Apollo Twin USB
Apollo Twin USBは、クラス最高のレゾリューションとリアルタイムUADプロセッシングにより、デスクトップ・ミュージックプロダクションでの新しいスタンダードを確立します。
Windows用のこの2x6 USB 3インターフェイスによって、あらゆるUADパワードプラグインによるクラシックなアナログ・トーンを組み合わせ、ほぼレイテンシーゼロでレコーディングする最先端の機能を備えています。
Unison™ テクノロジー†を使用して、Neve®、API®、Manley® などのプリアンプ・エミュレーションをほぼレイテンシーなく使用可能
付属のTeletronix® LA-2A、1176、Fairchild® コンプレッサー、Pultec® EQ、610-BプリアンプなどのUADプラグインを使用してミックス
大規模なミキシング・パワーを実現するためにUAD-2 PCIe DSPアクセラレーター・カード、UAD-2 Satellite FireWire、UAD-2 Satellite USBを増設可能
Unison™ テクノロジー： Neve®、API® ＆Manley® プリアンプの本物のサウンド
Apollo Twin USBには、2基のUnison対応マイクプリアンプが搭載されており、Neve、API、Manley、Universal Audioの正確なマイクプリアンプ・エミュレーションを使用してトラッキング可能です。Apollo独自のUnisonテクノロジーは、インプット・インピーダンス、ゲインステージの“スウィートスポット”、オリジナル・ハードウェアのコンポーネント・レベルでの回路の動作を含む、チューブやソリッドステートのマイクプリのトーンを忠実に再現します。
Unisonの秘密は、Apollo Twin USBのマイクプリアンプと内蔵のUAD-2 DUO Core DSPアクセラレーターによるハードウェアとソフトウェアの統合です。Unisonプリアンプ・プラグインをマイク・インプットに接続するだけで、世界中でもっとも多くレコーディングに使用されたマイクプリアンプのサウンドを手に入れることができます。.
Apollo Twin USBは、世界で唯一、Teletronix® LA-2A、1176LN、Fairchild® コンプレッサー、そして伝説のPultec® EQやUA 610-Bチューブ・プリアンプを含んだ本格的なアナログエミュレーション・プラグインを提供しています。UAの世界的に有名なアルゴリズムエンジニアチームによって開発されたこれらの“Realtime Analog Classics”プラグインは、他のすべてのハードウェアエミュレーション・プラグインをジャッジするスタンダードを設定しています。
ギターにPultec EQ、ボーカルにLA-2Aの穏やかなリミッティング、ドラムに本格的なFairchild 670コンプレッサーなど、あなたのレコーディングをよりリッチで、充実したアナログ・サウンドに大きく飛躍を遂げるでしょう。
付属の“Realtime Analog Classics”プラグイン以外にも、数々の賞を受賞したビンテージEQ、コンプレッサー、リバーブ、テープマシンなどを含むUADパワードプラグインをオーディオ・ソフトウェアのバッファーサイズに関係なく、コンピューターのCPUに負担をかけずにほぼレイテンシーゼロで動作させることが可能です。
Apolloは、Kendrick Lamar（To Pimp A Butterfly）、Coldplay（A Head Full of Dreams）、Dr. Dre（Compton）、Brad Paisley（Wheelhouse）など多くのレコードを制作するために使用され、ヒットメイカー達の確かな選択肢となっています。Apolloシリーズのインターフェイスは、Sound on Sound、Future Music、Electronic Musician誌などから数々の賞を受賞しています。またコンピューターオーディオ・ハードウエアの2016 TEC Awardも受賞しています。
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“UAD plug-ins are amazing...
I’ve used them on all my projects
for the last few years.”
– Dan Auerbach The Black Keys
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
Apollo Twin USBの新機能は、フロントパネルのインストゥルメント入力にUnisonテクノロジーを採用し、Fender '55 Tweed Deluxe、Marshall Plexi Super Lead 1959、Ampeg B-15N Bass Amplifierのようなギター、ベース・アンプやIbanez Tube Screamerのようなストンプボックスの完璧で、インピーダンスまでをもマッチしたエミュレーションを提供します。
Apollo Twin USBの（オリジナルApolloのConsoleソフトウェアを再構築した）Console 2.0アプリケーションを使用することで、チャンネルストリップ・プリセット、ドラッグ＆ドロップ機能、ダイナミックにサイズ変更可能なウィンドウなど、25箇所以上のユーザー・リクエストに応えた新機能を追加しています。
Apollo Twin Setup
Learn to use Apollo Twin as producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) demonstrates basic setup, routing, and recording with UAD plug‑ins.
†Apollo Twin USBには“Realtime Analog Classics Plus” UADプラグイン・バンドルが付属しています。その他のPluginは別売です。
My new Favorite interface
I bought an Apollo Duo and an Octo USB and just couldn't be happier with them. Loads of DSP power and plugins that are so close to the hardware, its exciting. Ahh the 480L, just like I...続きを読む
Best Interface for the Price
The quality on this thing is impeccable! Easy controls, slick design, and great plugins to go with it. I had a Scarlett 2i4 3rd Gen. before I got the Apollo and the difference is incredibly...続きを読む
Windows USB Apollo Twin
Works great (so far). A lot of folks seemed to have problems with Windows USB and UAD. As for my experience,. I had a relatively hassle free setup and the unit operates as advertised. I...続きを読む
Easy to setup. Rebooted PC once to Update Firmware after hard reset on device - no problem. Console easy to use. Well packaged as expected from...続きを読む
Great quality wow
Great quality wow続きを読む
Great quality wow
Great quality wow続きを読む
Realtime Analog Classics Bundle
With the Realtime Analog Classics plug-in bundle, you get legendary compressors like the Teletronix® LA-2A and EQs like the Pultec® EQP-1A, stunning guitar and bass amp emulations from Softube, as well as UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion
Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately.
Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
USB 3 connection for easy connectivity on Windows-based recording systems
Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output
Two digitally controlled analog monitor outputs for full resolution at all listening levels
Up to eight channels of additional digital input via Optical connection
Uncompromising analog design, superior components, and premium build quality
Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs
USB System Requirements
- Windows 10 64-Bit Edition
- Available built-in USB 3 SuperSpeed port*
- Intel Core i3, Core i5, Core i7, or Xeon processor*
- 6 gigabytes available storage
- USB 3.0 SuperSpeed cable (included)
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, RTAS, or AAX 64 plug-in host DAW software
- For additional compatibility information, visit help.uaudio.com
- Quad Core i7 or better recommended
- 2-in-1 systems (notebook/tablet) are not recommended
- USB 3 adapters (such as PCIe-to-USB 3 expansion cards) are not tested for Apollo Twin USB or UAD-2 Satellite USB connections
Apollo Twin USB
My new Favorite interface
I bought an Apollo Duo and an Octo USB and just couldn't be happier with them. Loads of DSP power and plugins that are so close to the hardware, its exciting. Ahh the 480L, just like I remember it in the real hardware and I can run loads of them :) Just fantastic. The preamps in the Duo are a good step up from my previous preamps and unison plugins are life like and work incredibly well.
Thank you for all the hard work UAD.
Best Interface for the Price
The quality on this thing is impeccable! Easy controls, slick design, and great plugins to go with it. I had a Scarlett 2i4 3rd Gen. before I got the Apollo and the difference is incredibly noticeable; sounds more open and clean than the Scarlett does.
Couple things I am not too fond of with the Apollo that even my Scarlett did well.
1. The main issue I have is the gain control/allowance. If you choose the wrong input on a channel, you might seriously burst an eardrum no joke. Why is there no limiter of some sort to prevent this from happening? Also the "playback cap," if you will, aka the loudness of immediate playback, is too loud. Again, there should be some sort of resilant limiter on the Apollo and/or software with a high attack and fast release so that the level right after clicking play is not so sudden and loud. Lastly, underruns from overloading are louder and more obnoxious-sounding than they should be. None of these issues were a problem on the Scarlett.
2. Gain knob appears to have an exponential rate of adjustment, meaning as you turn the knob, the more % of an increase there is. This is in contrast to a linear rate of adjustment which keeps level adjustment at a consistent 1:1 rate.
3. Hasn't helped my CPU. I'm on an i7 processor and 16gb of RAM and was hoping this Apollo would help at least some with overruns and glitches, but it almost seems to have gotten a little worse. Not a whole lot but it definitely hasn't helped any.
4. Haven't figured out adjusting delay compensation when using UAD plugins in DAW. It sounds normal during playback, but after export there is a very noticeable delay in whatever track the plugin was placed. This is prevented me from even using any of the plugins yet. I will say, however, this could be due to ignorance and I just haven't found the answer yet. Nonetheless, more support/easier means of finding a solution to this issue should be more readily accessable.
Even with these pretty hefty issues I have with the Apollo, it's still the best of the best in terms of quality for the money. I wouldn't even think about taking it back. It just seems that the options are lacking with regards to obtaining a more individualized experience. All this being said, you still won't regret the purchase. It's becoming an industry standard!
Windows USB Apollo Twin
Works great (so far). A lot of folks seemed to have problems with Windows USB and UAD. As for my experience,. I had a relatively hassle free setup and the unit operates as advertised. I bought mine refurbished, note to othjers, do not follow standard install path if you buy refurbbished, make sure you install via the 'used device' path even if it is factory refreshed. I write that for the reviewer that may want to give it another try when they pull it from the closet.
APOLLO-TWIN-DUO-USB 4 years of durability max
It may be a good sound card, but it only works for 4 years until it breaks after warranty. Contacting support about a fault will get you nowhere and solve nothing ... (they say their product is indestructible and durable) ... just a waste of time. Considering the times when there is almost no post-warranty service with such miniaturized electronics, for this price, the quality of electronic components in this device is a scandal. In addition, too expensive third-party plugs, such as Softube or Brainworx, which can be purchased cheaper from manufacturers. Complete disappointment. Believe me - 4 years and the equipment goes to the garbage.
Easy to setup. Rebooted PC once to Update Firmware after hard reset on device - no problem. Console easy to use. Well packaged as expected from UAD. USB-A cable included. Purchased a $20 USB-C cable (only port on my laptop)
So buggy that I was never able to install it.
Wtf is this product? Plugged it into my Windows 10 computer, followed the default install path and wouldn't you know it I ran into an immediate error that I still haven't been able to figure out. I don't have time to troubleshoot stupidly built products while I'm under the demand of my client schedule. I'm back to using my original cheap interface and this Apollo Twin piece of junk is going back in my closet until I have time to troubleshoot. Thanks UAD!
Great quality wow
Great quality wow
Great quality wow
Great quality wow
The best device, not just as an audio interface
First of all, the advantages of UAD are the quality of the plug-in and the realism of the analog devices, but this Apollo has a unison function.
The unison function is a function that allows you to use amp sounds and preamps with almost 0 latency.
For example, by setting Marshall's Plexi amp and Neve 1073 or API, you can get the best sound feedback and inspiration. This inspiration is so intense that you can get drunk enough to slow down your creative activities.
Incredible and very versatile product. Ideal for those who want professional sound.
This formula of having a hardware and software in one set working to have a wide range of resources during the recording process was for me an incredible experience and took my musical projects to another level. I recommend it because this product is worth every cent invested. I am so happy to have such a powerful tool here in my studio.
I'm happy with mine
I got a refurbished model and it works perfectly. The plugins are a bit expensive, and I think the Unison is a bit of a hype, but overall it's fun to use and has excellent sound quality. Here's a Unison comparison video I did for anyone interested: https://www.youtube.com/watch?v=vDwnUY3Lg5M&t=117s
Die Apollo Twin mit den UAD Plufgs ist so flexibel wie keine andere Soundkarte in der Größenordnung. Das Routing ist sehr Umfangreich und somit etwas Zeitintensiv. Aber dann ist es eine State of the art Karte. Ich bin so glücklich!
E M M A
Simplemente muy bueno, no es igual a ninguna otra interfaz simplemente Universal Audio
USB Apollo Twin USB
Very satisfied! It works without glitches on Windows 10. The delay when playing through the map with plugins is not heard at all! Super audio card!
These analog pluggins are absolutely crazy insanely amazing, I don’t think I’ll ever use other pluggins again, the depth, warmth etc is insane.
Possibly The Best Desktop Interface Ever
Concerning the Apollo Twin USB, one could pen exhaustive volumes of longhand, copiously peppered with all the requisite audio engineering vernacular, and it is indeed most worthy of being profusely lauded with such noble resound relating to its myriad virtues and amenities. But, barring all such garrulous verbiage, all may still quite accurately be condensed into a single, simple, succinct statement:
THIS THING IS SICK, ABSOLUTELY SICK.
In 40 years of playing, gigging, composing, recording, and running live sound, I don't think I’ve ever been happier with a music-related purchase. An overflowing cup of true genius on behalf of Universal Audio! You can read all about its connectivity, operation, specs, etc on the product description page, so I'll focus on the sonic performance here.
The Apollo's hardware preamps are extremely clean, clear, neutral, colorless and transparent; a notable step up from the ten or so well-known industry brand interfaces in the <$500 price range that I've heard, and as good as the pres in a friend's $25,000 console. They have enough low-noise gain for very low output dynamic mics like the RE20 and SM7B, and will also work with passive ribbon mics if you fiddle with it in the Console software, which I found to be very intuitive, familiar and hardware-like. If you can operate a basic analog mixer (much less a DAW!), you'll have this well thought out GUI mastered in a few minutes.
But, the real magic happens when you tap into the UAD-Powered plug-in suite. Before the advent of digital recording, I recorded in some studios equipped with the coveted "vintage" goodies everyone drools over today. I can truly say the UAD Heritage plugs sound closer to the genuine article than anything I've yet heard in the digital realm, especially with the Unison preamp feature. When you open a UAD "Unison-Enabled" preamp plug-in in Console's Unison slot the realism is uncanny, with unmistakable analog coloration, harmonic richness, punch and that gorgeous, euphonic gloss and sheen. TIP: The UAD Neve 1084 plug-in in the Unison slot is utterly beyond amazing!
Finally, the Apollo Twin USB's real-time processing capability is the icing on the cake. Being able to hear your post-processed vocal or instrument in your cans in real time (< 2 ms latency) while tracking is incredible. It's literally like tracking through hardware. Speaking of cans, the Apollo Twin USB's headphone amplifier is very noticeably better than what you typically find in desktop interfaces. It drives high impedance headphones with ease, and sounds as good as my expen$ive rackmount headphone amplifier.
My only complaint with the entire package is that (depending on which plugs you're using and where) it can run out of internal DSP ability. You can't stack both channels with Unison-Enabled preamp plug-ins and 3 or 4 other plugs each and maintain real-time monitoring; you must turn some of the plug-ins off if you're monitoring with cans during tracking. While not a deal-breaker, it IS disappointing, and I do wish Universal Audio would've simply equipped it with more powerful internal DSP engines.
At the end of the day, while I'd never argue it sounds *exactly* like a studio full of the real, physical hardware, this will get you 98% of the way there at well less than 1% of the price. Plus, it takes up less than a square foot of space, can be up and running with just a few cables, is virtually noiseless, and never needs maintenance or new tubes and capacitors. It's already revolutionized my tracking, editing, mixing and mastering, and will no doubt be a close friend and indispensable tool for a very long time to come. It takes me back to the sound of "the good old days," coupled with unparalleled ease of use in the best of today's technology.
No pop's here whit AMD
Hi I have a windows 10 PC using AMD 2700 Ryn an a 3.1 USB MB. The USB Apollo Twin run's great no pop's just sound good on all my Daw's , ProTools / Cubase /FL &
I' am very happy ... that sound of a good interface I got That...DSP Plugins are Limit in the amount but the sound you get ...look you need to try them your self then you will know why I like them so much....they work...like they say they do. Thanks' UAD for making this one.
All in all a good interface . But I am not impressed by the sound , its sounds good but not better than my presonus audiobox ione cheap beginner interface . What makes this interface top notch is the console software which is the reason I bought it , and that is totally something you can’t live without ones you try it .
Plugins sound good but not better than what you can get much cheaper elsewhere . To pricey in my oppinion .
Best interface I ever had!
Since I’ve had the Apollo twin I’ve created some of the best music I ever made. The latency function is outstanding and the plugins make my work all the more easier. Thanks for these great products.