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by P. Galanakis (5/1/2017):

My favourite reverb plugin ever. Super versatile as multi efx. Read more

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EMT® 250 Classic Electronic Reverb Plug-In.
Iconic lever-driven digital reverb & modulation
effects unit.

Still regarded as one of the best-sounding reverb units ever made, the EMT® 250 Classic Electronic Reverb plug-in for UAD-2 and Apollo interfaces is a faithful emulation of the first digital reverb/modulation effects unit introduced in 1976.

The EMT 250 continues to leave an immeasurable mark on record-making history in the hands of studio legends like George Massenburg, Bruce Swedien, Daniel Lanois, Brian Eno, and
Allen Sides.

Now You Can:
  • Track and mix with the only emulation of the EMT 250 reverb unit, fully endorsed by EMT Studiotechnik GmbH
  • Dial in lush delay, phasing, chorus, and echo effects
  • Add distinctive space and depth to drums, guitars, and vocals with the same algorithm found in the original hardware
  • Harness plug-in-only features including Dry/Wet Mix, Wet Solo, and Hard bypass

Used on Countless Classics
The EMT 250’s distinctive clear and open reverb sound has appeared on countless records, including Prince & The Revolution’s Purple Rain, Elvis Costello’s Spike, and modern classics like The Red Hot Chili Pepper’s Stadium Arcadium.

Exclusively endorsed by EMT Studiotechnik
Designed in conjunction with EMT 250 designer Dr. Barry Blesser, the UAD plug-in version uses the same algorithms found in the original, extremely rare hardware. The EMT 250 plug-in was modeled from Allen Sides’ “golden unit” EMT 250 that resides at the legendary United/Ocean Way Recording.
With Unison Technology

Added Versatility with New Features
The EMT 250 plug-in goes beyond the original hardware, adding modern, workflow enhancing features like Dry/Wet Mix, Wet Solo, and Hard bypass. With these useful additions, the EMT 250 plug-in is even more powerful than the iconic hardware.


Note that artists names and/or likenesses contained herein do not constitute an official endorsement of Universal Audio products. All trademarks are property of their respective owners.



1976年にAESコンベンションでEMTによって発表され、2007年にTECアワードの殿堂入りをしまし た。純粋なエレクトロニック・システムによってアンビエンスを作る最初のデジタル・リバーブレーシ ョンでした。今日、この象徴的なレバードライブ型リバーブの忠実なエミュレーションをUADパワードプラグインとして導入できることを誇りに思います。約250台が作られましたが、EMT 250はレコード上では計り知れない影響をスタジオ・レジェンドのGeorge Massenburg、Bruce Swedien、Daniel Lanois、Brian Eno 、Allen Sides等多くの人に与えました。

  • 史上最高のリバーブユニットの一つとしてあげられるEMT250を忠実に再現
  • EMT 250設計者のBarry Blesser博士とUniversal Audioによって再設計し、オリジナルに忠実なエミュレーションを行いました
  • その他のEMT 250 エフェクトも搭載:ディレイ、フェイザー、コーラス、エコー、スペース
  • 正規代理店より販売されたUAD-2 DSP アクセラレーターカード を必要とします。
  • すべての特長を見る

EMT 250のクリアでオープンなリバーブ・サウンドは、Prince & The Revolutionの“Purple Rain”、Elvis Costelloの“Spike”、Red Hot Chili Pepperの“Stadium Arcadium”を始めとする無数のアルバムで聴くことができます。またEMT 250設計者のBarry Blesser博士とUniversal Audioによって再設計され、EMT Studiotechnik社によってエンドースされたEMT 250のUADパワードプラグインはエミュレーションを越えて、現物のユニットと全く同じアルゴリズムを実現しています。



1 of 4
  • Jacquire King

    (James Bay, Kings of Leon, Tom Waits)

    The EMT 250 plug-in is amazing. It’s all over Norah Jones' record. I used it on every song, it's that good.

    Just Blaze

    (Jay Z, Kendrick Lamar, Kanye West)

    I’m a really big fan of the UAD EMT 250. It’s so faithful to the original unit.

    Andrew Scheps

    (Adele, Red Hot Chili Peppers, The Duke Spirit)

    I use the EMT 250 because it has such a specific sound, and the UAD plug-in really does capture it.

    Joe Chiccarelli

    (Jason Mraz, Beck, The Strokes, Morrissey)

    The EMT 250 works great on snares. Keep it short and tight to add some dimension, or use the four-second range with full pre-delay for ballad-type songs.

    Rik Simpson

    (Coldplay, Portishead, Jay Z)

    Forget any other plate emulation, the UAD EMT 250 could actually be the real thing. Deep, wide, and full of personality.

  • Ryan Hewitt

    (Red Hot Chili Peppers, The Avett Brothers)

    "The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

    Jeff Russo


    "The EMT 250 [plug-in] is the perfect reverb for vocals. Warm and perfect tails."

    Glenn Rosenstein

    (Ziggy Marley, U2)

    "One plug-in I’m particularly happy with is the EMT 250 reverb ... And UA got it right. I mean spot on."



    "When I first called this [EMT 250 plug-in] up, waves of nostalgia kicked in ... the EMT 250 does an outstanding job."



    "To take your reverb to the next level, [the EMT 250's] full, spacious sound adds an overlay of reality that many digital reverbs lack."

  • Reviewer


    "You can't go wrong with UA's plugs, and these three [EMT 250, FATSO and Trident A-Range EQ] are no exception."

    Jacquire King

    (Norah Jones, Tom Waits)

    "[The EMT 250] just puts this beautiful halo of space and sound around the voice"

    Ryan Hewitt

    (Red Hot Chili Peppers, The Avett Brothers)

    Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.

    Paul White

    (Sound On Sound)

    "To my ears it [EMT 250] has a plate-like character but with noticeably less density ... very flattering to vocals ..."

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

  • (Computer Music)

    "The [EMT 250's] sound is very lush, with some pleasant modulation going on and a dark tonality."

    (Computer Music)

    "[The EMT 250] only really has one sound. But what a fabulous sound it is! It has a 'magic' to it that few others can touch"

    (Computer Music)

    "[The EMT 250 is] easy to mix with & sounds 'right' on a variety of material — we tried drums, percussion, vocals, synths & guitars."

    (Computer Music)

    "When you factor in the EMT 250's five funky extra effects, it all adds up to one outstanding plug-in. Great Work, UA!"

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The EMT reverb [plug-in] instantly took me back 20 years. I'm so glad to have such musical-sounding tools."


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平均評価 (226 レビュー)
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    secret weapon for doubling and spread.
    by P. Galanakis(Monday 1 May, 2017)

    My favourite reverb plugin ever. Super versatile as multi efx. ǶÁÂȪむ

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    The One to Get
    by J. Katz(Friday 7 April, 2017)

    This is an amazing plugin and unlike any other emulation. This is the one to get! ǶÁÂȪむ

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    by a. estlein(Wednesday 5 April, 2017)

    You dont have to di nothing to it.great default ǶÁÂȪむ

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    by R. Homes(Tuesday 28 February, 2017)

    Very good reverb ! Thanks UAD ǶÁÂȪむ

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    Fantastic, Rich sounding Reverb!
    by H. Abels(Tuesday 14 February, 2017)

    I've been auditioning a TON of reverb plugins lately and this one is one of the best. It offers a very rich, complex sounding reverb that has a warmth in the top end and the tails sound just fantastic. Easy to use and offers some other delay and modulation effects as bonus. Worth it just for… ǶÁÂȪむ


  • Mick Guzauski On Mixing Daft Punk

    The Grammy-winner is one of the most skilled and accomplished mixing engineers the industry has ever seen. 続きを読む

    Top Engineers Top "Desert Island" Plug-Ins

    If you were stuck on a desert island with your recording studio, what UAD plug-ins could you not live without?… 続きを読む

    Andrew Scheps on Engineering the Chili Peppers

    Andrew Scheps’ engineering and mixing credits read like a who’s who of popular music. 続きを読む

  • Rik Simpson

    Simpson has worked on three of Coldplay's albums, including Mylo Xyloto, which he co-produced, engineered, and helped mix. 続きを読む



EMT® 250 Classic Electronic Reverberator プラグイン


  • 史上最高のリバーブユニットの一つとしてあげられるEMT250を忠実に再現
  • EMT 250設計者のBarry Blesser博士とUniversal Audioによって再設計し、オリジナルに忠実なエミュレーションを行いました。
  • “Ocean Way Recording”においてAllen Sidesのゴールデン・ユニットからモデリング
  • EMT 250のディレイ共にモジュレーションエフェクトもモデリング:ディレイ、フェイザー、コーラス、エコー、スペース
  • 世界で唯一の本格的なエミュレーションとしてEMT Studiotechnik社より認可を受けています。
  • “UAD パワードプラグイン”のみの特長として、ドライ/ウェットのミックス、ウェットソロ、バイパスを追加。
  • 正規代理店より販売されたUAD-2 DSP アクセラレーターカード を必要とします。


  • Reverb program と レバー : ディケイタイムを0.4秒~4.5秒の間で設定
  • 4ポジション・レバーで高域周波数のディケイを選択
  • 4ポジション・レバーで低域周波数のディケイを選択
  • Delay program : 0 ~ 315msecまでをレバーによってディレイタイムを選択可能な2つの独立したディレイ・ライン
  • Phasing program : フェイズ・ポジションをレバーによってコントロール
  • Chorus program : レバーによって4つのコーラス・プログラムを選択
  • Echo program : 0 ~ 315msecまでをレバーによってディレイタイムを選択可能、高域のダンプも調整可能
  • Space : 10s の固定リバーブタイムを提供
  • Pre-Delay  : レバーによって0、20、40、60msから選択可能
  • Outputs switch : オリジナル・ハードウェアのリバーブ、フェイザー、スペース・モードでは4つの出力を使用でき、ディレイとコーラスではモノラルの合計、やエコーのミュートとしても動作
  • Mix slider :グローバルなウェット/ドライを調整
  • Global Wet Solo : バスで使用するためにウェットのみの出力に設定
  • LED メーター : 入力信号レベルを表示
  • “Register” LED : システム内部のクリッピングを表示
  • Power スイッチ : EMTアイコンをクリックしてエフェクトをバイパス

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