Analog Classics Pro Bundle
レビュー
Analog Classics Pro Bundle
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K. Hershman
Rev E
I have 4 Rev E's next to me every day at the studio but I constantly reach for this. The weight these add to a vocal or drum sounds so close to the hardware unit
D. Collins
Fantastic!
The Analog Classics Pro Bundle is absolutely fantastic! I'm a big fan of the Fairchild and LA-2A collections!
D. Faggiolino
Really sounding analog
Simply the bundle overybody needs!
J. Poloyannis
A Must have bundle
Decided to purchase this straight after my purchase of the UAD Satellite. It's all the effects I use most in every mix. Not sure how this is not a must have for every Producer/Mixer/Engineer.
R. Ladiao
Must Have !!!
I am new to the UA world and these plugins gave me the tools to create awesome mixes. I am still learning each plugin, but the presets really help as a great starting point to find my sound...
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
M. Leys
They are all great!
I love every single plugin in this pack!
Thanks to UA and any other's who were involved with these products.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
I've been using the Fairchild 670 Legacy as my go-to compressor ever since I started on the UAD platform. Recently changed to the pro-version, and it just sounds much more real. The added feature-set and the inclusion of the 660 is also really appreciated. It is really a great sounding piece of gear, and I prefer the emulation of this over most hardware-compressors I've worked with. I never had the chance to work in a studio where they had a real Fairchild, but when that day comes I will have completed my training in the 'simulator'. Until then, I choose the 670 over almost every other hardware compressor. My UA 1176 hardware comp for example haven't seen much use since I got into the 670/660 plugin. It's glorious on bass, superb on the drum-bus and really nice for mastering.
E. Bureau
Upgrade to pro!
This plugin is a no-brainer. The legacy version has pretty much become my go-to EQ since I started on the UAD platform. Super musical and creative but at the same time easy to work with. I recently upgraded to the pro version, and the difference is really substantial. It really sounds great on anything. If I want the EQ to give less 'color' to the source, I sometimes still use the Legacy-version (or a different EQ). But usually the pro version is an improvement to what-ever is fed into it. The added output-gain is super useful for gain-staging between the plugins and the addition low/high cut-off filter plugin is also really helpful, and I end up using it surprisingly often.
l. ray
Fairchild tube limiter
une fois de plus je suis surpris par la qualité de vos plugins. J'adore ce plugin, je l'utilise énormément et Je ne vois pas pour le moment de problème majeur. C'est le jour et la nuit, pour mes mixes. Une fois de plus ....super! merçi.
H. Holzheu
SUPER DING
Er bringt das, was versprochen wird. Genial.
S. Manuaba
Impressive
Love it so much, I use it for mixing and the result is very impressive..
C. Gomez
Simply amazing
Once you get to know these gear, You will really change the sound of your mixes. Excellent UA. You are making my life easier.
M. Diaz
Sean Production Gram Pultec Passive Eq
Pultec Passive Eq es uno de mis favoritos EQ. Puedo trabajar diferentes cosas como voces. Baterias, Kick, Snare, en fin casi todo y al final tener un resultado mayor al que yo esperaba.
J. Abildgaard
Compressors
Cant live without The 1176 and LA-2A from this bundle, when I have a mixsession
J. Romatowski
Oh yeeeeeeeah!!
Some very necessary equipment emulations!
D. Ambory
Pultec is amazing!!!!
These are the quintessential tools of high end studios and the UA plugs let us all enjoy them.