The best i use it on most of my tracks. Kick Bass Snare punch without clip.
Transparent. Don't even know it's there but miss it when it's not.
Makes mastering a breeze. Silky smooth even when pushed hard. Personally, I don't like the overloud sound; but this tool will allow nice variations in how 'loud' you track is perceived.
I use this with the multi-band. Workflow is quick and accurate.
Aaaah, the reason I bought my UAD-2 in the first place. Mastering plugs like this one allows me to get a professional sounding result every time without artificial artifacts. As a final plug in my mastering chain, it never fails in keeping my mixes under control and sounding great.
This Limiter is very smooth & nice!
I'm always using Precision Limiter for Mix Buss.
******* set and forget******* my master bus can't play without it.....!
All my mixes are bounce with the precision limiter plugin.
It's gives you volume, pressence and no distorsion.
Really easy to used and very powerful plugin
I use it as the last (second) master compressor, before this, i put multiband compressor. I would like to use something else between these two, but they uses pretty much cpu and memory so i have to use these two very racionally. Anyway, all things, what multiband not do, this precision limiter does and it do very good its job. So with this two couple there is no problem to het average -11 Db final RMS and with still not too much "final pumping" on the final sound.
Excellent meter. Actually, the best meter I have on my whole DAW ! Very useful to monitor very precisely the dynamic range of your final master output. Oh, and I almost forgot : very good limiter compressor too !
I would like to have the possibility of enlarging window of the plugin, which is too small on my screen resolution.
I would want to know the difference of treatment enters the position has and b ?
Studio Lakanal Mastering France
I use it in all my projects. Easy to use and it does what it supposed to do.
This is my favorite Limiter I've ever used in my life.
I use it on 100% of my mixes.
Is there more I can say?
Would it make a difference?
Not to me.
Yeah people. I suggest you definately better go for the precision maximizer or even better: the Neve 33609 compressor limiter. (WHOHAAA!!!!!) This precision limiter eats up the drums and almost exterminate your kick drum totally. I used this one for more than 2 years and it really confused me and made my mixing time expand a lot.
I used the Precision Limiter for two days now and already on every project. In about 12 days the demo trial end so i'll start buying right away!!
This LIMITER is as transperant as they come. The meter on is nothing short of outstanding. K-12, K-14 and K-20 love that Bob Katz read his book. When you push the gain/input on the precission limiter it creates coloration (even says that in the documention, I mean you can't create gain without some coloration come on) but if you use something like the neve 33609 to push the gain (which has really cool coloration) and feed that into the precision limiter it's radio quality mastering! (If you already have a radio quality mix) :)
not like it. i made dance music and need monstrous RMS. vote for precision maximizer!
this plug is for soft rock music for jus tcut some peaks.
Mixed feeling on this one too, the main problem on the precision limiter is that on a main bus for (pre)mastering it does really take off the attack and power on your drums, the attack must be too fast and it does really change your mix's sound.
Waiting for the mrecision maximizer demo to see if it fixes this problem, i wouldn't be surprised.
With the current trend of over the top mastered pre destroyed dynamic range,here is the ability to do it right or loud as chafe, this is a well engineered and very musical plug ,it oozes with transparency,even at what i consider to be wrong levels dynamicaly ,eg just plain loud,its actually quite impressive though i personally steer away from that sort of mastering,its ironic here we are in an age of digital where we no longer battle with the likes of hiss etc ,yet we appear to be to lazy to simply turn that volume knob up,remeber the old days when when you did that and well recorded album would sound fantasticaly dynamic,not so whith most modern albums turn them up and fatigue, horrid lack of musical involvement with listener,distortion of the undesired kind,LOW and behold if used right this plug is outstanding and the magic of the living pulsing loud soft all those attributes of music we crave are right there. later P.
M, i have mixed feelings on this.
Sometimes i find this works very well, but in all honesty i think it holds nothing over logics bog standard limiter.
Don't get me wrong i think its a good plugin, but for mastering? No, it's not there yet.
I'm always skeptical of any reviewer that calls a mastering limiter 'amazing'. They simply make things louder which is certainly not an amazing feat given that there mastering limiters come a dime a dozen these days. I use to use Sonic Timeworks mastering compressor because it was the most transparent when compared with Waves. Then iZotope came out with Ozone and I started to use that because it wouldn't distort when too much low freq energy was out through it. After demoing the Precision Limiter I found it to be comparable to Waves and Ozone but certainly not amazing. I could hear it on my mixes more than I like to hear a mastering limiter. I love most UAD plug-in's and so I have the highest expectations when they release something new. They are, for the most part, the best out there. This one however is not the best our there, but perhaps just as good, and so somewhat disappointing for me since I already have several limiters that perform just as well. In my opinion its only worth it if you don't already have a plug in for this job that you're happy with. It's certainly not 'amazing' as others have claimed it to be (but I don't think any mastering limiter is). But as always, try it out for yourself and compare it to some others before shelling out your $199.