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Shadow Hills Mastering Compressor

Overall Rating

481-496 of496件の結果

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K. Mclellan

2012年11月24日

SHADOW HILLS MASTERING COMPRESSOR

Have only been using the plug in for a few days now seems to glue the master mix tighten clarify the bottom end ,tried on drum buss and guitar/ bass seems to give the sound more oomph.

N. Guerrieri

2012年11月23日

All one needs

A serious piece of gear. Every section delivers what's expected. Cream from the optical, credibility from the discrete. You can easily tailor the behavior to hit the pocket. The transformer switch is the icing on the cake. Somehow it seems impossible to get similar results using other comps. It's designed with a mindset that includes all that's good in vintage units with the demands of today's sound. Every project I open I can't resist replacing most of the compressors with this one. Specially on vox, drums and "music" bus. One of your best emulations so far.

V. Borda

2012年11月20日

Prepare to be Impressed!

Congratulations to UA on a stunning piece of audio goodness. Simply a beautiful, majestic, flexible plugin. Both compression stages do their fantastic stuff to perfection. Suggest that if you are demo'ing for mastering, try both the stereo and dual mono modes. The optical stage is less aggressive, the discrete makes things feel big. The nickel/steel/iron option is likewise three different levels of satisfaction. Beautiful piece of gear - easy to fall in love with it!

U. Borjesson

2012年11月20日

A new beast!

I usually use the 4K Bus or the P-Bus compressor, sometimes I need to go for an API2500....

The Shadow Hills when I tried it on a tricky mastering and none of the other stuff did really do it, it was good before but something was missing in this particular project....

With the Shadow Hills it just was there, with the Mastering Medium PGM preset and some tweaking I got what I needed, so now I have a new compressor in my setup...

I should say do NOT try it if you don't have the cash:-):-)

The 2 different compressors working as a team in one box and the different output settings (like the Steel:-)) and the 90Hz high pass, well start play it, is a wonderful tool for making well balanced music!

P. Moshay

2012年11月19日

Another Level of Sonic Genius!

Thank You so much for making this plug-in (and hardware). Now that ive used this it's impossible to take it off the channels ive put it on, nothing else can do what this does.
Its a absolute monster on drums! And everything I've tried it on.
Not just compressing, but just running things thru it to color the sound in ways ive not heard a plug in do before.
This is a MUST for me and i highly recommend it..... But once you try it you'll need no convincing

F. Figueira

2012年11月18日

Amazing

This is truly amazing.
Now we need this baby to the family:

http://www.thermionicculture.com/index.php?option=com_virtuemart&view=productdetails&virtuemart_product_id=19&virtuemart_category_id=1&Itemid=54

You guys rock, well done.

J. Holroyd

2012年11月8日

Gutted!

Just as I manage to save a few quid towards that lovely new lens for my camera you guys go and release this, OK I could have waited but I made the mistake of trying it out today on the 14 day trial.

..now I "cant wait", every day that I don't have this tool is just a waste of time, the difference that this makes is too important.

Thick slabs of chocolatey three dimensional scale and control, beautifully delivered silky edged magic.The guy who gave the bad review on here must have a faulty computer or cloth ears, I still have 12 days before I pay up.

Joe Holroyd Valvetastic Studio

J. Milliet

2012年11月7日

Exceptional

I've never worked with the hardware unit, so I can't say how close it is, but actually it doesn't matter 'cause this plugin is sounding gracefully.

Stereo link option for the controls would be appreciated :)

S. Hurtow

2012年11月5日

Sweet, Sweet Analogue ... All About Choice

Of course I hit the '14-Day Trial' button! It was too impossible to refuse. Third day in and already my ears are pricked up, listening to the nuances. I'm constantly running back and forth between my SSL G Bus Compressor and Shadow Hill's 'Retro Masterpiece'. Here is what I'm hearing so far. Running Shadow Hill, the sound is more 'pillowy'; more 'spongy'. The response holds back and builds more gradually so when the signal passes, the ascend is like a retro airship or a steam locomotive. The SSL G Bus is more like a 1970s 747. The take-off is more solid and determined, giving you a more clear sonic picture as opposed to the dreamy soundscape created by Shadow Hill. At the end of the day, both are outstanding. It's all down to what you want.

I. Duarte

2012年11月5日

Awsome

This is one of the best compressors I have ever used. Transparent and clean when you need it, and very naughty when the song demands it !
I Just Loved It !

M. Olsen

2012年11月3日

Crap, another plugin I cannot live without.

While I still rely on the Slate FG-X for my heavy gain lifting, I couldn't part with the Shadow Hills Mastering Compressor for a single job after hearing it. I'm using it prior to any brick wall limiting and I go for tone over gain. The result is absolutely stunning sounds decidedly more analog with a rounder, more pleasant tone and fullness.

I saw the video showing the comparison between the hardware and software. I agree that the hardware sounded better in the A/B test. But honestly, for me it is irrelevant. There is no question that my masters sound better with this plugin than without. The resulting beauty is epic and not something I am willing to omit.

I am very fond of Dual Mono mode but...

Request: LINK L/R CONTROLS PLEASE!

G. Di

2012年11月2日

Very nice!

Demo version started 3h ago, first test on the master bus of a contemporary jazz (acoustic piano trio) session. Was good at first hearing! Same work: switching off the master bus and bouncing tracks.

Opening mastering session and starting work on, bounced audio seems to be glued: smooth and fat, highly defined and dynamic, at the same time!

My ears are saying: "great machine: 5 stars!"

Tested with:
MacBook Retina Mid 2012,
Cubase 6.5
Ua Apollo,
Dynaudio BM6A

C. Martins

2012年11月2日

Impossible to sound bad!

From the clearest and high fidelity sound to the dirtiest and agressive vibe...This plugin fills my day with confidence in the goals i want to achieve.Wonderful piece of gear gentlemen.UA, blind trust in your brand.

D. D

2012年11月2日

UAD strikes again

Wow amazing!! Again!!! #1 plugins of choice...

Looking forward to test it.

J. Williams

2012年11月2日

very very nice

A great addition to the UAD arsenal. Upon downloading I revisited the mixes I currently working on and the results are fantastic. I can tell you this unit is unique and will add "that" sound to your work with ease. For hip hop and rap it and a thick bulbous bottom end while solidifying the entire frequency range. Its very close to the hardware. Great Job!

C. Ross

2012年11月1日

Come out from the shadow

Hi all
I've used the hardware version on only a few projects (only purchased one a month ago) and used it mainly for mastering. The plug in is so close to the original, switching between both in the studio, in most cases it hard to tell the difference. I'm using it on the 14 day trial and no doubt Universal Audio will have an introductory price soon so someone like myself who travels a lot will have access to it on my apple laptop. I couldn't wait to try it on a track i mastered a couple of weeks ago where i had the hardware Manley Massive Passive into the Shadow Hill Compressor into a Ampex ATR102 out into the brickwall of a system 6000. Well I've done the same with the UAD-2 plugins and OMG... AMAZING. BUY IT!!

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