Analog Classics Pro Bundle
レビュー
Analog Classics Pro Bundle
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S. Foley
Best sounding LA2A out there
If you know what an LA2A sounds like, then you will enjoy using these. Each of the 3 versions are useful in their own way, and it doesn't take long to get used to what each one sounds like and chose the one that works best for your application.
Why 4 instead of 5: DSP use is high. I consult a company that makes plugins, and have done beta testing with SSL and Slate Digital, so although I am not an expert, I am familiar with the process of designing and making a plugin. Also, it shouldn't be hard to switch between the 3 versions within the plugin instead of having to reload each one. A-Bing means loading 3 instances (one of each) and bypassing. Not end of the world, but could be more efficient.
A. Ali
Great on drums and vocals
I much prefer the sound of this to the legacy version, I use it for almost all of my drum busses and sometimes creatively with vocals and synths. It's got a great character and really thickens things up.. Keep your finger on the mix dial in the bottom right to get the best sound.
Even with light compression it adds a lot of depth to the sound. Great work UA!
A. Ali
I put almost everything through the 1176 compressor
For a long while I assumed the 1176 legacy was "good enough"; I didn't even demo these versions. As soon as I did I used the current custom bundle sale to buy them and I simply haven't looked back.
This was one of the smartest buying decisions I've made with plugin software, it sits on almost every track; vocals, bass, drums, etc.
I simply can't say enough good things about this!
J. Neale
Colorful and Dirty
We all know that this is a classic.
Compared to other version of the 1176 this really does capture it properly. it drives in the right areas and using different versions within the collection can really change the character of the sound.
it is a go to compressor whether it be hardware of a plugin.
i love it on vocals and it is great for fold back in headphones.
J. Neale
Multi-tasker
In using this plugin for a while now it has become a go to dynamic processor of choice.
It has great characteristic and it's own sound, this is especially important as it colors sound and has lots of functionality such as the HR control, side chain and the mix control.
Worth the money spent and i use it on everything from vocals to drums.
D. Finardi
Very Surprise !
An Incredible sound!
A wonderful fidelity
UAD is to be congratulated
D. Finardi
Very Surprise !
An Incredible sound!
A wonderful fidelity
UAD is to be congratulated
N. Warnaar
Pultec Passive EQ Collection
After a five-minutes demo I was convinced... this UAD Pultec EQ is so much better than . Finally I found in this the perfect EQ for spoken word.
J. Seung
UA color
this collection is all about tube color and saturation.
do you like ua preamp color? just get this!
K. &
TELETRONIX - Bar None Vintage Modelling
I bought this collection immediately after hearing the included emulation of the original LA-2 model (the oldest version, pictured at the bottom of the stack). I have every other LA2A-inspired plugin emulation out there, and I've never heard anything like this. This is one of those rare plugins that really tap into that analog magic/voodoo. I never buy a plugin until I've used it for the full demo period, trying it on everything. I'm not impulsive that way. And I'm very picky with compressors in particular. Most compressors, once you properly gain match the before and after clips, don't make the cut. This plugin was just so on the mark that I bought it without thinking about it. This is a phenomenal accomplishment from UAD. Bravo!
D. Davis
1176 review
I was skeptical to say the least about how good this plugin collection of 1176s would sound, but, I have to admit I am pleased with the results. I own the waves and softube emulations that also sound good, but I am impressed with the sonic capability of this UAD emulation.
J. Kuse
Reminiscent of a 610, but not the same.
Using the 610B that came with my Apollo:
I've done a couple vocal shootouts with regular clients whose default signal chain involves a real 610. The real 610 both times was the obvious winner in body & depth. The UAD 610B does add cool functionality to the Apollo preamps, but with real 610s in reach I don't think I will bother trying it again unless I need the channels.
I will say that the EQ sounds exactly the same as the hardware unit. It doesn't saturate quite the same as a hardware version, but I've got to wonder about the reviewer saying they use it as a distortion effect... even a real 610 does not saturate musically like a 1073. The 610 is not a goto distortion box for me in either case.
PS - The DSP usage is out of control, guys
H. Lescura
Amazing!
Absolutely the best 1176 plugin till today. Each one has a special taste, so you can use them in every track on your session. Actually I have a Lindell 7x but I'm preferring the UAD 1176 because is so faithfull to the original and much more easy to make recalls.
E. Halterman
Fairchild on vocals... heaven!
I tried the LA-2A and loved it on vocals, but then just for kicks, I tried the Fairchild and I was blown away! There is nothing better than this for me on lead vocals, it is plain sweeeeeeeeeet!
J. Partelow
Pultec
Had the luxury of an immediate a/b between the plugin version and the hardware version of the same Pultec EQ on the vocal I did for a friend's song.
While the two weren't identical, the truth is there wasn't anything discernibly off from the plug compared with the hardware once a couple settings get adjusted, and the same amount of eq adjustments would likely be required of two hardware units when you factor in calibration, age, original Pultec hardware vs kit rebuild - might just be in a different way.
Hardware connoisseurs say it's not quite the same, my own take is Universal Audio makes that delta feel like you're splitting atoms to complain about it.
The only problem with ua plugins? Nothing, and they have more you haven't tried.
C. Edmonds
Sounds Great
I can't say I own or have extensive experience with any of the hardware UA modeled here, but I can say (and I am about to use a cliche that has ventured beyond mere overuse) that aside from the compression itself, these emulations add warmth to whatever sound flows through the algorithm. Really like how it sounds on my vocal tracks, not to mention the straight forward controls. But mainly, in a comparison with the legacy LA-2A that came with my UA interface, it seems to sound much more like the sound source is actually passing through hardware adding that certain...whatever it is. Call it color, call it warmth, subtle harmonics, placebo. I like it. Can my mom hear a difference in her car on an Mp3 vs. simple leveling via automation? no
I. Michele
Eccellente
Eccellente sono tutti dei magnifici compressori plugin ottimi
E. Ramazanoiglu
Top Class
I've not really ever got on with plugin 1176s before - at best they ahve been serviceable and some have been a modern interpretation (sometimes very good) but not quite grabbing me in the same way as hardware!
These have nailed it.
Thanks UA
A. Kolpakov
Excellent limiter/compressor
Gorgeous warm compressor/limiter. I use "silver" version for acoustic guitar (nylon) and bass. It gives me deep and fat analog character of sound. It don't mask guitar fingertip articulations as other compressors. With gain more than 50 sound became very punchy, so you must balance accuracy.
Great job for math simulation of device. Excellent that we have possibility easy to use this rare device plugin. Thanks!
A. Lee
Another satisfied customer here
I've been tracking vocals through UAD 1073 to La2a Grey and I've been getting fantastic results. I use the hardware Neve 1073 with the Apogee Symphony at my main studio but I don't think I'm missing out on any aspect for using Apollo w/ plugins for tracking. If i'm building an another studio, I'd definitely go with Apollos w/ UAD Plugs. (I'm a Pop/Urban Producer/Mixer)