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4.89 5つ星中

by P. King (3/23/2017):

I've used every 140 and plate emulation plugin around and this has taken the cake for… Read more

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概要

EMT® Classic Reverb プラグイン・バンドル

UAD-2 のパワーを結集した EMT® リバーブの強力なデュオ

EMT® Reverb バンドルは、Mac、PC のどちらでもをベースにしたレコーディング・システムでも快適に、そしてパワフルに使用でき、どの UAD パワードプラグインコレクションとも組み合わせて使用することができます。このパワフルなバンドルは、ユーザーから求められたEMT® リバーブ・ユニットの2 つをお買い求めやすくバンドルしました。各プラグインを個別に購入する場合と比較して20%節約できます。ボーカル・トラックをエレガントな雰囲気で包み込むように、 EMT® リバーブはトラック、ミックスの中に完璧にフィットします。

EMT® 140 Classic Plate Reverb プラグイン

Universal Audio は“プレートへのステップアップ”としてもう一つのクラシックなツールをDAWに再現しました。 ― EMT 140 プラグインを紹介します。ドイツのEMT社は1957年にEMT 140(アンビエンス効果を生成するため金属板を用いた)の開発・販売に着手します。プレート・リバーブのなめらかで腰のあるサウンドは、現代音楽の構成要素の一つとして今なお受け継がれています。EMT Studiotechnik GmbHによってエンドースされ、カリフォルニア州の Sausalito にあるPlant Studio で使用されている 3 台の異なる EMT 140 を使用し、Universal Audio によってモデリングされました。以前では不可能かつ夢の夢だったミックス用機材が、ユーザーであれば誰でも、手の届くところへやってきたのです。

EMT® 250 Classic Electronic Reverberator プラグイン

1976年にAESコンベンションでEMTによって発表され、2007年にTECアワードの殿堂入りをしました。EMT 250はレコード上では計り知れない影響をスタジオ・レジェンドのGeorge Massenburg、Bruce Swedien、Daniel Lanois、Brian Eno 、Allen Sides等多くの人に与えました。EMT 250のクリアでオープンなリバーブ・サウンドは、Prince & The Revolutionの“Purple Rain”、Elvis Costelloの“Spike”、Red Hot Chili Pepperの“Stadium Arcadium”を始めとする無数のアルバムで聴くことができます。またEMT 250設計者のBarry Blesser博士とUniversal Audioによって再設計され、EMT Studiotechnik社によってエンドースされたEMT 250のUADパワードプラグインはエミュレーションを越えて、現物のユニットと全く同じアルゴリズムを実現しています。

  • 正規代理店より販売されたUAD-2 DSP アクセラレーターカード と最新の UAD パワードプラグイン・ソフトウェア(こちらより入手可能)を必要とします。
  • UA はブラインドテストで見分けることができないくらいの精度で EMT モデリングをしました。!500 ポンドのクラシック・プレートリバーブは今や誰にでも使用できるのです。そう、プラグインですから。
          -John Cuniberti, Engineer (The Plant Recording Studios)

    EMT 250 は素晴らしいリバーブだよ。これはお気に入りのリバーブの一つで Norah’s [Jones] のアルバムのすべての曲で使っているよ。
          -Jacquire King, Producer/Engineer (Norah Jones, Modest Mouse, Tom Waits) 

    EMT 140 プラグインはピュアなモータウンだ!私のハードウェアよりも素晴らしいサウンドが出る。本当に素晴らしい!
          -Gavin Monaghan, Producer/Engineer (Joe Strummer, Elvis Costello, Fugees)

    EMT 250 reverb プラグインはインサートした瞬間に私の20年間を取り戻してくれた。このような音楽的なサウンドのプラグインを使えて本当に幸せた。
          -Charlie Clouser, Engineer (NIN, Saw Soundtracks)

    EMT 140 プラグインは、プレート・リバーブを使用するとき、私のスタンダードなプリセット・プラグインとなった。
          -Eli Crews, EMT 140 plug-in Review (Electronic Musician)

    $359.00

    レビュー

    レビュー

    1 of 15
    • Ronnie Vanucci

      The Killers

      "The UAD plug-ins allow us [The Killers] to get into the wheelhouse of the sounds of yesteryear. It's another instrument in the band these days."

      Jim James

      My Morning Jacket

      "The UAD Powered Plug-ins collection is such a great tool kit. So many tools under one roof and all at your fingertips in a fraction of a second."

      Ivan Barias

      (Musiq Soulchild, Faith Evans)

      “The UAD-2 is the 21st century musician's best friend."

      Darrell Thorp

      (Beck, Radiohead, Charlotte Gainsbourg)

      With the incredible quality and tonality of the plug-ins, the UAD-2 has become a first response tool in my everyday recording and mixing.

      Peter Kirn

      Create Digital Music

      "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

    • Garrett Haines

      (Tape Op Magazine)

      "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

      Matt Knobel

      (Lenny Kravitz)

      "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

      Jose Cancela & Amy Marie Beauchamp

      (HBO Sports, NFL, NBA)

      “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

      Paul Moak

      (Third Day, Matthew Mayfield)

      "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

      Jono Buchanan

      Future Music (UK)

      "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

    • Greg Parkin

      (Capitol Studios & Mastering)

      “It is fitting that UA continues to provide a platform for our engineers to innovate."

      Hank Shocklee

      (Public Enemy)

      “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

      Ivan Barias

      (Musiq Soulchild, Jill Scott, Estelle)

      UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing.

      Ivan Barias

      (Keyshia Cole, 2Pac)

      "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

      John Paterno

      (Los Lobos, Bonnie Raitt)

      "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

    • Nathaniel Kunkel

      (Lyle Lovett, Nirvana)

      "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

      J.J. Blair

      (Rod Stewart, George Benson)

      "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

      Jim Dalrymple

      (The Loop)

      "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

      Jim Dalrymple

      (Macworld)

      "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

      Eli Janney

      (Wilco, Wheat)

      "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

    • Vance Powell

      (The Raconteurs, Jars of Clay)

      UAD-2 is the first plug-in set that replaces hardware I own – that's a big deal.

      John Baccigaluppi

      (TapeOp Magazine)

      "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

      Charlie Clouser

      (NIN, "Saw" Soundtracks)

      "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

      David Grissom

      (Mellencamp, Buddy Guy)

      "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

      Elliot Mazer

      (Neil Young)

      "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

    • Frank Filipetti

      (James Taylor, Rod Stewart)

      “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

      Frank Filipetti

      (Carly Simon)

      "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

      Frank Filipetti

      (Carly Simon, Korn)

      "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

      Gavin Monaghan

      (The Twang)

      "I'd never even think of tackling a session without UAD plug-ins."

      Hank Shocklee

      (Public Enemy)

      "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

    • Nathaniel Kunkel

      (Sting)

      "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

      Nathaniel Kunkel

      (James Taylor, Lyle Lovett)

      "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

      Rik Simpson

      (Coldplay, Portishead, Jay Z)

      The sound of the UAD software is the closest thing in analog modeling – it actually sounds like the real gear.

      Stuart Price

      (The Killers)

      "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

      Ulrich Wild

      (Pantera)

      "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

    • Ryan West

      (Eminem, Kanye West, Kid Cudi)

      I'm not sure what mathematical voodoo they do over there at UA, but I like it and I won't mix without it.

      Grieves

      “Universal Audio has redefined how I look at my sessions. With easy access to emulations of some of the most classic gear of all time –– there is no tone or feel that I can't achieve.“

      Paul Moak

      (Third Day, Matthew Mayfield)

      "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

      Ryan Hewitt

      (Red Hot Chili Peppers, The Avett Brothers)

      Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.

      Neil Mclellan

      (TapeOp)

      "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

    • John Paterno

      (Los Lobos, Bonnie Raitt)

      "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

      Paul White

      (Sound On Sound)

      "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

      Paul White

      (Sound On Sound)

      "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

      D. James Goodwin

      (The Bravery)

      "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

      Ed MacFarlane

      (Friendly Fires)

      "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

    • J.J. Blair

      (Rod Stewart, George Benson)

      "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

      D. James Goodwin

      (The Bravery)

      "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

      D. James Goodwin

      (The Bravery)

      "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

      JR Hutson

      (Jill Scott, Musiq Soulchild)

      "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

      Jim Dalrymple

      (The Loop)

      "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

    • Justin Niebank

      (Keith Urban, Rascal Flatts)

      “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

      Frederick Norén

      (Sound on Sound)

      "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

      Roy Davis Jr.

      "A mix is not complete without UAD Powered Plug-Ins on it!!!"

      Eli Crews

      (Electronic Musician)

      "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

      Cian Ciaran

      (Super Furry Animals)

      "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

    • Jason Blum

      (Remix Magazine)

      "The only thing better than UAD plug-ins is more of them."

      Craig Anderton

      (EQ Magazine)

      "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

      Craig Anderton

      (Keyboard)

      "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

      Mike Senior

      (Sound on Sound)

      "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

      Paul Vnuk, Jr.

      (Recording Magazine)

      "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

    • Mike Senior

      (Sound On Sound)

      "UAD-2 is an enormous leap forward from the UAD-1"

      Barry Rudolph

      (Mix Magazine)

      "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

      Craig Anderton

      (EQ Magazine)

      "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

      Rob James

      (Resolution Magazine)

      "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

      Future Publishing

      (MusicRadar.com)

      "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

    • Andy Hong

      (TapeOp)

      "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

      Jono Buchanan

      (Future Music UK)

      "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

      David Riggs

      "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

      Carmen Rizzo

      "I make a living with the UA plug-ins, because I use them every single day on every session."

      Geoff Sanoff

      (Pro Sound News)

      "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

    • Matt Boudreau

      (Keith Urban)

      "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

      Matt Knobel

      (Lenny Kravitz)

      "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

      Mike Senior

      (Sound on Sound)

      "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."

    ユーザーの評価

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    平均評価 (894 レビュー)
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      Game changer for a 140
      by P. King(Thursday 23 March, 2017)

      I've used every 140 and plate emulation plugin around and this has taken the cake for the best sounding. UAD did a great job of recreating it. Wouldn't even bother with the real thing anymore if I had it available. ǶÁÂȪむ

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      TRUTH
      by M. Guerreiro(Wednesday 22 March, 2017)

      I've used one before and it's exactly the color! ǶÁÂȪむ

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      The plate of god
      by A. Dati(Sunday 19 March, 2017)

      Great sounding unit, lot of depth and flexibility of use. I'm in love with UAD plates, I will buy more... ǶÁÂȪむ

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      Beautiful sound in a plate reverb
      by L. Rivera(Wednesday 15 March, 2017)

      This reverb just seems to have a "musicality" to it. I've tried it with a number of sounds -- guitar, toms, snares, vocals, and synths -- and the results consistently surprise me. ǶÁÂȪむ

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      Great
      by R. Homes(Tuesday 28 February, 2017)

      Very good reverb ! Thanks UAD ǶÁÂȪむ

    $359.00

    アーティスト
    • Top Engineers Top "Desert Island" Plug-Ins

      If you were stuck on a desert island with your recording studio, what UAD plug-ins could you not live without?… 続きを読む

    $359.00

    マニュアル
     Hardware & Software Manuals
    $359.00