and refinement. 続きを読む

  • Rich Chycki on mixing Rush and Dream Theater with

    Rock veteran Rich Chycki has crafted mixes for Rush, Dream Theater, and Aerosmith. 続きを読む

    Neal Cappellino on mixing Brad Paisley

    Grammy-winning engineer Neal Cappellino has recorded and mixed hits for Nashville's biggest stars. 続きを読む

    Mick Guzauski On Mixing Daft Punk

    The Grammy-winner is one of the most skilled and accomplished mixing engineers the industry has ever seen. 続きを読む

  • Vampire Weekend Production Goes Mobile with Apollo

    Ariel Rechtshaid and Rostam Batmanglij produced Vampire Weekend's latest album with Apollo and UAD-2. 続きを読む

    Paul Blakemore, Grammy-Winning Mastering Engineer

    Paul Blakemore's experienced ear for solving mastering "puzzles" has earned him multiple Grammys. 続きを読む

    Ken Lewis Crafts Hits for Fun, Kanye West

    Top acts call on Ken Lewis to turn their musical ideas into platinum hits. 続きを読む

$199.00

機能とスペック

EMT® 140 Classic Plate Reverberator プラグイン

特長:

  • Plant Studio の3台の異なるユニークなサウンドの EMT 140 プレートに基づいてモデリング
  • EMT Studiotechnik GmbH より完全なエンドース
  • 非常に滑らかで自然なプレートのサウンド
  • ディケイ、2バンド EQ、プリディレイ、ワイズとウェット/ドライ
  • コントロールはアナログ・ハイパス・フィルターを、モデリング:ストックのEMTは80HzとMartech社製
  • デプスとレートコントロール装備のリバーブ・モジュレーション
  • ステレオバランス・コントロール
  • 正規代理店より販売されたUAD-2 DSP アクセラレーターカード を必要とします。

UADのプラグイン同時起動可能数を確認

パラメーター:

  • プレート・セレクト:A、B、Cの3つの異なるプレートから選択
  • A、B、Cのダンパーは独立してプレートを0.5 ~ 5.5secの間でリバーブ・タイムをコントロール
  • 入力フィルター: Martechは、:90 Hz, 125 Hz,180 Hz, 250 Hz, 270 Hz, 360 Hzで12dB固定のローカット・フィルター、EMTは80Hz固定で-4、-10、-16db でシェルビングEQを搭載
  • ステレオ・ワイズ:エフェクト・イメージを0% (モノ) ~ 100% (フル・ワイズ)で調整
  • ステレオ・バランス・ポジション:エフェクト・フィールドを左端~右端のどこにでも配置
  • 出力フィルター:ロー/ハイ・シェルビング EQ は、20Hz ~ 2kHzと200Hz ~ 20kHz を±12dBのゲインでコントロール、加えてグローバルに EQバイパスのイン/アウト
  • プリディレイ: 0 ~ 250 ms
  • ミックス・ブレンド: 100% ドライ ~ 100% ウェット、ウェット・ソロ
  • モジュレーション・レート :.01 Hz ~ 1 Hz
  • モジュレーション・デプス:0 ~ 10セント
  • VUメーターはEMT 140 の出力レベルを表示
  • パワーオフはEMT 140 のすべての回路をバイパス
$199.00

マニュアル
 Hardware & Software Manuals
$199.00