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4.91 5つ星中

by D. Savary (1/9/2017):

I've owned and used this dual pre-amp for quite a few years (older flat grey face).… Read more

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概要
2-610 Dual Channel Tube Preamplifier.
Dual-channel tube preamp based on the legendary
UA 610 modular console.

Designed by Bill Putnam Sr., the UA 610 modular console is arguably the “Holy Grail” of vintage tube desks. Leaving its imprint on countless classic recordings from Ray Charles and Frank Sinatra, to iconic titles like Van Halen and the Beach Boys’ Pet Sounds, the 610’s tube-powered mic preamp and EQ gave anything run through it startling three-dimensional warmth, presence, and body.

The 2-610 Dual Channel Tube Preamplifier gives you two channels of this legendary piece of music history. Whether you’re running pure analog or enhancing a digital audio workstation, the 2-610 brings classic tube character to any recording project.

Now You Can:
  • Record with an all-tube, dual-channel preamp derived from the Bill Putnam-designed 610 modular console
  • Add tube warmth and saturation with Variable impedance Input, Gain, and Output level controls
  • High and Low shelving EQ for ultra-musical tone shaping
  • Track through vintage UA, "handmade in the USA," circuits
Modern Features — Vintage Tone


The 2-610 Dual Channel Tube Preamplifier builds on the foundation of the classic Putnam console by adding enhanced, user-requested features as well as a more modern workflow. Offering features such as extended top-end response and a -15 dB pad — as well as circuit tweaks for improved stability — the 2-610 preamp is perfect for any source and genre.

概要

UA610モジュラーコンソールを元に作られたオールチューブのデュアルチャンネル・プリアンプ

Bill Putnam Sr.の手による伝説のオールチューブ仕様の610コンソール。このサウンドはFrank SinatraやVan Halen、そして"ペットサウンド"として知られるBeach Boysの数多くのレコーディングで聴くことができます。その610コンソールを基につくられた、オールチューブのデュアルチャンネル・マイクプリアンプがこの2-610Sです。マイク、ライン、電気楽器と様々なインピーダンスに対応し、シェルビングタイプのEQ(ハイとロー)も搭載しています。現代のレコーディングスタジオでは、ステレオによる音づくりも多く、このモデルも定番といえます。

  • 伝説のBill Putnam 設計「610モジュラーコンソール」を引継ぐオールチューブのデュアルチャンネル・プリアンプ
  • 可変インピーダンスインプット/ゲイン/アウトプットレベル
  • ハイ/ロー シェルビングEQ
  • 米国内ハンドビルト
  • すべての特長を見る

伝説の 610に-15dBのパッドやシェルビング・フィルターを加え、電力供給の安定性を改善しました。アナログ設計のノウハウは、そのビンテージ・モデルのキャラクターをチューブ・プリアンプに移植しました。

 

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  • Mark Lawson

    (Arcade Fire)

    "With the 2-610 I don't have to second-guess. I just plug in the mic, and I know it's going to be a nice, full sound that's going to be totally useable."

    Jacquire King

    (James Bay, Kings of Leon, Tom Waits)

    I used the 2-610 pretty extensively with Norah Jones. It's just an incredible sounding preamp. You can crank on the EQ and it never sounds harsh.

    Jacquire King

    (Norah Jones, Tom Waits)

    "[The 2-610's EQ has] got a really nice shape to it, you can kind of crank on it, and it doesn't sound harsh."

    Carl Glanville

    (U2)

    "The sonic picture is completed with the output of the 610 being connected to my LA-2A or 1176 before being committed to tape."

    Carl Glanville

    (U2, Billy Joel, Counting Crows)

    Simultaneously familiar, complimentary and satisfying, the 610 captures the moment, but also adds a unique color.

  • Matt Knobel

    (Lenny Kravitz)

    "Yeah, we have the 2-610. I love it ... it's like magic. That mic pre just makes everything sound amazing."

    Michael Cooper

    (Mix Magazine)

    "One of the most versatile mic preamps available."

    George Shilling

    (Resolution Magazine)

    "This [2-610] input added a genuinely surprising magic to my normally unexceptional Stratocaster."

    George Shilling

    (Resolution Magazine)

    "[The 2-610] is undoubtedly one of the best sounding microphone preamps currently available."

    CRMAV

    (CRMAV.com)

    "The 2-610 has received praise from engineers, producers and musicians for its versitility and warm, rich tone."

  • Myles Boisen

    (Electronic Musician)

    "The 2-610 captured one of the most gorgeous and stunningly powerful rock-guitar sounds I have ever heard."

    Myles Boisen

    (Electronic Musician)

    "The 2-610 is an absolute smash hit ... it's hard to imagine doing another rock, jazz, or blues session without it."

    Russ Long

    (Pro Audio Review)

    "The more I use the 2-610 the more I understand why all of those classic sounds recorded through the UA 610 console sound so good ..."

    John Baccigaluppi

    (TapeOp Magazine)

    "Bottom line; this thing sounds friggin' bitchin'."

    Michael Cooper

    (Mix Magazine)

    "The Universal Audio 2-610 is, hands-down, the most dimensional mic preamp I've ever heard."

  • Michael Winger

    (Regina Spektor, Alanis Morrisette)

    “The 2-610 has a really nice, smooth sound and a rich, low end."

    Peter Frampton

    "The 2-610, hasn’t been off since it arrived, I use that all the time on everything... same with the 2108."

ユーザーの評価

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平均評価 (22 レビュー)
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    Versatile, vintage, vibe, victory!
    by D. Savary(Monday 9 January, 2017)

    I've owned and used this dual pre-amp for quite a few years (older flat grey face). Swapped tubes out to 12ax7/ge jan 6072a combination and the sound on vocals literally brought a tear to my eye. With these tubes I've backed off using the EQ almost entirely, there's no need, just switch… ǶÁÂȪむ

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    classic warm tube sound gallore
    by T. Hinterholzinger(Tuesday 29 November, 2016)

    I love the 2-610! Having a bigger power transformer, its audio performance is far superiour from the smaller packaged 610 Solos and derivates. Only the mighty M-610 is even better with its big torodial transformer! I always wanted to try a torodial as PSU for the 2-610, too, since I once… ǶÁÂȪむ

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    Worth its weight in gold
    by J. Stacey(Tuesday 21 June, 2016)

    Lovely sound, useful on everything, from kick drum to vocals, very musical! Thanks to Universal Audio! ǶÁÂȪむ

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    whoa.
    by L. Mathers(Tuesday 1 September, 2015)

    Incredible tube preamp... makes every mic sound better, and the Hi-Z input makes my bass sound fantastic. Having two channels is often very useful to get a matching (or different with the EQ section), even sound. I see myself using this thing until the day I die. ǶÁÂȪむ

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    Fantastic version of the old 610
    by A. Gorman(Sunday 2 August, 2015)

    Wonderful sounding pres bags of character. Fun to experiment with different mics and settings. Great with a 57 on guitars cranked or a U87 on vocals with the input backed off for a more open sound, and everything inbetween. Get a bit of vintage character on the front end! ǶÁÂȪむ


機能とスペック

2-610 Dual Channel Tube Preamplifier

特長:
  • 伝説のBill Putnam 設計「610モジュラーコンソール」を引継ぐオールチューブのデュアルチャンネル・プリアンプ
  • 可変インピーダンスインプット/ゲイン/アウトプットレベル
  • ハイ/ロー シェルビングEQ
  • マイク、ライン(バランス)、Hi-Z入力に対応
  • ダブルサイズに巻かれたカスタムワウンド・合金トランス
  • フロントパネルの -15 dB パッドスイッチ
  • 改良されたEQ回路により、よりオープンなサウンドを実現
  • 超静音動作
  • 改善され、剛性の強化されたシルバーシャーシー
  • 米国内ハンドメイド
仕様:

マイク入力インピーダンス
Selectable, 500Ω または 2kΩ

バランス・ライン入力インピーダンス
13.8 kΩ

Hi-Z 入力インピーダンス 
2.2 MΩ または 47 kΩの間で選択

最大マイク入力レベル
+3.5dBu

最大出力レベル
+20dBm

内部出力インピーダンス
60 ohms

推奨最小負荷
600 ohms

周波数レスポンス
± 1 dB 20 Hz ~ 20kHz

最大ゲイン
61 dB

S/N 比
82 dB 以上

真空管
(1) 12AX7A and (1) 12AT7 per channel

所要電力
115/230 ボルト

消費電力
30 ワット

重量
5.6kg

寸法
483W×44H×311Dmm
(19" ラックマウント・シャーシー: 2U)

マニュアル

UA 2011 Product Catalog.pdf

2-610 Manual.pdf