Apollo 16

Apollo 16

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クラシックなアナログサウンドを持つ
UAのフラッグシップ・オーディオコンバーター

Apollo 16は、Universal AudioによるMac、Windowsで動作可能なApolloオーディオインターフェイス・シリーズのフラッグシップであり、クラシックなアナログ・レコーディングのトーン、フィーリング、リアルタイムのワークフローを使用し、プロフェッショナルな商業用スタジオにUAのA/DとD/Aコンバーターを提供します。

UAの60年に渡り受け継がれたオーディオ・クラフトマンシップの基に築き上げられ、Apollo 16は、16 x 16のアナログI/O、オンボードのUAD-2 QUAD コア・プロセッサー、そして数々の章を受けたUADプラグインのバンドルを特徴としています。MacやPCのホスト・コンピューターに負担をかけることなく、クラシックなアナログ・スタジオのようなサウンドを形成することができます。

数多くのヒットレコードで聴けるようなワールドクラスのApollo A/DとD/Aコンバーターでレコーディング可能

Teletronix® LA-2A、1176、Fairchild® コンプレッサー、Pultec® EQ、610-BプリアンプなどのUADプラグインが付属

DB-25接続による16 x 16のアナログI/Oを採用し、ミキシング・コンソールや、アウトボードとのペアリングを容易に

Thunderbolt上で最大で4台のApolloインターフェイス、合計6台のUAD-2デバイスとカスケード接続でき、必要に応じてDSPやI/Oを増設可能

次世代のA/D、D/Aコンバーター

オリジナルのApolloインターフェイスは、現代の音楽プロデューサーや、エンジニアの間で急速にゴールデンスタンダードとなり、文字通り何百ものヒットレコードをリリースしました。Apollo 16は、このスタジオ・スタンダードを改良し再設計されたクラストップのA/DとD/Aコンバーターを搭載し、オリジナルのApolloと比較してA/Dでは2dB、D/Aでは8dB分の優れたダイナミックレンジを提供しています。Apollo 16のサウンドクオリティは、コンバーターを徹底的にオーディションし、チューニングを加え、ダブル・ブラインドテストを行ったことでオープンでナチュラルに仕上がり、より多くのコストを必要とするプロフェッショナル・マスタリンググレードのコンバーターに匹敵するものとなりました。

オンボードのクラシック・アナログ<br>プロセッシングの完璧なセット

オンボードのクラシック・アナログ
プロセッシングの完璧なセット

Apollo 16は、世界で唯一、Teletronix® LA-2A、1176LN、Fairchild® コンプレッサー、そして伝説のPultec® EQやUA 610-Bチューブ・プリアンプを含んだ本格的なアナログエミュレーション・プラグインを提供しています。UAの世界的に有名なアルゴリズムエンジニアチームによって開発されたこれらの“Realtime Analog Classics”プラグインは、他のすべてのハードウェアエミュレーション・プラグインをジャッジするスタンダードを設定しています。

ギターにPultec EQ、ボーカルにLA-2Aの穏やかなリミッティング、ドラムに本格的なFairchild 670コンプレッサーなど、あなたのレコーディングをよりリッチで、充実したアナログ・サウンドに大きく飛躍を遂げるでしょう。

付属プラグインを確認する>

UADパワードプラグインの世界へアクセス

付属している“Realtime Analog Classics”プラグインの以外にも、数々の賞を受賞したビンテージEQ、コンプレッサー、リバーブ、テープマシンなどを含むUADパワードプラグインをオーディオ・ソフトウェアのバッファーサイズに関係なく、コンピューターのCPUに負担をかけずにほぼレイテンシーゼロで動作させることが可能です。

Neve、Studer、Manley、API、Ampex、Lexicon、Fenderなどのエミュレーションだけで、無限のアナログ・スタジオをわずか1Uのラックスペースに持つようなものです。また、競合するインターフェイスとは異なり、DSPパワードプラグインは、DAWでミキシングに使用することも可能です。

プロフェッショナル・スタジオでの使用を視野に入れた64 x 64 Thunderbolt システムの拡張性

Apollo 16は、DB-25接続による16 x 16のアナログI/Oを提供し、プロフェッショナル・スタジオにとって理想的なインターフェイスといえます。アナログ接続+ L/Rモニター出力、AES/EBUデジタルI/O 等、Apollo 8/8pモデルの2倍の装備を持っています。これにより、ミキシング・コンソールやアウトボード・プロセッサーとのペアリングに最適で、現代のスタジオの中心に置くことが可能です。

更なる拡張性を必要とする場合、Apollo 16の内蔵デュアルThunderboltポートを使用して、さらに3台のApollo、最大で6台のUADデバイス*を加えることができ、64 x 64の同時アナログI/O、32コアによるUADプロセッシングを備えたネットワークシステムを構築可能です。

Apolloヒストリー
Apolloヒストリー

Apolloヒストリー

UAの Lev Perreyが、次世代のApolloの背景にある画期的考えについて説明します。

滑らかなローレイテンシー・アプリケーション

滑らかなローレイテンシー・アプリケーション

Apollo 16の(オリジナルApolloのConsoleソフトウェアを再構築した)Console 2.0アプリケーションを使用することで、チャンネルストリップ・プリセット、ドラッグ&ドロップ機能、ダイナミックにサイズ変更可能なウィンドウなど、25箇所以上のユーザー・リクエストに応えた新機能を追加しています。

Apollo: プロフェッショナルの新しい選択肢

Apolloは、Kendrick Lamar(To Pimp A Butterfly)、Coldplay(A Head Full of Dreams)、Dr. Dre(Compton)、Brad Paisley(Wheelhouse)など多くのレコードを制作するために使用され、ヒットメイカー達の確かな選択肢となっています。Apolloシリーズのインターフェイスは、Sound on Sound、Future Music、Electronic Musician誌などから数々の賞を受賞しています。またコンピューターオーディオ・ハードウエアの2016 TEC Awardも受賞しています。

Creating a Multi-Unit Apollo Setup
Creating a Multi-Unit Apollo Setup

Creating a Multi-Unit Apollo Setup

Watch producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) install a powerful studio system by combining multiple Apollo interfaces over Thunderbolt.

Apolloアーティストセッション
Apolloアーティストセッション

Apolloアーティストセッション

Joel Hamilton w/ Lyrics Born
“Don't Change”

すべてのApolloアーティストセッションを見る

†Apolloには、 “Realtime Analog Classics Plus” UADプラグイン・バンドルが付属しています。その他のUADプラグインは、別売です。

Realtime Analog Classics Plus Bundle

With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.

  • UA 610‐B
  • Marshall Plexi Classic Amplifier
  • Fairchild 670 Legacy
  • Teletronix LA‐2A Legacy
  • UA 1176LN Legacy
  • UA 1176SE Legacy
  • Pultec EQP‐1A Legacy
  • Pultec Pro Legacy
  • Precision Channel Strip
  • Precision Reflection Engine
  • Precision Delay Modulation
  • Precision Delay Modulation L
  • UA Precision Enhancer Hz
  • Raw Distortion
  • Softube Bass Amp Room 8X10
  • RealVerb‐Pro

UA 610-B Tube Preamp and EQ

UA 610-B Tube Preamp and EQ

Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.

Marshall<sup>®</sup> Plexi Classic Amplifier

Marshall® Plexi Classic Amplifier

The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.

Fairchild<sup>®</sup> 670 (Legacy)

Fairchild® 670 (Legacy)

The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.

Teletronix<sup>®</sup> LA-2A Classic Leveling Amplifier (Legacy)

Teletronix® LA-2A Classic Leveling Amplifier (Legacy)

With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.

1176SE/LN<sup>®</sup> Classic Limiting Amplifiers (Legacy)

1176SE/LN® Classic Limiting Amplifiers (Legacy)

Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.

Pultec<sup>®</sup> Pro Equalizers (Legacy)

Pultec® Pro Equalizers (Legacy)

Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.

Precision Mix Rack Collection

Precision Mix Rack Collection

Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.

UA Precision Enhancer Hz

UA Precision Enhancer Hz

Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.

Raw Distortion

Raw Distortion

Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.

Softube Bass Amp Room

Softube Bass Amp Room

Based on a classic and versatile 1970’s bass amp, Softube’s Bass Amp Room plug-in boasts a vast range of sonic textures — from clean and fat to gritty and thick. Offering a monstrous 8x10 cabinet, blend-able DI, and adjustable mic placement, the Bass Amp Room plug-in gives you enough sonic versatility to cover any genre.

RealVerb Pro

RealVerb Pro

RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.

Features

18 x 20 Thunderbolt audio interface for Mac and Windows with powerful Console 2.0 software control

16 x 16 simultaneous analog I/O on DB-25 connections, plus L/R monitor outputs and AES/EBU digital I/O

Next-generation 24-bit/192 kHz Apollo A/D and D/A conversion as heard on hundreds of hit records

Built-in UAD-2 QUAD Core allows Realtime UAD Processing — tracking through DSP-assisted UAD plug-ins with near-zero latency, without draining CPU

Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring authentic LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, UA 610 tube preamp, and more

Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt

World-class UA analog design, superior components, and premium build quality

Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers

†Apollo 16 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately.

Thunderbolt System Requirements

MAC:



  • Apple Mac computer with available Thunderbolt port

  • (Mac) macOS 10.10 Yosemite, 10.11 El Capitan, 10.12 Sierra, or 10.13 High Sierra


WINDOWS:



  • PC computer with built-in Thunderbolt 3 via USB-C port

  • Windows 10 w/Anniversary Update (64-Bit Edition)

  • Qualified Thunderbolt 3 to Thunderbolt 2 adapter (sold separately)


ALL:



  • Thunderbolt 2 cable (sold separately)

  • 6 gigabytes available storage

  • Internet connection to download software and authorize UAD plug-ins

  • Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software

  • Quad Core i7 or better processor recommended

  • For additional compatibility information, visit help.uaudio.com

レビュー

Apollo 16 Thunderbolt 2 Audio Interface

W. Karadjian

2016年7月5日

Parfait pour les voix

J'ai acheté la LA-2A collection peu après avoir testé la version "legacy", qui m'a apporté un bel aperçu de ce que pourrait donner la version "collection". Je n'ai pas été déçu!
J'utilise principalement le LA-2A sur des prises de voix, mais il fonctionne également très bien pour des guitares ou des basses.
Le gros avantage est de pouvoir choisir entre les 3 modèles proposés, qui ont chacun leurs spécificités (vitesse d'attaque, possibilité de passer en mode limiter, emphasis...).
C'est d'une simplicité enfantine, et parfois, seul la couleur qu'apporte le plug, sans activer la compression, suffit à donner un résultat satisfaisant.
Ce plug est un must have.

Y. Senba

2016年7月3日

このアンプシュミレーターは凄いです。

今まで聞いてきたアーティストの音がする。マーシャルアンプの音がマイクによって録音されてその音をレコードなりCDで聞いていた事を実感した。とにかく今までのマーシャルのシュミレーターとはまったく違う。
とても素晴らしいtoneです。

J. Johnson II

2016年6月30日

Classic Compressor! Studio Champ!

I love the LA-2A! It is great for vocals. My personal favorite way to record vocals is throught the API Vision Channel Strip going to the UA 1176LN then finally coming to an end through the LA - 2A. Killer Vocals! try it out if you have these plugins.

J. Korhonen

2016年4月20日

Jesus wept...

When he turned this s#it on! This is a beautiful plugin. Cheers to UA and all involved for creating it. Don't overuse it and you'll have a great outcome. Overuse it and become a God.

T. Hansen

2016年4月14日

Just what the doctor ordered

Just got the Fairchild and I love it. Instant punch and guts. Even my singing sounds good now.

B. Jerkins

2016年1月12日

Sold 2 of my kids to buy this... and it was worth it!!

My kids never worked as hard as this compressor does... It's a shame that it doesn't make me coffee. But other than that - no complaints at all. Would do it all over again!!!!

It sounds great on Drums (if you feel your song even needs those loud things), vocals (male, female, and mermaids too), kazoo, Stereo bus, Greyhound Bus... really just about anything. I even loaded the Fairchild on an empty channel and started dancing in the studio. I have to be honest - my dancing skills improved immensely. It was truly a sight to behold. The heavens were moved by the moves coming from my barely clothed body.

So needless to say, you can't go wrong with this plugin! You won't regret it. And neither will your soulmate/lover.

J. Bennett

2016年1月3日

Best Amp Plug-in so far..

I really think this is one of the best amp plug ins out there and definitely the most versatile out of the 3 (currently available) Marshall Amp plug ins online. I've tried other including other Softube emulations, Amplitube, Podfarm, Bias, Logic X (built in amps) and there's nothing really as overall balanced as this UA stuff. I've used the plug in for very clean settings (if you mess with it a lot!) & for more bluesy break-up stuff as well, with multiple guitars.
I'd like to see things like Fender amp emulations on this similar level for guitar too, as I grab that too! Definitely recommend checking this out with a bunch of different guitars and pushing the amp to it's capabilities!

T. Camp

2015年12月28日

THIS PLUGIN RUINED MY RELATIONSHIP!

I am extremely upset with UAD for this plugin. Since I purchased it, my relationship is ruined. My girlfriend is upset that I don't spend time with her anymore. But who could blame me when you put this on a vocal?! Boost 8k a bit and bring le that vocal cut through the mix. God damn, this thing is sweet!

M. Reid

2015年12月23日

PULTEC PASSIVE EQ "SURPASSES"

Thought I would win by trying a less expensive Pultec emulation from another plugin supplier...wrong. Even though the "other brand" claimed to be "an exact emulation" it was so much easier and realistic with the UAD plugin. And, what I think is the strongest selling point, I was able to choose from a large number of pro pre-sets to "get me in the ball park" of where I wanted to be. The rest was a snap. Thanks UA for another great plugin!!

UADユーザー

2015年12月13日

Feels So Real...

Although I already own other Amp Simulations I bought it after testing. While tracking with Apollo Twin it feels so real and is very enjoyable to play. The Sound also seems very authentic to me. Using it as an unison plug creates perhaps its special vibe but also can not profit form panning the different microphone settings because these processors seems to be only working in mono. Furthermore the sound is becoming very compressed at higher volume levels, loosing a bit of the realism created in the first place.

S. Robertson

2015年11月22日

Awesomeness

As always happy as larry!!! Also won a free Quad DSP Accelerator with the promotion.. Now I have 12 x DSP .. Serious Stuff :) Cheers

J. Quevedo

2015年10月10日

BEST LOW END SOLUTION

I own Waves MAXXBASS and RENBASS, both were the only solutions to carry low end over in troublesome scenarios. Once I upgraded to an UA interface I got this plugin and it has now replaced both those plugins, its sound is much more natural and has less aritifcial sounding characters. It was a true night and day difference, its a no brainer tool for troublesome kicks and bass, as well entire mixes and masters. Well worth the price tag

M. Ryder

2015年8月28日

Silver Apollo 16MK1 Vs Black MK2

I own the silver Apollo 16 and also the black MK2 Apollo 16 and the converters are amazing on the new MK2 that's not to say they aren't great on the silver version but I'm seriously thinking about selling the silver and buying another MK2. I also have a PrismSound Laya converter (which I use to master onto from my Neve summing mixers) both the UAD and PrisumSound converters are the best I have ever heard there is no compromise at all with UAD in fact having their converters and the processing for their plugins in one unit just puts UAD into the realms of the KINGs
If you're considering anything else you really need your head examined. This is as PRO as gear can get! and it's build for the future! Buy it and you'll never look back.

R. Best

2015年8月13日

Unbeleivable!

I just recorded some lead guitar with a Gibson Historic Les Paul SG Custom through the Marshall Plexi. Not having a lot of time, I scrolled through the presets and came upon a lead tone that was probably the thickest, creamy, musical tone that I have heard since Slash. I can't imagine that a more useful guitar amp plugin exists. I have a couple of Marshalls, and have toured and recorded through them for years, so I am used to them. The sweet thing about this plugin, is that the modeling of the mics and the management of the high volume levels of the real amps save time and effort, and it lets you get right to the music.

All I can say is, this is one UA plugin you can't do without! Great price too!
.

G. Hadfield

2015年7月28日

Fantastically satisifying character

A little puzzled by some of the negative reviews. I have found these three distortion plugins to be fantatsic at giving really satisfying character.

While they can all totally blitz a sound, they also have a less tiring and more satsifyinglt natural chaos about their sound than pretty much all other stomp box emulations I've tried.

Why four stars instead of five..? Two resaons. They are quite pricey given their limited scope of use. Though I'm sure that the last 20% of the sound quality took up 80% of the effort - where other developers might have stopped. And I bought it anyway - so how can I argue it was too much! Second (bigger) reason: no mix knob! I know it's not on the originals but it's really annoying not having mix on an insert

J. Philippi

2015年7月26日

By far...

... the best and most dynamic sounding amp plugin I've heard! Some presets sound a little boxy, but with the really well caught micing settings you can get really great sounds. With this plugin it's becoming really hard to tell whether you hear a real amp recorded or the plugin in a mix! Please do the same with a Fender Bassman and a Vox AC30!! :)

M. Ballenger

2015年7月23日

Sounds like my Plexi

I have a Plexi in my live room and I've tried several amp sims over the years (great for guide tracks and quick utility work when bleed is an issue). There awesome good ones out there, but the all fall short- especially capturing the character of the low E and A strings. This gets as close as I've heard. -1 star for lack of flexibility on the cab IR. I'd like to be able to separate those two modules a little easier for mixing and matching, but regardless this is a tool I'll use often when the real thing is too much.

T. Hartman

2015年7月17日

Really The 1st I've Heard That Gets It Right

I've been around Plexis since the 60s and this is truly the first time I've heard a plug in just nail that sound. It's really scary under headphones with a little reverb! It gets that odd, hollow sounding vibe that the Marshalls of that era got....I've never heard that anywhere but from the real amps, and now this plug in.

Superb.

D. Gentry

2015年7月1日

Great Product

I love my Apollo 16, I actually just ordered a second one. It sounds great and I like having the DSP, I wish it had an OCTO option but other than that I have no complaints about it.

A. Link

2015年6月8日

Great sound & design! Much better than Brainworx design.

I avoided this plugin because I thought the Chandler, Friedman, or ENGL amps would be more versatile. I didn't like the sound of the Chandler (too boxy) or ENGL amps (too modern?). The Friedman - as great as it sounded - still had the annoying Brainworx IR system which is cumbersome and doesn't offer enough variety in tone. Then I tried the Marshall and I immediately loved the sound (it's the only plugin that sounds like an amp to me) and the plugin DESIGN. Even though there aren't a ton of microphone choices you have a greater variety of tone than with the Brainworx IR system. It's just more fun to use and reminds me of the OWS plugin. Softube+UAD please make more like this one and include a few more options for micing / placement!