Marshall® Plexi Super Lead 1959
レビュー
Marshall® Plexi Super Lead 1959
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j. Vita
it's ok, but...
I agree with earlier reviewer that it sounds like a Marshall with old tubes - very loose and spongy sounding. Maybe offer ability to change power tubes and bias?
S. Shaw
Clearly there's room for improvement
A cool emulation, but not usable for mission critical places. The sustain is nailed in but the attack is disturbing where it lacks realism, dynamics and punch. Good for padding things up or mixed with other UAD effects, but unmusical and not playable on its own. Can I say it a geeky amp sim?
J. Barton
An Amp
It's a pretty good emulation with a good room mic and two up close to pan! The ghost notes and the squeak is pretty cool! Original sounds only on this amp!
s. smades
pretty much what you pay for
nothing stellar, nothing terrible. what you think this amp would sound like, Is probably what it does sound like
y. kawaguchi
これから試してみます！！
なので、宜しくお願いします。
V. Shevchuk
Awesome
What a beast. Sounds pretty killer. Obviously not a replacement for a 3 or $4,000 amplifier, but its definitely one of the finest emulations ive had the pleasure of jamming on. For less than $200, i dont even think. I just hand over the money. It astounds me how a software emulation can come so close to such a coveted sound. Thanks for doing this emulation UA.
V. Shevchuk
Awesome
What a beast. Sounds pretty killer. Obviously not a replacement for a 3 or $4,000 amplifier, but its definitely one of the finest emulations ive had the pleasure of jamming on. For less than $200, i dont even think. I just hand over the money. It astounds me how a software emulation can come so close to such a coveted sound. Thanks for doing this emulation UA.
G. McTaggart
Great to mid-gain, not for anything higher.
Love this for medium gain crunch. Doesn't hold up when cranked. One of my favorite tones is a plexi with most settings on 10 like early Van Halen. This doesn't do it. Still looking for a good way to get that tone on UAD. BE-100 is probably the closest, but is way too compressed.
B. Garfinkel
ehh. it kinda rocks....
i actually meant to get the jmp2203 plug and got this one on accident. it works well however the microphone channels strip isnt as good as the 2203. the mics seem to go out of phase when blended and the signal is very small sounding compared to the other one. seems like the other has more bottom end to it. maybe i shouldve gotten the marshall bundle. or ahould not have ever sold my marshall in the first place. darn. anyway it does work and sound ok. it could be better tho. com on ua give us an updated plexi with better channel strip section. THANKS
B
S. Swanson
Pretty good
Still struggling to get any of the UAD guitar plugins to be perfect
This sound good direct in in unison slot
Haven't quite sorted revamping
Have to keep input levels low
I'll get there but not as useable as I would have liked
R. Virili
Good but...
This product looks like a good emulation of the amplifier, it sounds good even if you can not reach the same quality as the original; and this is a problem of all simulators of electric guitar that playing "digital" despite the efforts of software developers . I love your products but as always I must say that, for a non-professional user, these software cost too much. If you could lower the overall price of all plugins, you would do the " business boom " making happy many passionate users.
D. Riggs
Ummm a mix of feelings
I have been trying the Marshall Plexi and I remain a little pleased and a little irritated,
The amp itself seems fine. My doubts are reserved for the mixer.
On the face of it there seems to be no problem until I noticed the mixer has no mid control. This is my most important mixer control. I could not mix a valve mic with a fet mic. I was also irritated that the Coles 4038 ribbon mic was only used on the ambient channel. The very mic I would like micing the cab. Worse still we can't move the mic further or closer to the speaker or move it from the cap to the cone. All in all a bit frustrating.
When are the developers going to understand that guitarist actually want to take control of the software for ourselves like we would a real amp.