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カスタマーレビュー 195 レビュー

4.16 5つ星中

by t. takamasa (5/12/2017):

This amp is a good sound, but I did not like the low sound very much. Read more

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概要

Softube® Amp Room バンドル

主な特徴

  • UAD-2とApolloハードウェアのためのSoftube Amp Roomプラグインの究極のコレクション
  • Vintage Amp Roomは、1960年代の象徴的な3つのギターアンプをシミュレート
  • Metal Amp Roomは、生々しく、アグレッシブなメタルギターサウンドをどんなレコーディングにも使用可能
  • Bass Amp Room は、1970年代のクラシック・ベースアンプのデッドオン・サウンドを実現
  • UAD パワードプラグイン・プラットフォーム合わせてSoftubeが開発
  • 正規代理店より販売されたUAD-2 DSP アクセラレーターカード 、またはApolloインターフェイスを必要とします。

すべての特徴とスペックを見る

Softubeの世界に通用するギターとベースアンプのコンプリートコレクションは、すべてがバンドルされてお得なパッケージです。
 
Softubeで高い評価を受けているモデリングエンジニアによって開発されたAmp Room バンドルは、UAD-2 DSPアクセラレーター・ハードウェアとApolloインターフェイスでリアルタイムにギターやベースをトラッキングしたり、トラックをミックス、リアンプするために、他の追従を許さないモダン/ビンテージ・ギター・アンプモデリングのコレクションをもたらします。

数々のアワードを受賞したApolloインターフェイスと驚愕のアンプトーンに一瞬といえるレイテンシー(2ms)ギター、ベース・パートをトラッキング。または、任意のUAD-2 DSPアクセラレーター上で使用することでレコーディングしたギターやベースのトラックにマイキングの位置、キャビネットの変更や、バイパス等を使用して全く違うキャラクターを与えるリアンプを行うことができます。複数のアンプを立ちあげてスタックすることで新しく、斬新なサウンドを作ることも可能です。

解説ビデオを見る

Vintage Amp Room
Vintage Amp Roomでは、1960年代の象徴的なギターアンプ“ホワイト”、“ブラウン”、“グリーン”の3種類を細心の注意を払ってモデリングしています。マイクの配置を変えるには、3Dインターフェイスを介してシンプルにクリック&ドラッグするだけで角度や距離を変更することができ、視聴しながら劇的なサウンドの変化を体感できます。


Metal Amp Room
Metal Amp Room はスムーズで歯切れのよいハイエンドで、無限に近いサスティン、パームミュート用の超高速、超タイトなゲートを採用し、最もパンチの効いたアグレッシブなアンプサウンドを実現しています。2の4×12”キャビネット・モデルとクリック&ドラッグで調節可能なステレオマイクのセットアップが含まれています。


Bass Amp Room
クリーンで太く、歪みがありアグレッシブなサウンドのBass Amp Room は、1970年代の衝撃的なベースアンプと3種類のキャビネットをモデリングしています。また汎用性を最大にするためにマイクとキャビネットのサウンドに別のEQ、コンプレッサー、イコライザーを備えたDIセクションを混ぜることができます。


$299.00

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$299.00

レビュー

レビュー

1 of 15
  • Ronnie Vanucci

    The Killers

    "The UAD plug-ins allow us [The Killers] to get into the wheelhouse of the sounds of yesteryear. It's another instrument in the band these days."

    Jim James

    My Morning Jacket

    "The UAD Powered Plug-ins collection is such a great tool kit. So many tools under one roof and all at your fingertips in a fraction of a second."

    Ivan Barias

    (Musiq Soulchild, Faith Evans)

    “The UAD-2 is the 21st century musician's best friend."

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    With the incredible quality and tonality of the plug-ins, the UAD-2 has become a first response tool in my everyday recording and mixing.

    Peter Kirn

    Create Digital Music

    "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

  • Garrett Haines

    (Tape Op Magazine)

    "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

    Matt Knobel

    (Lenny Kravitz)

    "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

    Jose Cancela & Amy Marie Beauchamp

    (HBO Sports, NFL, NBA)

    “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

    Jono Buchanan

    Future Music (UK)

    "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

  • Greg Parkin

    (Capitol Studios & Mastering)

    “It is fitting that UA continues to provide a platform for our engineers to innovate."

    Hank Shocklee

    (Public Enemy)

    “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

    Ivan Barias

    (Musiq Soulchild, Jill Scott, Estelle)

    UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing.

    Ivan Barias

    (Keyshia Cole, 2Pac)

    "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

    John Paterno

    (Los Lobos, Bonnie Raitt)

    "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

  • Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

    J.J. Blair

    (Rod Stewart, George Benson)

    "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

    Jim Dalrymple

    (The Loop)

    "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

    Jim Dalrymple

    (Macworld)

    "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

    Eli Janney

    (Wilco, Wheat)

    "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

  • Vance Powell

    (The Raconteurs, Jars of Clay)

    UAD-2 is the first plug-in set that replaces hardware I own – that's a big deal.

    John Baccigaluppi

    (TapeOp Magazine)

    "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

    David Grissom

    (Mellencamp, Buddy Guy)

    "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

    Elliot Mazer

    (Neil Young)

    "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

  • Frank Filipetti

    (James Taylor, Rod Stewart)

    “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

    Frank Filipetti

    (Carly Simon)

    "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

    Frank Filipetti

    (Carly Simon, Korn)

    "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

    Gavin Monaghan

    (The Twang)

    "I'd never even think of tackling a session without UAD plug-ins."

    Hank Shocklee

    (Public Enemy)

    "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

  • Nathaniel Kunkel

    (Sting)

    "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

    Nathaniel Kunkel

    (James Taylor, Lyle Lovett)

    "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

    Rik Simpson

    (Coldplay, Portishead, Jay Z)

    The sound of the UAD software is the closest thing in analog modeling – it actually sounds like the real gear.

    Stuart Price

    (The Killers)

    "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

    Ulrich Wild

    (Pantera)

    "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

  • Ryan West

    (Eminem, Kanye West, Kid Cudi)

    I'm not sure what mathematical voodoo they do over there at UA, but I like it and I won't mix without it.

    Grieves

    Universal Audio has redefined how I look at my sessions. With easy access to emulations of some of the most classic gear –– there’s no tone or feel that I can't achieve.

    Paul Moak

    (Third Day, Matthew Mayfield)

    "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

    Ryan Hewitt

    (Red Hot Chili Peppers, The Avett Brothers)

    Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.

    Neil Mclellan

    (TapeOp)

    "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

    Paul White

    (Sound On Sound)

    "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    D. James Goodwin

    (The Bravery)

    "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

    Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

  • J.J. Blair

    (Rod Stewart, George Benson)

    "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

    D. James Goodwin

    (The Bravery)

    "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

    D. James Goodwin

    (The Bravery)

    "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

    Jim Dalrymple

    (The Loop)

    "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

  • Justin Niebank

    (Keith Urban, Rascal Flatts)

    “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

    Frederick Norén

    (Sound on Sound)

    "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

    Roy Davis Jr.

    "A mix is not complete without UAD Powered Plug-Ins on it!!!"

    Eli Crews

    (Electronic Musician)

    "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

    Cian Ciaran

    (Super Furry Animals)

    "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

  • Jason Blum

    (Remix Magazine)

    "The only thing better than UAD plug-ins is more of them."

    Craig Anderton

    (EQ Magazine)

    "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

    Craig Anderton

    (Keyboard)

    "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

    Mike Senior

    (Sound on Sound)

    "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

    Paul Vnuk, Jr.

    (Recording Magazine)

    "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

  • Mike Senior

    (Sound On Sound)

    "UAD-2 is an enormous leap forward from the UAD-1"

    Barry Rudolph

    (Mix Magazine)

    "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

    Craig Anderton

    (EQ Magazine)

    "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

    Rob James

    (Resolution Magazine)

    "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

    Future Publishing

    (MusicRadar.com)

    "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

  • Andy Hong

    (TapeOp)

    "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

    Jono Buchanan

    (Future Music UK)

    "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

    David Riggs

    "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

    Carmen Rizzo

    "I make a living with the UA plug-ins, because I use them every single day on every session."

    Geoff Sanoff

    (Pro Sound News)

    "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

  • Matt Boudreau

    (Keith Urban)

    "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

    Matt Knobel

    (Lenny Kravitz)

    "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

    Mike Senior

    (Sound on Sound)

    "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."

ユーザーの評価

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平均評価 (195 レビュー)
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    good amplifier tool
    by t. takamasa(Friday 12 May, 2017)

    This amp is a good sound, but I did not like the low sound very much. ǶÁÂȪむ

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    • 5 Star
    Sounds great and accurate.
    by D. Weniger(Sunday 23 April, 2017)

    Anyone who says these amp sims do not sound like the real thing or doesn't sound good is pretending to be better than they really are. I've been a professional musician for 25 years, recorded with live amps often and these amps sound wonderful. Pedals also work well with them. I recommend… ǶÁÂȪむ

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    Softube Amp Room
    by T. Spaniel(Monday 17 April, 2017)

    Nice Amp Simulation! ǶÁÂȪむ

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    • 5 Star
    Very handy indeed
    by D. Muir(Monday 17 April, 2017)

    I've mainly used the vintage amps and bass room so far, and the bass room in particular has been awesome. I've been recording my bass DI and re-amping it to bounce it to a new track, then blending the DI and amped tracks together with some really cool results. ǶÁÂȪむ

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    • 5 Star
    Nothing wrong with this plug at all
    by r. masters(Monday 17 April, 2017)

    I tried this plug even before it was on UAD and loved it. Using it with Apollo twin is just the coolest thing. I read people cutting down this and the Fender as well. Both amps are dry with no reverb and there supposed to. Amplitube's presets will sound better because there mixed with… ǶÁÂȪむ

$299.00

機能とスペック

特徴

  • UAD-2とApolloハードウェアのためのSoftube Amp Roomプラグインの究極のコレクション
  • Vintage Amp Roomは、1960年代の象徴的な3つのギターアンプをシミュレート
  • Metal Amp Roomは、生々しく、アグレッシブなメタルギターサウンドをどんなレコーディングにも使用可能
  • Bass Amp Room は、1970年代のクラシック・ベースアンプのデッドオン・サウンドを実現p
  • UAD パワードプラグイン・プラットフォーム合わせてSoftubeが開発
  • 正規代理店より販売されたUAD-2 DSP アクセラレーターカード を必要とします。

UADのプラグイン同時起動可能数を確認

パラメーターのスペック

全体
  • アンプをクリック&ドラッグして横に動かすとアンプを切り替えることができます。
  • マイクをクリック&ドラッグすると角度と距離を調整することができます。
  • 右下にあるAmpバイパスをクリックするとアンプをバイパスします。
  • 右下にあるCabバイパスをクリックするとキャビネットをバイパスします。
$299.00

マニュアル

Softube Vintage Amp Room Manual

Softube Bass Amp Room Manual

Softube Metal Amp Room Manual

 Hardware & Software Manuals
$299.00