Apollo Twin USB
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Windows用のクラシック・アナログサウンドの
優れたデスクトップ・オーディオコンバーター
Apollo Twin USBは、クラス最高のレゾリューションとリアルタイムUADプロセッシングにより、デスクトップ・ミュージックプロダクションでの新しいスタンダードを確立します。
Windows用のこの2x6 USB 3インターフェイスによって、あらゆるUADパワードプラグインによるクラシックなアナログ・トーンを組み合わせ、ほぼレイテンシーゼロでレコーディングする最先端の機能を備えています。数多くのヒットレコードで聴けるようなワールドクラスのApollo A/DとD/Aコンバーターでレコーディング可能
Unison™ テクノロジー†を使用して、Neve®、API®、Manley® などのプリアンプ・エミュレーションをほぼレイテンシーなく使用可能
付属のTeletronix® LA-2A、1176、Fairchild® コンプレッサー、Pultec® EQ、610-BプリアンプなどのUADプラグインを使用してミックス
大規模なミキシング・パワーを実現するためにUAD-2 PCIe DSPアクセラレーター・カード、UAD-2 Satellite FireWire、UAD-2 Satellite USBを増設可能
Unison™ テクノロジー： Neve®、API® ＆Manley® プリアンプの本物のサウンド
Apollo Twin USBには、2基のUnison対応マイクプリアンプが搭載されており、Neve、API、Manley、Universal Audioの正確なマイクプリアンプ・エミュレーションを使用してトラッキング可能です。Apollo独自のUnisonテクノロジーは、インプット・インピーダンス、ゲインステージの“スウィートスポット”、オリジナル・ハードウェアのコンポーネント・レベルでの回路の動作を含む、チューブやソリッドステートのマイクプリのトーンを忠実に再現します。
Unisonの秘密は、Apollo Twin USBのマイクプリアンプと内蔵のUAD-2 DUO Core DSPアクセラレーターによるハードウェアとソフトウェアの統合です。Unisonプリアンプ・プラグインをマイク・インプットに接続するだけで、世界中でもっとも多くレコーディングに使用されたマイクプリアンプのサウンドを手に入れることができます。.
オンボードのクラシック・アナログ
プロセッシングの完璧なセットApollo Twin USBは、世界で唯一、Teletronix® LA-2A、1176LN、Fairchild® コンプレッサー、そして伝説のPultec® EQやUA 610-Bチューブ・プリアンプを含んだ本格的なアナログエミュレーション・プラグインを提供しています。UAの世界的に有名なアルゴリズムエンジニアチームによって開発されたこれらの“Realtime Analog Classics”プラグインは、他のすべてのハードウェアエミュレーション・プラグインをジャッジするスタンダードを設定しています。
ギターにPultec EQ、ボーカルにLA-2Aの穏やかなリミッティング、ドラムに本格的なFairchild 670コンプレッサーなど、あなたのレコーディングをよりリッチで、充実したアナログ・サウンドに大きく飛躍を遂げるでしょう。付属するプラグインを確認 >
UADパワードプラグインの世界へアクセス
付属の“Realtime Analog Classics”プラグイン以外にも、数々の賞を受賞したビンテージEQ、コンプレッサー、リバーブ、テープマシンなどを含むUADパワードプラグインをオーディオ・ソフトウェアのバッファーサイズに関係なく、コンピューターのCPUに負担をかけずにほぼレイテンシーゼロで動作させることが可能です。
Neve、Studer、Manley、API、Ampex、Lexicon、Fenderなど†のエミュレーションだけで、無限のアナログ・スタジオをわずか1Uのラックスペースに持つようなものです。また、競合するインターフェイスとは異なり、DSPパワードプラグインは、DAWでミキシングに使用することも可能です。
次世代のA/D、D/Aコンバーター
もちろん、オーディオインターフェイスの中心はコンバーターの品質といえます。UAのエンジニアは、次世代のApolloを設計するにあたり、最新のA/DとD/Aコンバーターを徹底的い試聴し、24ビット/192kHzのコンバーターを新たなアナログサーキットと組み合わせ最適な信号経路を実現しました。Apollo Twinは、ダイナミックレンジを拡大し、他のインターフェイスと比較してTHDを低く抑えています。これは、数千ドルもの専用のコンバーターに匹敵したクオリティです。
Apollo： プロフェッショナルの新しい選択肢
Apolloは、Kendrick Lamar（To Pimp A Butterfly）、Coldplay（A Head Full of Dreams）、Dr. Dre（Compton）、Brad Paisley（Wheelhouse）など多くのレコードを制作するために使用され、ヒットメイカー達の確かな選択肢となっています。Apolloシリーズのインターフェイスは、Sound on Sound、Future Music、Electronic Musician誌などから数々の賞を受賞しています。またコンピューターオーディオ・ハードウエアの2016 TEC Awardも受賞しています。
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“UAD plug-ins are amazing...
I’ve used them on all my projects
for the last few years.”
– Dan Auerbach The Black Keys
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
ビンテージアンプを現代に
Apollo Twin USBの新機能は、フロントパネルのインストゥルメント入力にUnisonテクノロジーを採用し、Fender '55 Tweed Deluxe、Marshall Plexi Super Lead 1959、Ampeg B-15N Bass Amplifierのようなギター、ベース・アンプやIbanez Tube Screamerのようなストンプボックスの完璧で、インピーダンスまでをもマッチしたエミュレーションを提供します。
滑らかなローレイテンシー・アプリケーション
Apollo Twin USBの（オリジナルApolloのConsoleソフトウェアを再構築した）Console 2.0アプリケーションを使用することで、チャンネルストリップ・プリセット、ドラッグ＆ドロップ機能、ダイナミックにサイズ変更可能なウィンドウなど、25箇所以上のユーザー・リクエストに応えた新機能を追加しています。
Apollo Twin Setup
Learn to use Apollo Twin as producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) demonstrates basic setup, routing, and recording with UAD plug‑ins.
†Apollo Twin USBには“Realtime Analog Classics Plus” UADプラグイン・バンドルが付属しています。その他のPluginは別売です。
レビュー
I. Dzigun
2021年7月28日
USB Apollo Twin USB
Very satisfied! It works without glitches on Windows 10. The delay when playing through the map with plugins is not heard at all! Super audio card!
続きを読むM. Johnstone
2021年7月27日
Pluggins
These analog pluggins are absolutely crazy insanely amazing, I don’t think I’ll ever use other pluggins again, the depth, warmth etc is insane.
続きを読むJ. Vaughn
2021年7月15日
Possibly The Best Desktop Interface Ever
Concerning the Apollo Twin USB, one could pen exhaustive volumes of longhand, copiously peppered with all the requisite audio engineering vernacular, and it is indeed most worthy of being...
続きを読むR. Raymond
2021年7月11日
No pop's here whit AMD
Hi I have a windows 10 PC using AMD 2700 Ryn an a 3.1 USB MB. The USB Apollo Twin run's great no pop's just sound good on all my Daw's , ProTools / Cubase /FL & NI Machine I' am...
続きを読むM. Gant
2021年6月30日
Best interface I ever had!
Since I’ve had the Apollo twin I’ve created some of the best music I ever made. The latency function is outstanding and the...
続きを読む -
Realtime Analog Classics Bundle
With the Realtime Analog Classics plug-in bundle, you get legendary compressors like the Teletronix® LA-2A and EQs like the Pultec® EQP-1A, stunning guitar and bass amp emulations from Softube, as well as UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- Raw Distortion
- RealVerb‐Pro
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
Raw Distortion
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
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Features
Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion
Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately.
Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
USB 3 connection for easy connectivity on Windows-based recording systems
Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output
Two digitally controlled analog monitor outputs for full resolution at all listening levels
Up to eight channels of additional digital input via Optical connection
Uncompromising analog design, superior components, and premium build quality
Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs
USB System Requirements
- Windows 10 64-Bit Edition
- Available built-in USB 3 SuperSpeed port*
- Intel Core i3, Core i5, Core i7, or Xeon processor*
- 6 gigabytes available storage
- USB 3.0 SuperSpeed cable (included)
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, RTAS, or AAX 64 plug-in host DAW software
- For additional compatibility information, visit help.uaudio.com
*Notes:
- Quad Core i7 or better recommended
- 2-in-1 systems (notebook/tablet) are not recommended
- USB 3 adapters (such as PCIe-to-USB 3 expansion cards) are not tested for Apollo Twin USB or UAD-2 Satellite USB connections
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レビュー
Apollo Twin USB
I. Dzigun
USB Apollo Twin USB
Very satisfied! It works without glitches on Windows 10. The delay when playing through the map with plugins is not heard at all! Super audio card!
M. Johnstone
Pluggins
These analog pluggins are absolutely crazy insanely amazing, I don’t think I’ll ever use other pluggins again, the depth, warmth etc is insane.
J. Vaughn
Possibly The Best Desktop Interface Ever
Concerning the Apollo Twin USB, one could pen exhaustive volumes of longhand, copiously peppered with all the requisite audio engineering vernacular, and it is indeed most worthy of being profusely lauded with such noble resound relating to its myriad virtues and amenities. But, barring all such garrulous verbiage, all may still quite accurately be condensed into a single, simple, succinct statement:
THIS THING IS SICK, ABSOLUTELY SICK.
In 40 years of playing, gigging, composing, recording, and running live sound, I don't think I’ve ever been happier with a music-related purchase. An overflowing cup of true genius on behalf of Universal Audio! You can read all about its connectivity, operation, specs, etc on the product description page, so I'll focus on the sonic performance here.
The Apollo's hardware preamps are extremely clean, clear, neutral, colorless and transparent; a notable step up from the ten or so well-known industry brand interfaces in the <$500 price range that I've heard, and as good as the pres in a friend's $25,000 console. They have enough low-noise gain for very low output dynamic mics like the RE20 and SM7B, and will also work with passive ribbon mics if you fiddle with it in the Console software, which I found to be very intuitive, familiar and hardware-like. If you can operate a basic analog mixer (much less a DAW!), you'll have this well thought out GUI mastered in a few minutes.
But, the real magic happens when you tap into the UAD-Powered plug-in suite. Before the advent of digital recording, I recorded in some studios equipped with the coveted "vintage" goodies everyone drools over today. I can truly say the UAD Heritage plugs sound closer to the genuine article than anything I've yet heard in the digital realm, especially with the Unison preamp feature. When you open a UAD "Unison-Enabled" preamp plug-in in Console's Unison slot the realism is uncanny, with unmistakable analog coloration, harmonic richness, punch and that gorgeous, euphonic gloss and sheen. TIP: The UAD Neve 1084 plug-in in the Unison slot is utterly beyond amazing!
Finally, the Apollo Twin USB's real-time processing capability is the icing on the cake. Being able to hear your post-processed vocal or instrument in your cans in real time (< 2 ms latency) while tracking is incredible. It's literally like tracking through hardware. Speaking of cans, the Apollo Twin USB's headphone amplifier is very noticeably better than what you typically find in desktop interfaces. It drives high impedance headphones with ease, and sounds as good as my expen$ive rackmount headphone amplifier.
My only complaint with the entire package is that (depending on which plugs you're using and where) it can run out of internal DSP ability. You can't stack both channels with Unison-Enabled preamp plug-ins and 3 or 4 other plugs each and maintain real-time monitoring; you must turn some of the plug-ins off if you're monitoring with cans during tracking. While not a deal-breaker, it IS disappointing, and I do wish Universal Audio would've simply equipped it with more powerful internal DSP engines.
At the end of the day, while I'd never argue it sounds *exactly* like a studio full of the real, physical hardware, this will get you 98% of the way there at well less than 1% of the price. Plus, it takes up less than a square foot of space, can be up and running with just a few cables, is virtually noiseless, and never needs maintenance or new tubes and capacitors. It's already revolutionized my tracking, editing, mixing and mastering, and will no doubt be a close friend and indispensable tool for a very long time to come. It takes me back to the sound of "the good old days," coupled with unparalleled ease of use in the best of today's technology.R. Raymond
No pop's here whit AMD
Hi I have a windows 10 PC using AMD 2700 Ryn an a 3.1 USB MB. The USB Apollo Twin run's great no pop's just sound good on all my Daw's , ProTools / Cubase /FL &
NI Machine
I' am very happy ... that sound of a good interface I got That...DSP Plugins are Limit in the amount but the sound you get ...look you need to try them your self then you will know why I like them so much....they work...like they say they do. Thanks' UAD for making this one.
j. Jensen
Solid construction
All in all a good interface . But I am not impressed by the sound , its sounds good but not better than my presonus audiobox ione cheap beginner interface . What makes this interface top notch is the console software which is the reason I bought it , and that is totally something you can’t live without ones you try it .
Plugins sound good but not better than what you can get much cheaper elsewhere . To pricey in my oppinion .M. Gant
Best interface I ever had!
Since I’ve had the Apollo twin I’ve created some of the best music I ever made. The latency function is outstanding and the plugins make my work all the more easier. Thanks for these great products.
s. sk
great sound
音質に関して、アナログに近く使いやすい。
機能も使い勝手問題無し。
価格が高いのがデメリットである。
全体的に購入して良かったといえる。N. Zangara
Excelente
Súper fácil de usar y con un gran sonido...
G. Akhtayev
Apollo Twin Usb Heritage
This is my second audio interface after steinberg ur22 mkii. Immediately I felt the difference in sound quality, both during recording and during monitoring. Pleased with the headphone output. High-impedance headphones pump loudly and with a margin. Unison technology and plugin handling is something. The sound just came to life with them and played with different colors. 2 dsp is certainly not enough for large projects, but for a start, that's it. No matter what others say, Apollo pays off all the money invested in it, especially since they give plugins for a good amount of promotions.
P. Higgins
Apollo Twin usb, this thing is crazy good.
Years with standard cheap read" interface... nothing wrong but when I got to experiment the uad dsp power plugins WOW, even for live performance they keep up as long as it takes flawlessly.
S. Collingwood
Awesome audio interface
Sound quality, Ease of use. Everything is perfect. Well done
K. Sarikos
Best audio interface
Perfect sound and preamps...
K. Sarikos
Best audio interface
Perfect sound and preamps...
A. Martino
Sorprendido
Me costó decidirme a cambiar a Universal Audio, ya que he Estado muchísimos años trabajando con Rme Fireface, pero después de aprender y acostumbrarme al nuevo entorno de trabajo UA Console, he obtenido unos resultados excelentes con poco esfuerzo, he de decir que los Plugins son fantásticos y suenan increíbles...
Me imagino que según vaya aprendiendo obtendre mejores resultados que ahora..
Solo queda felicitar a Universal Audio por la construcción de este tipo de interface...
r. wegner
Class A Produkt
Sehr durchdachtes Konzept, auch am Windows PC Installation ohne Probleme. Beste Audio Qualität , Mic Preamp auch ohne Software Realtime Plug In sehr gut klingend. Besser geht nicht , wie immer bei UAD, ich bin sehr zufrieden.
T. Oehlke
Ein absolutes Highlight
Ich habe lange gewartet und mir die Entscheidung nicht leicht gemacht. Immerhin kostet dieses Interface sehr viel Geld. Die Installation auf meinem Windows Rechner verlief reibungslos. Windows habe ich wie von UA beschrieben optimiert. Dias Gerät läuft von der ersten Sekunde an reibungslos. Meine analogen Synths sind via ADAT mit einem 8 Kanal Preamp verbunden und auch hier funktioniert alles von Anfang an ohne Probleme. Die Konsole ist ein absolutes Highlight und wer ein Mischpult bedienen kann findet sich sofort zurecht. Nun zum wichtigsten.....der Sound. Da war ich schon sehr gespannt. Ich war vorher auf RME und Apogee unterwegs. Die klingen ja nun mal sehr amtlich. Das dieses Interface auch ohne die UA Plugins hier noch einmal eine Schüppe drauf legt hat mich echt überrascht. Der 1zu1 Vergleich über meine Studio Monitore und Kopfhörer ist nicht zu überhören. Mit den Plugins geht dann noch einmal richtig die Sonne auf. Man muss beachten, dass man nicht sehr viele Plugins auf einmal benutzen kann, da die DSP hier schnell an ihre Grenzen stößt. Die Sachen sind aber so gut zu händeln, dass man die Preamps direkt mit aufnehmen kann und dann wieder aus dem Kanal entfernen. So schafft man im Mix wieder Platz. Ich bin kein Fanboy Typ und es gibt Tonnenweise gute Interfaces am Markt. Doch das Apollo kriegt von mir eine glatte 1. Gerät Top, Treiber Top, Plugins Top, Sound Top. Danke
P. Pettersson
Works well in DAWs, bad in Windows.
It works pretty well as long as you only use it inside a DAW with the ASIO driver.
The general WDM driver is pretty bad. You can't use the mic in Zoom for example.K. Chaudhuri
Awesome
Superb pre amps and outstanding performance
D. Abney
Outstanding
I love this interface & everything that comes with. The unison technology is a game changer & the overall quality is a major step up from the cheaper audio interfaces
D. Abney
Outstanding
I love this interface & everything that comes with. The unison technology is a game changer & the overall quality is a major step up from the cheaper audio interfaces
