UAの60年に渡り受け継がれたオーディオ・クラフトマンシップの基に築き上げられ、Apollo 8pは、8基のUnison™対応マイクプリアンプ、オンボードのUAD-2 QUAD、またはDUO コア・プロセッサー、そして数々の章を受けたUADプラグインのバンドルを特徴としています。MacやPCのホスト・コンピューターに負担をかけることなく、クラシックなアナログ・スタジオのようなサウンドを形成することができます。
付属のTeletronix® LA-2A、1176、Fairchild® コンプレッサー、Pultec® EQ、610-BプリアンプなどのUADプラグインを使用してミックス
Unison™ テクノロジーを使用して、Neve®、API®、Manley® などのプリアンプ・エミュレーションをほぼレイテンシーなく使用可能
Unison™ テクノロジー： Neve®、API® ＆Manley® プリアンプの本物のサウンド
Apollo 8pには、8基のUnison対応マイクプリアンプが搭載されており、Neve、API、Manley、Universal Audioの正確なマイクプリアンプ・エミュレーションを使用してトラッキング可能です。Apollo独自のUnisonテクノロジーは、インプット・インピーダンス、ゲインステージの“スウィートスポット”、オリジナル・ハードウェアのコンポーネント・レベルでの回路の動作を含む、チューブやソリッドステートのマイクプリのトーンを忠実に再現します。
Unisonの秘密は、Apolloのマイクプリアンプと内蔵のUAD-2 QUAD、またはDUO Core DSPアクセラレーターによるハードウェアとソフトウェアの統合です。Unisonプリアンプ・プラグインをマイク・インプットに接続するだけで、世界中でもっとも多くレコーディングに使用されたマイクプリアンプのサウンドを手に入れることができます。
Apollo 8は、世界で唯一、Teletronix® LA-2A、1176LN、Fairchild® コンプレッサー、そして伝説のPultec® EQやUA 610-Bチューブ・プリアンプを含んだ本格的なアナログエミュレーション・プラグインを提供しています。UAの世界的に有名なアルゴリズムエンジニアチームによって開発されたこれらの“Realtime Analog Classics”プラグインは、他のすべてのハードウェアエミュレーション・プラグインをジャッジするスタンダードを設定しています。
ギターにPultec EQ、ボーカルにLA-2Aの穏やかなリミッティング、ドラムに本格的なFairchild 670コンプレッサーなど、あなたのレコーディングをよりリッチで、充実したアナログ・サウンドに大きく飛躍を遂げるでしょう。
付属の“Realtime Analog Classics”プラグイン以外にも、数々の賞を受賞したビンテージEQ、コンプレッサー、リバーブ、テープマシンなどを含むUADパワードプラグインをオーディオ・ソフトウェアのバッファーサイズに関係なく、コンピューターのCPUに負担をかけずにほぼレイテンシーゼロで動作させることが可能です。
The Apollo Story
Watch UA’s Lev Perrey explain the innovative thinking behind the next-generation Apollos.
Apolloは、Kendrick Lamar（To Pimp A Butterfly）、Coldplay（A Head Full of Dreams）、Dr. Dre（Compton）、Brad Paisley（Wheelhouse）など多くのレコードを制作するために使用され、ヒットメイカー達の確かな選択肢となっています。Apolloシリーズのインターフェイスは、Sound on Sound、Future Music、Electronic Musician誌などから数々の賞を受賞しています。またコンピューターオーディオ・ハードウエアの2016 TEC Awardも受賞しています。
“Apollo's next-gen A/D and D/A conversion sounds incredibly detailed, with great clarity and tighter, punchier low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“I'm really impressed with the new Apollos. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“UAD plug-ins are amazing...
I’ve used them on all my projects for the last few years.”
– Dan Auerbach The Black Keys
“Overall, Apollo 8 sounds smooth and sweet, revealing subtle details with superior phase response and lower distortion than the original Apollo... UA has certainly improved on an already excellent device.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“Using my Apollos and Console 2.0, I was able to front a live mix, create a monitor mix, and record to Pro Tools, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
Creating a Multi-Unit Apollo Setup
Watch producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) install a powerful studio system by combining multiple Apollo interfaces over Thunderbolt.
Apollo 8pには、16 x 20の同時入出力があり、2基のThunderboltポートが搭載されています。Apollo Expandedソフトウェアによって、Thunderboltを搭載したApollo Twin、Apollo 8、Apollo 8p、Apollo 16オーディオインターフェイスのユーザーは、最大で4台のApollo、合計で6台のUAD-2デバイス*を組み合わせてI/OやDSPを追加し、スタジオをグレードアップさせることができます。Apollo 8pは、前世代のApolloともThunderbolt上でシームレスな統合が可能です。
Apollo 8pの（オリジナルApolloのConsoleソフトウェアを再構築した）Console 2.0アプリケーションを使用することで、チャンネルストリップ・プリセット、ドラッグ＆ドロップ機能、ダイナミックにサイズ変更可能なウィンドウなど、25箇所以上のユーザー・リクエストに応えた新機能を追加しています。
Apollo 8pはフロントパネルのインストゥルメント入力にUnisonテクノロジーを採用し、Fender '55 Tweed Deluxe、Marshall Plexi Super Lead 1959、Ampeg B-15N Bass Amplifierのようなギター、ベース・アンプやIbanez Tube Screamerのようなストンプボックスの完璧で、インピーダンスまでをもマッチしたエミュレーションを提供します。
Apollo Artist Sessions
Joel Hamilton w/ Lyrics Born
View All Apollo Artist Sessions
†Apolloには、“Realtime Analog Classics Plus” UADプラグイン・バンドルが付属しています。その他のUADプラグインは、別売です。
Big step up
I just started my first project with the Apollo 8P. My workflow speed has increased significantly with this interface and the associated plug ins that came with it. It took me a long time...続きを読む
Love it top to bottom, but need better routing
I love it. I already owned a few of the emulation plugs and can a/b them with the UAD version. The SSl channel has much more depth, and the Comp is now usable. The box is great.: the sound...続きを読む
LEAN MEAN AND NOT TOO FAR BETWEEN
History. Play/d in bands/write for other people/spiritually guide folk. Recorded all over the world from pissy basements to abbey road. Love tape/shitty mics/busted guitars. Budgets...続きを読む
More than I expected
I consider myself a fairly "informed consumer" and I tend to research ALL possibilities before making any choices. I already owned an Apollo 16 (Silverface) and have thoroughly...続きを読む
8 emulate-able pre-amps and quad core processing is pure bliss. I couldn't say enough good things about the Apollo 8 if I tried. It's like waking up every morning next to an exquisitely...続きを読む
Loving the Apollo 8P
Just tracked a few drum tracks with the Apollo 8P and UA Store Plug-Ins. Using AKG 112 on Kick, Miktek PM10 on Snare, Sennheiser 421 on Toms, Shure KSM 32 OHs, and SM 81 on Hats....続きを読む
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
- Softube Bass Amp Room 8X10
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver offer smooth and silky EQ curves with an abundance of warm analog character.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
Softube Bass Amp Room
Based on a classic and versatile 1970’s bass amp, Softube’s Bass Amp Room plug-in boasts a vast range of sonic textures — from clean and fat to gritty and thick. Three different cabinets — 8x10, 4x12, and open-back 12" — give you enough sonic versatility to cover any genre, and a blend-able DI along with adjustable mic placement let you fine tune even more.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
16 x 20 Thunderbolt audio interface for Mac and Windows* with powerful Console 2.0 software control
8 Unison™-enabled mic preamps for recording through exacting preamp emulations from Neve, API, Manley, and Universal Audio
Built-in UAD-2 QUAD Core allows Realtime UAD Processing — tracking through DSP-assisted UAD plug-ins with near-zero latency, without draining CPU
Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring authentic LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, UA 610 tube preamp, and more
Next-generation 24-bit/192 kHz Apollo A/D and D/A conversion as heard on hundreds of hit records
Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt
Convenient front panel monitoring functions including Alt Speakers, and assignable Dim or Mono
World-class UA analog design, superior components, and premium build quality
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
Thunderbolt System Requirements
- Apple Mac computer with available Thunderbolt port
- (Mac) macOS 10.10 Yosemite, 10.11 El Capitan, 10.12 Sierra, or 10.13 High Sierra
- PC computer with built-in Thunderbolt 3 via USB-C port
- Windows 10 w/Anniversary Update (64-Bit Edition)
- Qualified Thunderbolt 3 to Thunderbolt 2 adapter (sold separately)
- Thunderbolt 2 cable (sold separately)
- 6 gigabytes available storage
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
- Quad Core i7 or better processor recommended
- For additional compatibility information, visit help.uaudio.com
*Apollo 8p includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately.
Apollo 8p Thunderbolt 2 Audio Interface
Avoid this unit if you plan to use both ADAT lightpipe ports
Universal Audio have disabled the 2nd ADAT lightpipe port for 44.1khz and 48khz digital transfers. I attempted to transfer audio from my HD24 but the 8p does not see it. UA should clearly indicate this in their literature and not bury it on page 22 of their manual. Also hearing slight pops and crackles in the audio from my unit. At one point it had issues not passing audio and I had to reboot it just to get the audio to pass through. Going to return this item.
Big step up
I just started my first project with the Apollo 8P. My workflow speed has increased significantly with this interface and the associated plug ins that came with it. It took me a long time to save for it but it's felt well worth it. I'm only a couple of weeks in but the new-gear honeymoon might last awhile longer with this thing.
Love it top to bottom, but need better routing
I love it. I already owned a few of the emulation plugs and can a/b them with the UAD version. The SSl channel has much more depth, and the Comp is now usable. The box is great.: the sound of the pres, conversion (both ways), the hardware (switches, metering), the software (no driver issues).
The only issue is the lack of routing, specifically ear cues. My previous box (an RME unit) allowed one to send any ins to any outs. I (ignorantly) assumed a new technology like the UAD would by default include such a feature. Discovering a 4- cue max was quite a shock, almost enough to return the unit. I track larger bands, and not being able to have dedicated mixes for each player is a big problem.
3000 doesnt worth apollo 8p ....there should be atleast complete ultimate bundle with it.....
LEAN MEAN AND NOT TOO FAR BETWEEN
History. Play/d in bands/write for other people/spiritually guide folk. Recorded all over the world from pissy basements to abbey road. Love tape/shitty mics/busted guitars. Budgets disappear,no more abbey road more coronation street.[For my U.S. friends thats no more Silverlake but more The valley]. Still fuck em,i can make music from dustbins cause I'm different,I'm not like the rest of you on this forum, so I'm happy.Must think. UAD 8p arrives. No more compatibility charts for months/there's knobs/switches/sounds cool/easy to use. More time for making art and less gawping@a screen/more time to look into artists eyes and suck there best work out of them. For 3g's job done. I don't need UAD, they don't need me,but we are good together
limited routing is maddening
I feel like i wasted my money on this unit. the routing is frustratingly basic and integrating this into my workflow has been difficult at best.
standalone it is a decent unit and recording through the plugins is an obvious plus but the routing is bafflingly limited and trying to use additional adat outputs is not an easy task.
my RME units with total mix are FAR superior and much easier use.
More than I expected
I consider myself a fairly "informed consumer" and I tend to research ALL possibilities before making any choices. I already owned an Apollo 16 (Silverface) and have thoroughly enjoyed it. I added the 8P primarily for the Unison preamps (8 already great preamps that you can mix and match 1073's, API's, and UA 610's with more to come Im sure, cmon -no brainer!) AD/DA, and clocking. I also REALLY like the fact that you can use one simple thunderbolt cable and get DSP, IO, and clock all at once.
What I didn't anticipate was the much better stereo field and definition. Small changes seemed more noticeable, reverb tails seem more detailed...all in all a GREAT box.
8 emulate-able pre-amps and quad core processing is pure bliss. I couldn't say enough good things about the Apollo 8 if I tried. It's like waking up every morning next to an exquisitely beautiful woman and questioning "how can this be real?" Thanks for that UA!
Loving the Apollo 8P
Just tracked a few drum tracks with the Apollo 8P and UA Store Plug-Ins. Using AKG 112 on Kick, Miktek PM10 on Snare, Sennheiser 421 on Toms, Shure KSM 32 OHs, and SM 81 on Hats. Absolutely no outboard pre-amps or compressors. I love how the Apollo captures the character of each mic, not to mention the DSP technology on all 8-inputs. Can't wait for the 16P (hint, hint) version to hit the market!
Needs More DSP
First of all, the Apollo 8p sounds incredible! Routing and integration into my existing rig were a breeze. HOWEVER… for $3K, the DSP is lacking BIG time! At 96kHz, I get a Unison plugin, and one… maybe two additional plugins on each channel before the processor is maxed. Now try adding Ocean Way or AKG verb to an aux and real trouble hits! I was looking to start recording/mixing everything at 192kHz, but at that rate, I barely get Unison plugins on each channel before the Apollo 8p processor overloads. It's like UA made the Apollos just to wet your appetite so you have to spend more money on their satellite DSP accelerators.
Great Idea, Slow execution
After some time with this unit I have come to the conclusion that it is a little hyped. First I would like to say that it sounds really good. The plug-ins are a better emulation than waves. The GUI are nice looking but, picking settings is a little frustrating. Also, I experience pops and clicks, minor lag when ran at 92k with 256 sample buffer (I have a decent new macbook and I'm running Ableton Live) Honestly, my little NI Komplete Audio 6 ran smoother. The biggest disappointment for me is of course that you max out real fast using 8 mic pre's along with plug-ins. I had 4 mic's with Neve pre amps and comps on each channel and that was too much for tracking. If you got the money and it's no big deal then this unit is a cool buy.
Apollo 8p = Weak DSP.... Buyer Beware!!!!!
1 star simply for the weak DSP. UA brags about the Apollo 8p having 4 sharc processors, what they don't mention is that really doesn't amount to much when running their UA plugins. I did the research, was aware that said plugins could take up as much as 44% of 1 processor, but I made the purchase anyways simply because I liked the idea of having 8 pre amps. If it wasn't for the weak DSP (I max out at about 12-15 UA plugins, depending on which ones I'm using), I'd definitely give 5 stars, but for $3000, I'm expecting a lot more bang for my bucks....
Great addition to my Apollo 8, multi unit works fine and the plug ins are awesome!!
Fabulous peice of gear!
I sometimes need to work from my recording room so I needed a way to control both the preamps and the daw from both the control room and the recording room so I got 2 Apollo8Ps. They fit the bill perfectly! Also the UA plug-ins are second to none.
Doing what it should very well. Very happy.
Old school meets new school
I needed a recording, mixing, mastering solution and when I dumped the Nuendo/PC/Waves combo for Logic Pro/Mac Pro/UAD I went from being embarrassed to legitimate overnight. I tried the Waves IOS and went into buyers remorse immediately. The Apollo has 80x the throughput. While the Waves IOS advertises 1 Gb's, Cat 6 cables only have a throughput of 250MB's. 4 x 20 = 80X. This unit is a winner.
Minus 2 Stars For Weak DSP Chips
The Apollo 8p is a great sounding audio interface with a very well thought-out accompanying software package. It also looks great and feels very sturdy. Unfortunately, its weak point is that you hit the DSP limit rather quickly while tracking at higher sample rates as the plugins take up more DSP resources. Having said that, i revisited some older mixes I had done prior to obtaining the apollo and sprinkled them with some uad-2 plugins and immediately noted that they made the songs sound noticeably better and at the end of the day, there's no price tag on the satisfaction of a great sounding mix. This recommendation comes with an asterisk so do your research and be warned about the dsp usage.
The Cherry on top!!!
20 years writing and producing, 16 years on the road at FOH, and I come back to this???!!! The 8P is a game changer for me. Pure butter!!! I love the old analog stuff so the Apollo 8P is perfect. And I can buy ALL of the plugins for the 1980's price of one effect. UA, Thanks for the hookup!!!!
Amazing sound and design
Apollo sound is incredible. It is different from mid-class audio interfaces and you feel this difference from the 1st second. Same for recording vocals and instruments - I was surprised how wide and juicy, so realistic they sound. It is definitely changed my workflow for higher level.
Handles my DPA 4011A microphones beautifully
I started a journey a few months ago, to record a grand piano, and it's been no easy endeavour. After months of research I invested in a matched pair of DPA 4011 microphones. When I first recording with them, they sounded so clear and capture the piano beautifully, but something was wrong on the top end (sounding a bit crunchy). After some advice, I soon discovered they needed decent preamps. After more research I took the plunge and bought the Apollo 8p. It's awesome! It's the perfect answer for my studio. The sound is true, clear and beautiful through the Apollo preamps and the DPA mics are now sounding flawless. I've found that the UAudio API Vision Channel Strip plugin seems to handle the piano frequencies best. It was a significant financial investment for me, but well worth it to achieve the high-end results I was hoping for. Very happy with the result.