カートの内容 カー トを見る

  • 合計: $0.00
  • アイテム数: 0
チェッ クアウト

レビュー 1532 レビュー

4.79 5つ星中

by N. Arouca (3/24/2017):

This thing has now found a home on my Mix Bus. I love it! Really glues things together… Read more

1330 レビュー
140 レビュー
30 レビュー
14 レビュー
61 レビュー
概要
Neve® Complete Plug-In バンドル
すべての Neve プラグインをバンドル
9 種類の本物のハードウェアエミュレーションを1つに。

Neve Complete バンドルは、Neve サウンドのあらゆるカラーを個別に呼応に有するよりもずっと手に入れやすくしました。40年以上に渡り、Neve England は、音楽と映画産業の両方のベテランからオーディオレコーディング機材でもっともリスペクトを受けた名前の1つとして考えられました。

Universal Audio は、Neve から唯一ライセンスとエンドースを受けて、もっとも正確な Neve のハードウェアのソフトウェア・エミュレーションを提供できることを誇りに思っています。88RS の大きく、オープンなサウンドから1073と1081の紛れも無いサウンドと明快さ等Neve サウンドの世界は、あなたのすぐ指先にあります。


Neve 88RS Channel Strip コレクション

Neve 88 シリーズは、ラージフォーマットのアナログコンソール・デザインの手本と言えます。2001年に導入された88シリーズは、その驚くべき深み、軽やかさ、明快なサウンドで知られています。この近代的な最高傑作の本物のエミュレーションを使用してトラッキングすることができます。有名なマイク/ライン・プリアンプ、カットフィルター、ダイナミクス、4バンド EQに加え、ポストフェーダー・アウトプットアンプのすべてがNeve 88RS Channel Strip コレクションで使用することができます。

Neve 1073 Preamp &
EQ Plug-In コレクション

Neve 1073 Channel Amplifierは、これまででもっとも愛されたプリアンプ&EQ サーキットの1つです。1970 年に導入され、他に類を見ないほどクリアで、艶があり、刺激的なサウンドは、神聖なクラス A トランジスタ・マイク/ライン・プリアンプと EQ は美しい“Neve サウンド”を集約しています。今始めてあなたのオーディオの歴史の中に伝説とも言えるピースの隅から隅までエミュレーションによるサウンドでトラッキングすることができます。Neve 1073 PreampEQ コレクションは、より多くのインスタンスを使用できるように最適化されているLegacy Neve 1073 と 1073SE (“DSP-Lite”) EQ もバンドルされています。

Neve 1081 / 1081SE Classic
Console EQ プラグイン

1972 年にNeveによって生産されたNeve 1081チャンネルモジュールはNeve 8048コンソールのマイク/ラインアンプ、EQセクションとして使用されてきました。実際、1081 モジュールと、ビンテージの8040コンソールは広く使用されており、今日でもRolling StonesやRed Hot Chili Peppersといった著名なバンドに愛用されています。サウンドは、1073よりもフレキシブルな EQ コントロールを提供し、1801は特にボーカル処理に好まれています。

Neve 31102 / 31102SE Classic
Console EQ プラグイン

オ リジナルのNeve 8068 コンソールの特長であった31102 EQ は、今まででもっとも売れたアルバムの一つである,“Guns-N-Roses”のAppetite For Destruction のミックスで使用されました。そ の明瞭なフィルター・シェイプとおなじみのNeve らしい艶のある刺激的なサウンドで Neve 31102 / SE EQ パワードプラグインは、クラシック Neve EQの進化系の新しいステップを提供します。Primus や Metallica から、My Morning Jacket 、Red Hot Chili Peppers に至る多くのアーティストもスタジオ・レコーディングで 31102 EQ のトーンを求めています。 UAD パワードプラグインの Neve 31102 EQ は、厳格にアナログと同じサウンドの体験を提供します。 .

Neve 33609 / 33609SE
Compressor プラグイン

1969 年頃、オリジナルのNeve 2254 コンプレッサーから派生した33609ステレオコンプレッサー/ リミッターは、ブリッジ型ダイオードを活用したゲインリダクションです。UAD Neve 33609はNeve 33609 (Rev. C) の再現においてNeveら正式に認可もされています。オリジナルユニットの細部にいたるまで絶対的な精度とハードウェアの音質や音楽性が一致するように再現されています。バスやドラムグループ、全体のミックス時に必須と言え、より多くの同時起動に適したDSP 最適化バージョンの33609SEもバンドルしています。


$899.00

レビュー

レビュー

1 of 15
  • Ronnie Vanucci

    The Killers

    "The UAD plug-ins allow us [The Killers] to get into the wheelhouse of the sounds of yesteryear. It's another instrument in the band these days."

    Jim James

    My Morning Jacket

    "The UAD Powered Plug-ins collection is such a great tool kit. So many tools under one roof and all at your fingertips in a fraction of a second."

    Ivan Barias

    (Musiq Soulchild, Faith Evans)

    “The UAD-2 is the 21st century musician's best friend."

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    With the incredible quality and tonality of the plug-ins, the UAD-2 has become a first response tool in my everyday recording and mixing.

    Peter Kirn

    Create Digital Music

    "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

  • Garrett Haines

    (Tape Op Magazine)

    "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

    Matt Knobel

    (Lenny Kravitz)

    "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

    Jose Cancela & Amy Marie Beauchamp

    (HBO Sports, NFL, NBA)

    “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

    Jono Buchanan

    Future Music (UK)

    "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

  • Greg Parkin

    (Capitol Studios & Mastering)

    “It is fitting that UA continues to provide a platform for our engineers to innovate."

    Hank Shocklee

    (Public Enemy)

    “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

    Ivan Barias

    (Musiq Soulchild, Jill Scott, Estelle)

    UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing.

    Ivan Barias

    (Keyshia Cole, 2Pac)

    "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

    John Paterno

    (Los Lobos, Bonnie Raitt)

    "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

  • Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

    J.J. Blair

    (Rod Stewart, George Benson)

    "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

    Jim Dalrymple

    (The Loop)

    "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

    Jim Dalrymple

    (Macworld)

    "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

    Eli Janney

    (Wilco, Wheat)

    "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

  • Vance Powell

    (The Raconteurs, Jars of Clay)

    UAD-2 is the first plug-in set that replaces hardware I own – that's a big deal.

    John Baccigaluppi

    (TapeOp Magazine)

    "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

    David Grissom

    (Mellencamp, Buddy Guy)

    "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

    Elliot Mazer

    (Neil Young)

    "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

  • Frank Filipetti

    (James Taylor, Rod Stewart)

    “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

    Frank Filipetti

    (Carly Simon)

    "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

    Frank Filipetti

    (Carly Simon, Korn)

    "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

    Gavin Monaghan

    (The Twang)

    "I'd never even think of tackling a session without UAD plug-ins."

    Hank Shocklee

    (Public Enemy)

    "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

  • Nathaniel Kunkel

    (Sting)

    "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

    Nathaniel Kunkel

    (James Taylor, Lyle Lovett)

    "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

    Rik Simpson

    (Coldplay, Portishead, Jay Z)

    The sound of the UAD software is the closest thing in analog modeling – it actually sounds like the real gear.

    Stuart Price

    (The Killers)

    "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

    Ulrich Wild

    (Pantera)

    "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

  • Ryan West

    (Eminem, Kanye West, Kid Cudi)

    I'm not sure what mathematical voodoo they do over there at UA, but I like it and I won't mix without it.

    Grieves

    “Universal Audio has redefined how I look at my sessions. With easy access to emulations of some of the most classic gear of all time –– there is no tone or feel that I can't achieve.“

    Paul Moak

    (Third Day, Matthew Mayfield)

    "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

    Ryan Hewitt

    (Red Hot Chili Peppers, The Avett Brothers)

    Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.

    Neil Mclellan

    (TapeOp)

    "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

    Paul White

    (Sound On Sound)

    "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    D. James Goodwin

    (The Bravery)

    "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

    Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

  • J.J. Blair

    (Rod Stewart, George Benson)

    "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

    D. James Goodwin

    (The Bravery)

    "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

    D. James Goodwin

    (The Bravery)

    "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

    Jim Dalrymple

    (The Loop)

    "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

  • Justin Niebank

    (Keith Urban, Rascal Flatts)

    “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

    Frederick Norén

    (Sound on Sound)

    "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

    Roy Davis Jr.

    "A mix is not complete without UAD Powered Plug-Ins on it!!!"

    Eli Crews

    (Electronic Musician)

    "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

    Cian Ciaran

    (Super Furry Animals)

    "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

  • Jason Blum

    (Remix Magazine)

    "The only thing better than UAD plug-ins is more of them."

    Craig Anderton

    (EQ Magazine)

    "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

    Craig Anderton

    (Keyboard)

    "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

    Mike Senior

    (Sound on Sound)

    "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

    Paul Vnuk, Jr.

    (Recording Magazine)

    "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

  • Mike Senior

    (Sound On Sound)

    "UAD-2 is an enormous leap forward from the UAD-1"

    Barry Rudolph

    (Mix Magazine)

    "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

    Craig Anderton

    (EQ Magazine)

    "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

    Rob James

    (Resolution Magazine)

    "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

    Future Publishing

    (MusicRadar.com)

    "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

  • Andy Hong

    (TapeOp)

    "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

    Jono Buchanan

    (Future Music UK)

    "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

    David Riggs

    "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

    Carmen Rizzo

    "I make a living with the UA plug-ins, because I use them every single day on every session."

    Geoff Sanoff

    (Pro Sound News)

    "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

  • Matt Boudreau

    (Keith Urban)

    "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

    Matt Knobel

    (Lenny Kravitz)

    "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

    Mike Senior

    (Sound on Sound)

    "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."

ユーザーの評価

  • 1 Star
  • 2 Star
  • 3 Star
  • 4 Star
  • 5 Star
平均評価 (1532 レビュー)
    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Great emulation of a classic
    by N. Arouca(Friday 24 March, 2017)

    This thing has now found a home on my Mix Bus. I love it! Really glues things together in a beautiful way. Also great on the drum bus. UA does it again! ǶÁÂȪむ

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Best 1073 so far!
    by P. King(Thursday 23 March, 2017)

    Great job on this. Has all the character and vibe of a well kept original ǶÁÂȪむ

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Just great
    by D. Iljes(Tuesday 21 March, 2017)

    This really is a gamechanger. Pitty for the processor power. ǶÁÂȪむ

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    sonic bliss
    by A. Hrvatin(Tuesday 21 March, 2017)

    A great revision of an already super useful EQ plug-in. Now also the preamp "colour" sounds great... It can add sheen and depth, clean up the mid range in a very musical way. ǶÁÂȪむ

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Neve 1073 Preamp & EQ Collection
    by W. Choi(Monday 20 March, 2017)

    The best pre-amp for recording so far. Great mid and bass freq makes the sound more solid. ǶÁÂȪむ

$899.00

マニュアル
 Hardware & Software Manuals
$899.00