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4.83 5つ星中

by I. Lombardo (1/15/2017):

Great plug, I have the hardware too and it's very similar. The only one thing that… Read more

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Classic FX バンドル

70年代の代表的なRoland/Bossユニットに基づき、UAD-2ハードウェアとApolloのためのClassic FX バンドルは、モダン。ミュージックのサウンドを調整する3種類の異なるアナログ・ユニットを与えます。

Studio D Chorusのサブリミナルなニュアンス、分厚いBrigade Chorus Pedal、そしてGalaxy Tape Echoのsci-Fiテクスチャーまで、レトロなアナログクラシックのトリオはミックスを生き返らせます。


  • Galaxy Tape Echoを使用すると、ドラム、ボーカル、ギター、シンセにテープエコーやノイズを加えます。
  • Galaxy Tape Echoのディストーション、ワウ、フラッター、ピッチシフトによるオーガニック・タイムベースエフェクトを使用可能
  • Studio D Chorusによってトラックをエンハンスし、ポップさを与える
  • Studio D Chorusによって楽器やバス・トラックに絶妙な空間エフェクトを与える
  • Brigade Chorus Pedalを使用して厚み、ステレオ幅、輝きをギター、ボーカル、ドラム、ピアノなど多くのトラックにもたらす
  • Brigade Chorus Pedalは、繊細なテクスチャーをスカルプティングし、ディチューン、または比類なきビブラート回路による歌うような効果を追加
Galaxy Tape Echoプラグイン

1973年にRolandはRE-201 Space Echo*を発売しました。 — そのテープディレイ/スプリングリバーブは、ウォームで、密度の濃いアナログ・リバーブシステム。繊細なテープ・テクスチャーから存在感のあるサウンドまで、この象徴的なサウンドは、Pink Floyd、David Bowie、そして,ダブのKing Tubby、Scientist、Lee “Scratch” Perryのアルバムで聴くことができます。Galaxy Tape Echoプラグインは、70年代の象徴的なユニットの徹底的なエミュレーションで、ザラついた音、音楽的なワウフラッター、Sci-Fiなピッチシフト、そしてリアルタイムに調整しやすい感動的なハードウェアの物理的な挙動をすべてキャプチャーしています。

Brigade Chorus Pedal プラグイン

ウォームなオーガニック・モジュレーションとコシのあるピッチシフト・ビブラートを持ち愛用されたBOSS CE-1 Chorus Ensemble*は初めて生産されたストンプボックス・コーラスでした。1976年に発売されたこの堅牢な合金のボックスは、リッチで夢のような質感でプレーヤーやプロデューサーを感動させました。Brigade Chorus Pedalプラグインは、コーラスのきらめきやビブラートで魅了されるサウンドを提供するためにアナログ・バケツリレー回路をキャプチャーし、この歴史的なペダルのあらゆる面をエミュレートしています。

Studio D Chorusプラグイン

1979年に発売されたRoland Dimension D* chorusは、空間を与え、スィートで繊細なモジュレーションを注入することで知られています。Brian Eno、Stevie Ray Vaughanをはじめとする誰もが“秘密のソース”として使用する伝説的なラックはシンプルな機能セットで理想的です。Studio D Chorusは、このラックユニットの詳細なエミュレーションです。そして、巧みにバケツリレー回路、サウンドやテクスチャーの複雑な範囲の鍵をキャプチャーしています。


*Brigade Chorus Pedal、Galaxy Tape Echo、Studio D Chorusプラグインは、Roland、BOSSとの提携、エンドースなどは受けていません。RolandとBOSSの名称だけでなく、CE-1とChorus Ensembleモデルの名称はUniversal Audioの製品でエミュレーションを行なうクラシック・エフェクトを識別する目的にのみ使用されます。




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  • Ronnie Vanucci

    The Killers

    "The UAD plug-ins allow us [The Killers] to get into the wheelhouse of the sounds of yesteryear. It's another instrument in the band these days."

    Jim James

    My Morning Jacket

    "The UAD Powered Plug-ins collection is such a great tool kit. So many tools under one roof and all at your fingertips in a fraction of a second."

    Ivan Barias

    (Musiq Soulchild, Faith Evans)

    “The UAD-2 is the 21st century musician's best friend."

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    With the incredible quality and tonality of the plug-ins, the UAD-2 has become a first response tool in my everyday recording and mixing.

    Peter Kirn

    Create Digital Music

    "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

  • Garrett Haines

    (Tape Op Magazine)

    "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

    Matt Knobel

    (Lenny Kravitz)

    "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "I @#$%ing love my UAD-2 card! Doing my first proper mix [The Cars] with it. Wow! How did i do without it?"

    Jose Cancela & Amy Marie Beauchamp

    (HBO Sports, NFL, NBA)

    “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

  • Jono Buchanan

    Future Music (UK)

    "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

    Greg Parkin

    (Capitol Studios & Mastering)

    “It is fitting that UA continues to provide a platform for our engineers to innovate."

    Hank Shocklee

    (Public Enemy)

    “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

    Ivan Barias

    (Musiq Soulchild, Jill Scott, Estelle)

    UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing.

    Ivan Barias

    (Keyshia Cole, 2Pac)

    "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

    Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

    J.J. Blair

    (Rod Stewart, George Benson)

    "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

    Jim Dalrymple

    (The Loop)

    "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

    Jim Dalrymple


    "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

  • Eli Janney

    (Wilco, Wheat)

    "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

    Vance Powell

    (The Raconteurs, Jars of Clay)

    UAD-2 is the first plug-in set that replaces hardware I own – that's a big deal.

    John Baccigaluppi

    (TapeOp Magazine)

    "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

    David Grissom

    (Mellencamp, Buddy Guy)

    "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

  • Elliot Mazer

    (Neil Young)

    "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

    Frank Filipetti

    (James Taylor, Rod Stewart)

    “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

    Frank Filipetti

    (Carly Simon)

    "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

    Frank Filipetti

    (Carly Simon, Korn)

    "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

    Gavin Monaghan

    (The Twang)

    "I'd never even think of tackling a session without UAD plug-ins."

  • Hank Shocklee

    (Public Enemy)

    "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

    Nathaniel Kunkel


    "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

    Nathaniel Kunkel

    (James Taylor, Lyle Lovett)

    "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

    Rik Simpson

    (Coldplay, Portishead, Jay Z)

    The sound of the UAD software is the closest thing in analog modeling – it actually sounds like the real gear.

    Stuart Price

    (The Killers)

    "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

  • Ulrich Wild


    "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

    Ryan West

    (Eminem, Kanye West, Kid Cudi)

    I'm not sure what mathematical voodoo they do over there at UA, but I like it and I won't mix without it.


    “Universal Audio has redefined how I look at my sessions. With easy access to emulations of some of the most classic gear of all time –– there is no tone or feel that I can't achieve.“

    Paul Moak

    (Third Day, Matthew Mayfield)

    "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

    Ryan Hewitt

    (Red Hot Chili Peppers, The Avett Brothers)

    Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.

  • Neil Mclellan


    "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

    John Paterno

    (Los Lobos, Bonnie Raitt)

    "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

    Paul White

    (Sound On Sound)

    "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    D. James Goodwin

    (The Bravery)

    "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

  • Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

    J.J. Blair

    (Rod Stewart, George Benson)

    "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

    D. James Goodwin

    (The Bravery)

    "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

    D. James Goodwin

    (The Bravery)

    "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

  • Jim Dalrymple

    (The Loop)

    "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

    Justin Niebank

    (Keith Urban, Rascal Flatts)

    “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

    Frederick Norén

    (Sound on Sound)

    "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

    Roy Davis Jr.

    "A mix is not complete without UAD Powered Plug-Ins on it!!!"

    Eli Crews

    (Electronic Musician)

    "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

  • Cian Ciaran

    (Super Furry Animals)

    "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

    Jason Blum

    (Remix Magazine)

    "The only thing better than UAD plug-ins is more of them."

    Craig Anderton

    (EQ Magazine)

    "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

    Craig Anderton


    "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

    Mike Senior

    (Sound on Sound)

    "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

  • Paul Vnuk, Jr.

    (Recording Magazine)

    "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

    Mike Senior

    (Sound On Sound)

    "UAD-2 is an enormous leap forward from the UAD-1"

    Barry Rudolph

    (Mix Magazine)

    "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

    Craig Anderton

    (EQ Magazine)

    "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

    Rob James

    (Resolution Magazine)

    "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

  • Future Publishing


    "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

    Andy Hong


    "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

    Jono Buchanan

    (Future Music UK)

    "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

    David Riggs

    "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

    Carmen Rizzo

    "I make a living with the UA plug-ins, because I use them every single day on every session."

  • Geoff Sanoff

    (Pro Sound News)

    "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

    Matt Boudreau

    (Keith Urban)

    "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

    Matt Knobel

    (Lenny Kravitz)

    "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

    Mike Senior

    (Sound on Sound)

    "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."


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平均評価 (169 レビュー)
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    Great plug
    by I. Lombardo(Sunday 15 January, 2017)

    Great plug, I have the hardware too and it's very similar. The only one thing that could be different, is the maximum delay time...in a plug this could easy be more than 1s in time. ǶÁÂȪむ

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    A Useful Tool
    by C. Konrad(Saturday 14 January, 2017)

    A very useful and fun tool to have on hand. I find myself using it a lot on electric guitars to play up certain parts of the song. Be warned: You can waste hours and hours just toying around with this plug-in. Too much fun ǶÁÂȪむ

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    by c. imgeun(Saturday 14 January, 2017)

    good ǶÁÂȪむ

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    still a go-to
    by . (Wednesday 11 January, 2017)

    the original Space Echo plugin is one of the reasons I got into UAD...as soon as I tried it I sold my Boss Space Echo pedal. it has THAT sound, which doesn't work on everything but when it does there is no substitute. ǶÁÂȪむ

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    D chorus
    by j. murawski(Saturday 7 January, 2017)

    D the only chorus you will ever need. from rock, on to 80disco, to today's EDM,100% true to hardware Again UAD did the homework perfectly 5 stars ǶÁÂȪむ


Classic FXバンドル
  • 70年代のアナログ・モジュレーション、ディレイユニットを1つのバンドルにし、コストを抑えました。
  • Universal Audioによってアナログ回路を隅から隅までエミュレーション
  • トラックやミックスに深さ、動き、テクスチャーや特殊効果を与える