4-710d Four-Channel Tone-Blending Mic Preamp

4-710d Four-Channel Tone-Blending Mic Preamp

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1176スタイルのダイナミクス・コンプレッションと、A/Dコンバーターを搭載したクラシックなチューブ&ソリッドステートのトーン

UAのクラシックなアナログ設計と最新のスマートな機能とワークフローの強化を組み合わせ、4-710dは、UAのラインアップの中でもっともフレキシブルなマイクプリアンプとなりました。

独自のチューブ/ソリッドステート・トーンブレンディングサーキットを採用した4基のハイエンド・マイク/ライン・プリアンプと各マイク・チャンネルにクラシックな1176スタイルのコンプレッションを搭載した4-710dは、セットアップをさらに拡張するための多くのデジタルI/Oも提供しています。

Now You Can:

きめ細かく設計されたUAマイクプリアンプ・サーキットによってトラッキング

チューブとソリッドステートのカラーをフレキシブルにブレンド

各マイク・チャンネルでクラシックな1176スタイルのコンプレッションを使用可能

ADATオプティカル接続によりApolloインターフェイスに8系統のインプットを追加可能

幅広いUAのプリアンプ・トーンを使用してマイク・コレクションがさらに輝く

幅広いUAのプリアンプ・トーンを使用してマイク・コレクションがさらに輝く

4-710dのコアには、4チャンネルのトーンブレンディング“Twin-Finity”マイクプリアンプがあります。各4チャンネルは、100%のチューブと100%ソリッド・ステートのシグナルパスという2つのサーキット間を連続的にブレンドする機能を備えています。これは、クリーミーなサウンドからクランチ・サウンドまでたくさんの質感を提供し、チューブのざらついた雰囲気からソリッドステートの艶のあるサウンドまでを完璧に表現することができます。

伝説のコンプレッション・サーキット

伝説のコンプレッション・サーキット

4-710d の各4チャンネルには、特別にチューニングした"fast" と "slow" セッティングを採用したトゥルーバイパスの1176スタイル・コンプレッサーを搭載しています。これにより、素早くボーカルを太くしたり、ベースやギターのサウンドをまとめたり、シンセやホーンに質感を与えることができます。

プロフェッショナルA/Dコンバーターによるインプットの拡張

プロフェッショナルA/Dコンバーターによるインプットの拡張

4-710dは、8系統のアナログ・インプットを備えているのでスタジオを拡張するにも最適です。最大で192kHzまでの選択可能なサンプルレートを使用し、ウルトラ・ハイクオリティの24ビット・A/Dコンバーターによってデジタル化され、デュアルADATオプティカル、またはAES/EBUのDB-25コネクターを使用してほとんどのインターフェイスと接続することが可能です。

特長

プリアンプ部

4つのTECアワードを受賞した710 Twin-Finity™マイク/ラインプリアンプを搭載:
デュアルパス285ボルト・クラスAチューブ/トランスインピーダンス・ソリッドステートプリアンプ
クリーミーなサウンドからクランチーまでのサウンドが得られるチューブ、ソリッドステートのフェイズ整合トーン・ブレンディング
各プリアンプ・チャンネルに新しい設計された1176スタイルのコンプレッション・サーキットを搭載
JFET DI、ウルトラハイインピーダンス(2.2MΩ)、オートインプット・オーバライド
インプット・ドライブ、ゲイン・レベル、ゲインリダクションを表示可能なバックライト付き大型VUメーター
バランス・センド/リターン・インサート(ハーフノーマル結線)
48Vファンタム電源
75 Hz ローカット・フィルター
位相反転スイッチ
モノシリック・バランスアウトステージ

A/Dコンバーター部

8チャンネルのハイクォリティ24ビットADコンバーター:
192kHzまで選択可能なサンプリングレート
ADATオプティカルアウト、AES/EBU DB-25コネクターs
8チャンネルのソフトリミッター(全チャンネル切替可能)
超低ジッタークロックサブシステム
クリップ/ホールドLEDインジケーター
75Ω BNCワードクロックI/O
電源投入時のアンチポップ保護デジタルアウト

その他

ユニバーサル電源サプライ
堅牢なメタル構造、2Uラック・スペースt
1年間の保証

カスタマーレビュー

4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics

G. Ventin

2015年3月14日

Breaths new life into microphones

The 4-710d has truly brought all my microphones to life! The blend knob really helps dial in the tone and adds great character to each capture. Can't recommend this pre-amp enough!

b. driggers

2015年3月4日

Versatile

I picked it up used out of Nashville used and, I will be purchasing another as, I complete my gear acquisitions for the studio I'm building. I wired it into the signal path using an Apollo Twin into Cubase. Set up was easy and, intergration was seamless and hassle free. I demoed it by plugging a P-Bas straight in and it ROCKED! I then used multiple mic situations! I plugged a tube mic in and ran it heavy to the transiter side and had plenty of headroom and tube love! I then plugged up a TLM-49 and the sonic range was borderline staggering! And then, "just to make sure" I put a SM-57 and a AEA ribbon mic in front of a 50 watt Marshall!...........YEP! ......Buy it Fool!

S. Hughes

2013年6月6日

Superb DAW Front End

My studio has improved in leaps and bounds with the addition of the 4-710d. Not only an 8 channel extension for my stunning Apollo, the Twinfinity Pre's and 1176's built in have taken things to the next level and beyond. I now want to get a second one and perhaps even a third and forth. I've sold my large format console as this rig will allow me to embrace a far superior way forward.

There are issues however. The tube section of pre amp 3 is dead, and when I adjust input levels on the fly during a recording I'm getting nasty scratchy noises through everything indicating that perhaps lesser quality pots have been employed in the design. If this is the case I would be very disappointed.

Other than this, the 4-710d is a superb no brainer.

G. Warder

2013年4月9日

Great bang for the buck

I just can't get it to sound bad, whether it's recording choirs, live theatre, or pop/rock. The pre's are big and clean sounding, and the compression circuit is smooth. All that, and mine came with a free quad satellite!

J. Randall

2013年1月3日

4-710d

Picked this unit up over the holidays and have done quite a bit of recording for vocals, acoustic guitar, and some DI work.

I love the tones and smoothness of the preamps. Especially the mix knob between solid state and tube. When recording an acoustic i use two little condensors set in an X pattern about four inches from the 14th fret, and one distant mic, lately an SM7 which was accidentally left open on a sound check. Turns out it adds a lot of nice rich body to to the X mics.

Anyway, is use the SS side of knob on the condensor mics and have the SM7 at about 1:00 oclock slightly toward the tube side of the mix.

Just a pleasure to work with. Now I'm waiting for my UAD Quad to arrive, and need to pick up a card for the light pip

D. Marcelino

2012年12月21日

4710d = fun + magic.

I bought this preamp after finding out about it on youtube.

After hearing about it, I was thinking that this would be one of the most versatile pieces of gear that I own, little did I know I HAD NO FREAKIN IDEA You dont know how versatile it REALLY is untill you actually use it in real world situations!

I am extremely happy with this unit; definitely worth the investment. The pre's are extremely clean and can be very dirty when you want them to be. Push the front end harder and you bring out a ton of character from the tube and transistor.

The compressors are perfect, Period!

Amazing A/D conversion!

The 4710 has brought a whole different dimension to my studio and my work.



-Dan Marcelino

*DMA Studios* Pro Audio Recording/Production

S. Burry

2012年11月19日

Hubba Hubba!

I just purchased this and the Apollo together. The only problem with the tone blending is deciding which way to lean. A sweep across the spectrum yields multiple options that are each enticing in their own way. I've barely encountered the preamps on the Apollo because I'm so smitten with these. Also, the 4-710 connects via lightpipe and adds four mic channels to the Apollo and still leaves all of your line inputs available. I already had a Satellite Quad, so I will likely sell the one that they're offering as a bonus, but all of the UA products work together seamlessly and intuitively. Honestly, with the UA Apollo, 4-710, Satellite Quad, and the UAD plugins, you really don't need anything else but microphones, instruments and talent!

J. Mccoy

2012年9月19日

Plug and Play with Apollo

I need lots of channels for live recordings and after deciding to move to the Apollo for my mobile rig interface, getting a 4-710d was an easy choice. Fortunately, setup with the Apollo and Logic was trivial. My experience thus far with the 4-710d is still fairly limited - just 2 gigs totaling about 5 hours of tracking. I've been mostly trying to get to know the tube / solid state blend on various sources, as well as what the compressor can provide. On the most recent work, I set up channel one on kick drum and decided to go with no tube in the blend and set the compressor to slow because it let more beater sound through. Channels were used on toms with a 50% tube blend and the compression set to fast. Results were excellent!

R. Lallmang

2012年5月26日

I just bought the 4-710d to add to my home studio arsenal. As a drummer I want to get the most professional sound possible for my drum recordings. This is it! I use it for my overheads and drum room mikes for the drums, and everything else I record. I am amazed at the warmth and presence this produced.

R. Carpenter

2012年4月25日

I absolutely love this preamp, I now have a wide range of tonal possibilities to work with. I can hear such a difference with each mic being blended from "Trans to Tube" that it is like having many more preamps and microphones than I really have. I will be using this preamp a lot. Universal Audio is Great Gear !

C. Cumming

2011年6月17日

I'm using this unit as part of a front end a/d set up for my home/portable studio. I'm running it via light pipe into a focusrite saffire pro 40 with the 4-710 being the master clock.

It is very simple to set up and even simpler to operate. These pres sound top notch. The 100% solid state setting is clean and clear but not without a little character, the all tube setting is coloured as you would expect and a blend of the two is very nice. So far I've run acoustic guitars, vocals and bass through the unit and been impressed. I'm looking forward to tracking some drums through these pres as they seem quite capable of being driven hard and still sounding good. A great solution for the money for those on a budget.

K. Traynor

2011年4月13日

I can't believe how much better my mics sound with this pre amp! I used a Shure "Elvis" mic for scratch vocals during my last session and the singer loved the sound so much we ended up using the tracks in the final mix. I pugged the bass directly into another channel and the bassist was blown away by the tone. It's the world's greatest direct box. The compressors on each channel are an added bonus and sound great on everything I have used them on. The knobs and switches are rock solid and don't wiggle at all. This thing is built like a tank and I'm counting on it lasting for years and years. My current interface doesn't support ADAT but something tells me the UA converters will sound better than the Presonus ones I'm currently using so it may be time for an upgrade. Thanks for making a well designed product at a reasonable price.

D. Rodriguez

2011年2月26日

Well built! Great converters and infinitely variable tone choices!
more at http://www.damianaudio.com/?p=241

B. Walker

2013年10月8日

Excellent DAW front end

Perfect for the front end of your Digital Audio Workstation as an audio input. The 4-710 includes four amazing mic press, compression and AD, plus an additional four AD converters and clip limiting. The ability to choose between tube, solid state or a blend gives some nice choices for recording. The DI's sound great as well. I found tracking an electric guitar track recently quite enjoyable with recording the DI signal with slight tube distortion along with three other mics for tonal variety. In the end, I used all four channels for most of the tunes on the album. Having the different channels allowed me to adjust later to the songs mood. I never thought previously that I would need four channels for tracking guitar!

T. Rambowski

2011年11月10日

Germany - Good sounding Preamp ! But we had the same problem with the 4-710d . By switching to another pair microphones (Neumann TLM 103 to U89) the four channels went down. No Signal at all. Now we´re waiting for the third one, after the first two units broke down

T. Hambright

2013年5月1日

?????

VERY DISAPPOINTED WHEN I FOUND OUT THESE GREAT PRODUCTS WERE MADE IN CHINA. THERE WILL BE NO MORE FOR ME FROM UA. BUY AMERICAN!!!!!!

B. Olivier

2015年4月26日

SIMPLE AND SMART

FLEXIBLE ANS EFFICIENT :-)

J. Gridl

2015年2月14日

yes, but

why does the apollo (dual/quad, not 16) not have an AES/EBU port?? I mean seriously, this would make 100% sense and they would sell A LOT more Apollo/4-710D Combo Packages... It's just stupid... sorry. ADAT is not "the same".

One star off for "made in china" - it does not feel as solid as the usa built stuff. Can't say anything about the duration so far. One year in use and not a single problem at all.

S. Aubry

2017年6月26日

Ultra clean and trasparent mic pres

it's no secret in my circle of peers that I'm a big UA fan. These jewels have plenty of head room for those high output condensor mics. When you compare these units to other high quality mic pres that are mostly either single or dual channel units you get way more bang for your buck with the 710's and you don't have to sacrifice quality either .

R. MACMULLEN

2017年4月17日

uad 4-710D ultimate perfection

Hello uad folks ,I dumped my focusrite 18i20 for this 4-710D the perfect system with opollo twin usb connected for all sound systems ,instruments,and modifying media programs ie tv, radio,vynal,tape, etc with the uad plug ins . everything runs through the mackie 24-8 mixer into 24 surround speakers yamaha, bose,axiom .considering a uad 610 addition .
UAD IS THE AUDIO HOME FOR ME
best regards
retroshackRmac
ralph
my wish list -uad headphones someday ?

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