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{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" subheading="Baking the Backgrounds"}}{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}Baking the Backgrounds{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}{{widget type="uaudio_theme/Widget_TextLeft" content="__encoded__: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"}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}
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{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" content="__encoded__:SSB1c2VkIHRoZSBUZWxldHJvbml4IOKAnEdyYXnigJ0gTEEtMkEgZnJvbSB0aGUgPGEgaHJlZj0iL3VhZC1wbHVnaW5zL2NvbXByZXNzb3JzLWxpbWl0ZXJzL3RlbGV0cm9uaXgtbGEtMmEtY29sbGVjdGlvbi5odG1sIj5UZWxldHJvbml4wq4gTEEtMkEgQ2xhc3NpYyBMZXZlbGVyIENvbGxlY3Rpb248L2E+IHRvIGdlbnRseSBzcXVlZXplIHRoZSBiYWNrZ3JvdW5kcyBhbmQga2VlcCB0aGVtICJ0aWR5LiIgVGhlIENFLTEgYWxzbyBoZWxwcyBkZWxpdmVyIGEgZGlmZmVyZW50IHRpbWJyZSB0aGFuIHRoZSBsZWFkIHZvY2FsLCB3aGlsZSBhbHNvIGdpdmluZyB0aGUgcGFydCBtb3ZlbWVudC4="}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" subheading="Lead Vocal Treatment"}}{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}Lead Vocal Treatment{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}{{widget type="uaudio_theme/Widget_TextLeft" content="I wanted to keep the main vocal loud and proud in the middle.Here is the lead vocal dry:"}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}
{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" content="For the background vocals, I kept the same setting on the Cooper throughout, as it only appeared in the choruses.But for the lead vocal, I automated the Cooper Time Cube’s Panning control. During the intro and chorus, with the Wet/Solo engaged, the panning on each side set to 100%. When the line is repeated, it's at 50%. Eventually, when the backgrounds are gone, I bypassed the Cooper completely. Sidenote: sometimes just turning the Cooper on without doing anything to it can really do wonders for a track!Here is the lead vocal wet:"}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}
{{widget type="uaudio_theme/Widget_Spacer" height="small"}}Lead Vocal Chain{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}{{widget type="uaudio_theme/Widget_TextLeft" content="__encoded__: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"}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" subheading="Noise Lead Makeover"}}{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}Lead Noise Maker{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}{{widget type="uaudio_theme/Widget_TextLeft" content="I really loved the Noise Lead in this track, but as we were mixing it, it just wasn't popping out. The part brings a bittersweet, off-kilter element to the track that I wanted to have pierce through without becoming harsh.Here is the part dry:"}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}
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{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" content="I love how the CE-1 can be subtle, but relentless, in its ability to make something pop out of the mix. Whenever I am using chorus, I always think of this analogy: If you have 10 of the same pictures side by side in front of you, but only one of them is gently moving, which one do you look at? Same thing here; just having that element swaying ever so slowly makes it stand out in an unobtrusive way."}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}{{widget type="uaudio_theme/Widget_TextLeft" subheading="Saving the Drums"}}{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}Saving The Drums{{widget type="uaudio_theme/Widget_Spacer" height="medium"}}{{widget type="uaudio_theme/Widget_TextLeft" content="The drums on this song were quite a problem. We had an amazing drummer, Steve Nistor play on the entire record, but when we got back to my studio to do the mix, it turned out the files for this performance were corrupted, so we had to go back and use the BFD demo drums.The drum tones soloed were ok, but making them crack and pop out of the mix was not obvious — especially with so many other elements in the mix to compete against. The trick here was getting the details from the main drum track, while getting the compressed aggressiveness from parallel compression.Here are the drums dry:"}}{{widget type="uaudio_theme/Widget_Spacer" height="small"}}
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